Bernard Herrmann
| Bernard Herrmann | |
|---|---|
 Herrmann pada tahun 1970 | |
| Lahir | Maximillian Herman 29 Juni 1911 New York City, AS |
| Meninggal | 24 Desember 1975 (umur 64) Los Angeles, California, AS |
| Makam | Beth David Cemetery |
| Nama lain | Bernard Maximillian Herrmann |
| Pendidikan | |
| Pekerjaan |
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| Tahun aktif | 1934–1975 |
| Dikenal atas | Golden Age Film Composer |
| Suami/istri | Lucy Anderson
(m. 1949; c. 1964)Norma Shepherd (m. 1967) |
| Anak | 2 |
| Penghargaan | Academy Award 1941 untuk Skor Musik Film Drama, The Devil and Daniel Webster a.k.a. All That Money Can Buy BAFTA Award 1976 untuk Musik Film Terbaik, Taxi Driver |
| Situs web | thebernardherrmannestate |
| Penghargaan
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Bernard Herrmann (lahir Maximillian Herman; 29 Juni 1911 – 24 Desember 1975) adalah seorang komposer dan konduktor Amerika[1] terkenal karena karyanya dalam skor film. Sebagai konduktor, ia memperjuangkan musik dari komposer yang kurang dikenal. Ia secara luas dianggap sebagai salah satu komposer film terhebat.[2] Alex Ross menulis bahwa "Selama lebih dari empat dekade, ia merevolusi musik film dengan meninggalkan teknik musik ilustrasi yang mendominasi Hollywood pada tahun 1930-an dan menerapkan kosakata harmoni dan ritme khasnya sendiri."[3]
Pemenang Academy Award atas The Devil and Daniel Webster (1941),[4] Herrmann bekerja di drama radio, menggubah untuk The Mercury Theater on the Air milik Orson Welles, dan skor film pertamanya adalah untuk debut film Welles, Citizen Kane (1941). Ia dikenal karena kolaborasinya dengan Alfred Hitchcock, terutama The Man Who Knew Too Much (1956) (di mana dia membuat penampilan cameo sebagai konduktor di Royal Albert Hall), Vertigo (1958), North by Northwest (1959), Psycho (1960), The Birds (1963) (sebagai "konsultan suara") dan Marnie (1964) . Karya lainnya termasuk Jane Eyre (1943), Anna and the King of Siam (1946), The Ghost and Mrs. Muir (1947), The Day the Earth Stood Still (1951), Cape Fear (1962), Fahrenheit 451 (1966) dan Twisted Nerve (1968). Herrmann menggarap musik untuk film-film yang terinspirasi oleh Hitchcock, seperti The Bride Wore Black (1968) karya François Truffaut dan Sisters (1972) karya Brian De Palma dan Obsession (1976). Ia menggubah musik untuk beberapa film fantasi karya Ray Harryhausen, dan menggubah musik untuk televisi, termasuk Have Gun – Will Travel dan The Twilight Zone karya Rod Serling. Skor terakhirnya, yang direkam sesaat sebelum kematiannya, adalah untuk Taxi Driver (1976) karya Martin Scorsese.[5][6]
Film score
1940-an
- Citizen Kane (1941)
- The Devil and Daniel Webster (AKA All That Money Can Buy) (1941)
- The Magnificent Ambersons (1942) Uncredited.
- Jane Eyre (1944)
- Hangover Square (1945)
- Anna and the King of Siam (1946)
- The Ghost and Mrs. Muir (1947)
- Portrait of Jennie (1948) Theme. Uncredited.
1950-an
- The Day the Earth Stood Still (1951)
- Five Fingers (1952)
- On Dangerous Ground (1952)
- The Snows of Kilimanjaro (1952)
- Beneath the 12-Mile Reef (1953)
- King of the Khyber Rifles (1953)
- White Witch Doctor (1953)
- Garden of Evil (1954)
- The Egyptian (1954) Dengan Alfred Newman.
- Prince of Players (1954)
- The Trouble with Harry (1955)
- The Kentuckian (1955)
- The Man Who Knew Too Much (1956)
- The Man in the Gray Flannel Suit (1956)
- The Wrong Man (1956)
- Williamsburg: the Story of a Patriot (1957) Museum orientation film.
- A Hatful of Rain (1957)
- The Naked and the Dead (1958)
- The Seventh Voyage of Sinbad (1958)
- Vertigo (1958)
- Blue Denim (1959)
- North by Northwest (1959)
- Journey to the Center of the Earth (1959)
1960-an
- Psycho (1960)
- The Three Worlds of Gulliver (1960)
- Mysterious Island (1961)
- Cape Fear (1962)
- Tender Is the Night (1962)
- Jason and the Argonauts (1963)
- Marnie (1964)
- Joy in the Morning (1965)
- Torn Curtain (1966) unused score
- Fahrenheit 451 (1966)
- The Bride Wore Black (1967)
- Twisted Nerve (1968)
- The Battle of Neretva (1969)
1970-an
- The Night Digger (1971)
- Endless Night (1971)
- Sisters (1973)
- It's Alive (1974)
- Obsession (1976)
- Taxi Driver (1976)
Referensi
- ^ Rivkin, Steven E. (March 1997). "Benny, Max and Moby". Bernardherrmann.org. The Bernard Herrmann Society.
- ^ Huizenga, Tom (29 June 2011). "Bernard Herrmann at 100: Master of the Movie Score". NPR.
- ^ Ross, Alex (October 6, 1996). "The Music that Casts the Spells of Vertigo". The New York Times – via therestisnoise.com.
- ^ "The 14th Academy Awards". The Academy Awards. 3 October 2014.
- ^ Smith 2002.
- ^ Littlefield, Richard (2003). "Reviews: Steven C. Smith. A Heart at Fire's Center: The Life and Music of Bernard Herrmann". The Journal of Film Music. 1 (2/3). The International Film Music Society: 273–281. doi:10.1558/jfm.v1i2/3.273. ISSN 1087-7142. Diakses tanggal 17 March 2015.
Pranala luar
- The Bernard Herrmann Estate
- The Bernard Herrmann Society
- Bernard Herrmann di IMDb (dalam bahasa Inggris)
- Bernard Herrmann papers Diarsipkan 2008-05-09 di Wayback Machine., at the University of California, Santa Barbara Library.
- Bernard Herrmann at Soundtrackguide.net
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