Neoklasikisme

Psyche Revived by Love's Kiss karya Antonio Canova
Henry Fuseli, The artist moved to despair at the grandeur of antique fragments, 1778–79
Salam alam, 1910, Karya gaya neoklasik yang mewakili prosesi Romawi menuju Ceres, dewi gandum. Karya Cesare Saccaggi dari Tortona.
Salam alam, 1910, Karya gaya neoklasik yang mewakili prosesi Romawi menuju Ceres, dewi gandum. Karya Cesare Saccaggi dari Tortona.

Neoklasikisme (dari kata Yunani νέος nèos dan κλασσικός klassikòs classicus)[1] adalah nama yang diberikan untuk gerakan Barat dalam dekoratif dan seni rupa visual, sastra, teater, musik, dan arsitektur yang menggambarkan inspirasi dari seni rupa "klasik" dan budaya Yunani Kuno atau Romawi Kuno. Neoklasikisme lahir di Roma pada pertengahan abad ke-18, tetapi ketenarannya menyebar ke seluruh Eropa, ketika generasi pelajar seni Eropa menyelesaikan Tur Besar mereka dan kembali dari Italia ke negara-negara asal mereka dengan gagasan Yunani-Romawi yang baru ditemukan kembali.[2] Gerakan Neoklrasik utama terjadi pada Abad Pencerahan pada abad ke-18, dan berlanjut sampai awal abad ke-19, kemudian berkompetisi dengan Romantisisme. Dalam arsitektur, gaya tersebut berlanjut sepanjang abad ke-19, ke-20, dan ke-21.

Lihat pula

Catatan

  1. ^ "Etymology of the English word neoclassicism". myetymology.com. Diakses tanggal 2012-02-22.
  2. ^ The road from Rome to Paris. The birth of a modern Neoclassicism

Referensi

  • Clark, Kenneth, The Romantic Rebellion: Romantic versus Classic Art, 1976, Omega. ISBN 0-86007-718-7.
  • Honour, Hugh, Neo-classicism. Style and Civilisation 1968 (reprinted 1977).
  • Gontar, Cybele, "Neoclassicism", In Heilbrunn Timeline of Art History. New York: The Metropolitan Museum of Art, 2000– online
  • Hunt, Lynn, "Freedom of Dress in Revolutionary France", in From the Royal to the Republican Body: Incorporating the Political in Seventeenth- and Eighteenth-Century France, Editors: Sara E. Melzer, Kathryn Norberg, 1998, University of California Press, 1998, ISBN 0520208072,9780520208070
  • Fritz Novotny, Painting and Sculpture in Europe, 1780–1880, 2nd edition (reprinted 1980).
  • Rifelj, Carol De Dobay, Coiffures: Hair in Nineteenth-Century French Literature and Culture, 2010, University of Delaware Press, ISBN 0874130999, 9780874130997, google books

Bacaan tambahan

Lihat pula Referensi di arsitektur Neoklasik.

  • Eriksen, Svend. Early Neoclassicism in France (1974)
  • Friedlaender, Walter (1952). David to Delacroix (originally published in German; reprinted 1980)
  • Gromort, Georges, with introductory essay by Richard Sammons (2001). The Elements of Classical Architecture (Classical America Series in Art and Architecture)
  • Harrison, Charles; Paul Wood and Jason Gaiger (eds) (2000; repr. 2003). Art in Theory 1648–1815: An Anthology of Changing Ideas
  • Hartop, Christopher, with foreword by Tim Knox (2010). The Classical Ideal: English Silver, 1760–1840, exh. cat. Cambridge: John Adamson ISBN 978-0-9524322-9-6
  • Irwin, David (1966). English Neoclassical Art: Studies in Inspiration and Taste
  • Rosenblum, Robert (1967). Transformations in Late Eighteenth-Century Art

Pranala luar

Content Disclaimer

Informasi ini disarikan dari Wikipedia dan disajikan kembali untuk tujuan edukasi. Konten tersedia di bawah lisensi CC BY-SA 3.0. Kami tidak bertanggung jawab atas ketidakakuratan data yang bersumber dari kontribusi publik tersebut.

  1. The information displayed on this website is sourced in part or in whole from Wikipedia and has been adapted for the purpose of restating it. We strive to provide accurate and relevant information, however:
  2. There is no guarantee of absolute accuracy. Wikipedia is an open, collaborative project that can be edited by anyone, so information is subject to change.
  3. It is not intended to constitute professional advice. The content displayed is for informational and educational purposes only. For important decisions (e.g., medical, legal, or financial), please consult a professional.
  4. Content copyright. Wikipedia is licensed under the Creative Commons Attribution-ShareAlike License (CC BY-SA). This means that content may be reused with appropriate attribution and shared under a similar license.
  5. Responsible use. Any risk arising from the use of information from this website is entirely the responsibility of the user.