Becky Sharp (film)

Becky Sharp
Becky Sharp
	Theatrical release poster
Directed by	Rouben Mamoulian
Screenplay by	Francis Edward Faragoh
Story by	William Makepeace Thackeray; Langdon Mitchell
Based on	Vanity Fair; 1848 novel; by William Makepeace Thackeray
Produced by	Kenneth Macgowan; Rouben Mamoulian; Robert Edmond Jones
Starring	Miriam Hopkins; Frances Dee; Cedric Hardwicke
Cinematography	Ray Rennahan
Edited by	Archie Marshek
Music by	Roy Webb William Faversham
Production; company	Pioneer Pictures
Distributed by	RKO Radio Pictures
Release date	June 13, 1935;
Running time	84 minutes
Country	United States
Language	English

Full film

Becky Sharp is a 1935 American Technicolor historical drama film directed by Rouben Mamoulian and starring Miriam Hopkins who was nominated for the Best Actress Oscar. Other supporting cast were William Faversham, Frances Dee, Cedric Hardwicke, Billie Burke, Alison Skipworth, Nigel Bruce, and Alan Mowbray.

The film is based on the 1899 play of the same name by Langdon Mitchell, which in turn was based on William Makepeace Thackeray's 1848 novel Vanity Fair. The play was made famous in the late 1890s by actress Minnie Maddern Fiske. The screenplay was written by Francis Edward Faragoh. The film was considered a landmark in cinema as the first feature film to use the newly developed three-strip Technicolor production throughout, opening the way for a growing number of color films to be made in Britain and the United States in the years leading up to World War II. In 2019, the film was selected by the Library of Congress for preservation in the United States National Film Registry for being "culturally, historically, or aesthetically significant".^[2]^[3]^[4]

The film recounts the tale of a lower-class girl who insinuates herself into an upper-class family, only to see her life and the lives of those around her destroyed.

Plot

Becky Sharp (Miriam Hopkins), a socially ambitious young lady, manages to survive during the background years of Napoleon's defeat at Waterloo. Becky gradually climbs the British social ladder, overcoming poverty and class distinctions, through her best friend Amelia Sedley (Frances Dee), praising any rich man who will listen.

In her efforts to advance herself, she manages to connect with a number of gentlemen: the Marquis of Steyne (Cedric Hardwicke), Joseph Sedley (Nigel Bruce), Rawdon Crawley (Alan Mowbray), and George Osborne (G. P. Huntley Jr), the husband of Amelia.

She rises to the top of British society but becomes the scourge of the social circle, offending influential ladies such as Lady Bareacres (Billie Burke).

Sharp falls into the humiliation of singing for her meals in a beer hall, but she never stays down for long. At the end, she cons her last man and finally lands Amelia's brother, Joseph.

Cast

Miriam Hopkins as Becky Sharp
Frances Dee as Amelia Sedley
Cedric Hardwicke as Marquis of Steyne
Billie Burke as Lady Bareacres
Alison Skipworth as Miss Crawley
Nigel Bruce as Joseph Sedley
Alan Mowbray as Rawdon Crawley
G. P. Huntley Jr. as George Osborne
William Stack as Pitt Crawley
George Hassell as Sir Pitt Crawley
William Faversham as Duke of Wellington
Charles Richman as General Tufto
Doris Lloyd as Duchess of Richmond
Colin Tapley as William Dobbin
Leonard Mudie as Tarquin
May Beatty as Briggs
Charles Coleman as Bowles
Bunny Beatty as Lady Blanche
Finis Barton as Miss Flowery
Olaf Hytten as The Prince Regent
Pauline Garon as Fifine
James 'Hambone' Robinson as Sedley's page
Elspeth Dudgeon as Miss Pinkerton
Tempe Pigott as The Charwoman
Ottola Nesmith as Lady Jane Crawley
Creighton Hale as British Officer (uncredited)

Production

John Hay "Jock" Whitney and Cornelius Vanderbilt Whitney formed Pioneer Pictures specifically to produce color films, and signed a contract to release Pioneer films through RKO Radio Pictures.

After producing La Cucaracha, Becky Sharp, and Dancing Pirate (1936), the Whitneys and David O. Selznick formed Selznick International Pictures. Two Selznick International films, A Star Is Born and Nothing Sacred (both 1937), were produced by Selznick, copyrighted by Pioneer Pictures, and released through United Artists rather than RKO. The film went public domain in 1963 after the copyright lapsed and was not renewed.

Lowell Sherman, the original director, had fallen ill while working on Night Life of the Gods before starting Becky Sharp, but had continued to work on the project; he died of double pneumonia four weeks into production.^[5]

Future First Lady Pat Nixon, who was a sometimes movie extra while attending college at USC, had a single spoken line in the film, but it did not make the final edit.

After Sherman's death, Rouben Mamoulian was brought in to finish the film. Mamoulian did not use any of the footage shot by Sherman, deciding instead to reshoot the entire film.^[6]

Color development

Becky Sharp was the first feature film to use the three-strip Technicolor process, which created a separate film register for each of the three primary colors, for the entirety of the film.^[7]

Earlier live action films to use the new Technicolor process for part of the film include the final musical number in the feature The Cat and the Fiddle released by MGM in February 1934, and in short sequences filmed for other movies made during 1934, including The House of Rothschild (Twentieth Century Pictures/United Artists) with George Arliss and Kid Millions (Samuel Goldwyn/United Artists) with Eddie Cantor. Warner Brothers released two Leon Errol shorts, Service with a Smile (July 28, 1934) and Good Morning, Eve! (September 22, 1934), and RKO Pictures released the short La Cucaracha (August 31, 1934).^{[citation needed]}

Reception

Writing for The Spectator, Graham Greene raved that "colour is everything here" and characterizing its use in the film as "a triumph". Although Greene complained that the Technicolor "plays havoc with the women's faces", leveled criticism at Hopkins for her "indecisive acting", and noted that he had found the film's climax in Bath to be "absurd" and "silly", he described these minor complaints as "ungrateful" and his overall impression was that the film gave "delight to the eye".^[8]

Awards and honors

Wins

Venice Film Festival: Best Color Film, Rouben Mamoulian, 1935^[9]

Nominations

Academy Awards: Best Actress in a Leading Role, Miriam Hopkins, 1935
Venice Film Festival: Mussolini Cup, Rouben Mamoulian, 1935

Preservation status

For many years, the original three-color Technicolor version of the film was not available for viewing, though a 16 millimeter version was available. This version had been printed (poorly) on two-color Cinecolor stock which did not accurately reproduce the colors of the original film. The smaller film gauge also resulted in a grainier, inferior image.

In the 1980s, the UCLA Film and Television Archive restored the film, under the supervision of archivist Robert Gitt. Rouben Mamoulian appeared at the premiere of the restored print at the Academy of Motion Picture Arts and Sciences theatre in Beverly Hills.