For his son, the Swiss writer and painter, see Albert J. Welti.
Albert Welti (18 February 1862 – 7 June 1912) was a Swiss painter and etcher. Many of his works depicted dreams or nightmares.
Biography
Welti was born in Zurich as the oldest of seven children of Jakob Albert Welti-Furrer (1833-1906), a hauler, and Anna Barbara Furrer.[1] Part of the French Armée de l'Est was billeted on his grandfather's property in 1871, and watching their activities inspired his later interest in historical scenes.
After completing his primary education, Welti attended the local Industrieschule, where he studied engraving with Johann Conrad Werdmüller.[1] In 1880, he began a photography apprenticeship[1] with his uncle Oswald Welti (1843-1932) in Lausanne, but stayed with him for only one year, enrolling at the Academy of Fine Arts, Munich in 1882. After returning to Zurich in 1886, he became an student and assistant of painter Arnold Böcklin, who would become his main influence.[1] Welti worked at Böcklin's studio until 1891, when he began his career as an independent artist.[1]
In 1894, Welti married Emmeline Wildbolz.[1] They settled in the outskirts of Munich the next year, where Welti opened a studio.[1] He regularly travelled to Switzerland, and after his father's death, Welti assuaged his grief by visiting Innertkirchen and Vättis, where he created numerous pastel nature studies. After that, he worked in Munich until 1908. While there, he became friends with the author Hermann Hesse.
^Tages-Anzeiger "Freimarken 1907–1914. Die Motive, ein Thema im Volk und Parlament", by Reinhard Stutz
^Philatlie Schweiz, Ulrich Fehlmann, "Streit um Walter: Die Polemik um die Briefmarkenausgabe von 1907".
Further reading
Philippe Welti and Gaudenz Welti. Albert Welti, 1862–1912. Schweizer Maler und Zürcher Zünfter. Ein Lebensbild des um 1900 bekanntesten Schweizer Malers und Zeichners. Zunft zur Waag. Zürich 2012. ISBN978-3-033-03314-6.
External links
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