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Anna Weesner

Anna Weesner
Born1965 (age 59–60)
Alma mater
OccupationComposer
EmployerUniversity of Pennsylvania
AwardsGuggenheim Fellowship (2009)
Musical career
GenresClassical music
InstrumentFlute

Anna Weesner (born 1965) is an American classical composer. Originally a flute student, educator, and performer, she later shifted towards composing in the 1990s. A 2009 Guggenheim Fellow, she has released two albums – Small and Mighty Forces (2014) and My Mother in Love (2024) – and she is Dr. Robert Weiss Professor of Music at the University of Pennsylvania.

Early life and career

Anna Weesner was born in 1965 in Iowa City, Iowa.[1] Her parents were both artists, her mother a high school music teacher specializing in piano and her father a novelist who studied at the Iowa Writers' Workshop at the time of her birth.[2] She was later raised in Durham, New Hampshire, where her father worked at the University of New Hampshire at the time.[2]

Originally interested in the violin as a child, Weesner switched to flute as a teenager,[2] and was performing the instrument at public venues by 1987.[3] After studying composition and piano with Martin Amlin at Phillips Exeter Academy,[2] she obtained her BA in Music (1987) at Yale University, where she studied under Jonathan Berger, Michael Friedman, and Thomas Nyfenger, and her MFA (1993) and DMA (1995) at Cornell University, where she studied under Karel Husa, Roberto Sierra, and Steven Stucky.[3][1]

Composition career

Weesner participated in the 1995 Young Americans' Art Song Competition, where she was one of the winners with a composition for the Emily Dickinson poem "Alter! When the Hills do".[4] She was a MacDowell Colony Fellow in 1995, 1998, and 2001.[5] Bernard Holland of The New York Times said that in a 1996 performance in Voices of the Spirit at the 92nd Street Y, she "offer[ed] a spiritual vision that prefers hard truths to warm reassurance."[6] In 2000, Peter Dobrin of The Philadelphia Inquirer said that the instrumental ranges of her piece "Sudden, Unbidden" "mak[e] for an unattractive, expressive skittishness";[7] the next year, he praised her for "knowing the value of repetition" and being "especially communicative" in the first song of her composition series Early, After, Ever, Now.[8]

Weesner's 2002 piece "Still Things Move", commissioned for the Metamorphosen Chamber Orchestra, was commended by Ellen Pfeifer of The Boston Globe as "a very attractive essay in three interconnected movements",[9] and Allan Kozinn of The New York Times said that it "thrived on the ground between the Wuorinen and the Hovhaness" and "in its best moments it was animated and full of surprising turns."[10] She was a 2003 Pew Fellow in Music,[11] and was the recipient of a 2008 American Academy of Arts and Letters Academy Award[12] and a 2009 Guggenheim Fellowship.[1]

Weesner's album Small and Mighty Forces was released from Albany Records in 2014;[13] David W. Moore praised it for its sound and instrumental composition.[14] The same year, her 2006 piece "Mother Tongues" was performed at the Tanglewood Music Festival; Matthew Guerrieri of The Boston Globe said that it "circled its short, often pop-pentatonic motives, judged the arrangement from a distance, went back in and shifted things around."[15] In 2018, she won the Virgil Thomson Award in Vocal Music.[16] She was a 2020 winner of an Independence Foundation Fellow in Performing Arts.[17] In 2023, she was awarded a Fromm Foundation Commission.[18] In 2024, she released another album, My Mother in Love, from Bridge Records.[19]

According to David W. Moore, Weesner's "music is enjoyable, as you may judge by the zany titles".[14]

Education career

Weesner originally taught flute privately during her undergraduate studies, and she was a teaching assistant at Cornell while a graduate student there.[3] In 1997, she became an assistant professor of music at the University of Pennsylvania, before becoming promoted to associate professor in 2004 and full professor in 2012.[3]

Weesner was appointed undergraduate chair of Penn's Department of Music in 2006,[3] before becoming full chair afterwards.[20] In 2019, she was the Maurice Abravanel Distinguished Visiting Composer at the University of Utah.[21] In 2022, Weesner was appointed Dr. Robert Weiss Professor of Music at Penn.[20]

Discography

Title Year Details Ref.
Small and Mighty Forces 2014 [13]
My Mother in Love 2024 [19]

Other compositions

Title Year Album Ref.
"Alter? When the Hills Do"
(lyrics by Emily Dickinson)
1996 Non-album [4]
"Falling In"
(by Orchestra 2001)
2002 Music of Our Time: Volume 5 [22]
"Distant Heart"
(by Mary Nessinger and Jeanne Golan)
2009 Innocence Lost: The Berg-Debussy Project [23]
"Vamp"
(by Prism Quartet)
2009 Animal, Vegetable, Mineral [24]
"Possible Stories"
(by Caroline Stinson)
2011 Lines [25]
"Flexible Parts"
(by Melia Watras)
2012 Short Stories [26]
"The Eight Lost Songs of Orlando Underground"
(by Romie de Guise-Langlois)
2019 Lark Quartet: A Farewell Celebration [27]

References

  1. ^ a b c "Anna Weesner". John Simon Guggenheim Memorial Foundation. Retrieved January 20, 2025.
  2. ^ a b c d "Anna Weesner: An interview by Tom Moore". Opera Today. April 10, 2010. Retrieved January 22, 2025.
  3. ^ a b c d e "Curriculum Vitae - Anna Weesner". University of Pennsylvania. Retrieved January 22, 2025.
  4. ^ a b "Alter? When the Hills Do". Song of America. Retrieved January 22, 2025.
  5. ^ "Anna Weesner - Artist". MacDowell. Retrieved January 22, 2025.
  6. ^ Holland, Bernard (March 16, 1996). "Gauging the Power of Words To Unify a Spectrum of Styles". New York Times. p. A16 – via ProQuest.
  7. ^ Dobrin, Peter (February 24, 2000). "Sweet, spirited sounds from Cassatt quartet". The Philadelphia Inquirer. p. B4 – via Newspapers.com.
  8. ^ Dobrin, Peter (April 24, 2001). "Network for New Music stages a premiere". The Philadelphia Inquirer. p. E8 – via Newspapers.com.
  9. ^ Pfeifer, Ellen (September 30, 2002). "Chamber orchestra starts fresh". The Boston Globe. p. B11 – via Newspapers.com.
  10. ^ Kozinn, Allan (October 10, 2003). "If It's Sunday It Must be American, but Not Anymore". New York Times. p. E4 – via ProQuest.
  11. ^ "Anna Weesner". Pew Center for Arts & Heritage. Retrieved January 21, 2025.
  12. ^ "All Awards". American Academy of Arts and Letters. Retrieved January 21, 2025.
  13. ^ a b "Anna Weesner: Small and Mighty Forces". Albany Records. Retrieved January 21, 2025.
  14. ^ a b Moore, David W. (2015). "WEESNER: Lift High, Reckon". American Record Guide. Vol. 78, no. 2. p. 175 – via ProQuest.
  15. ^ Guerrieri, Matthew (July 24, 2014). "Sound construction". The Boston Globe. p. G3 – via Newspapers.com.
  16. ^ "Composer Anna Weesner wins Virgil Thomson Award in Vocal Music" (Press release). American Academy of Arts and Letters. Retrieved January 8, 2024.
  17. ^ "Past Recipients: Arts Fellowships". Independence Foundation. January 31, 2022. Retrieved January 22, 2025.
  18. ^ "Anna Weesner". Fromm Music Foundation. Retrieved January 21, 2025.
  19. ^ a b "Anna Weesner Releases "My Mother in Love"". University of Pennyslvania Department of Music. September 27, 2024. Retrieved January 21, 2025.
  20. ^ a b "Anna Weesner: Dr. Robert Weiss Professor of Music". UPenn Almanac. Vol. 68, no. 33. May 3, 2022. Retrieved January 22, 2025.
  21. ^ "The Arts and U". @theU. September 20, 2019. Retrieved January 22, 2025.
  22. ^ "Music Of Our Time: Vol. 5". New World Records. Retrieved January 21, 2025.
  23. ^ "Albany Records: Innocence Lost". Albany Records. Retrieved January 22, 2025.
  24. ^ "Animal, Vegetable, Mineral". Prism Quartet. Retrieved January 22, 2025.
  25. ^ "Albany Records: Lines". Albany Records. Retrieved January 22, 2025.
  26. ^ Kelley, Peter (June 26, 2012). "'Short Stories': Eclectic new viola music from Melia Watras". UW News. University of Washington. Retrieved January 22, 2025.
  27. ^ "The Lark Quartet A Farewell Celebration BRIDGE 9524". Bridge Records. Retrieved January 22, 2025.
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