While Antebellum style homes have their roots in Neoclassical architectural styles, several adaptations to were made to compensate for the hot subtropical climate of the southern United States.
The main exterior characteristics of antebellum architecture included huge pillars, a balcony that ran along the whole outside edge of the house creating a porch that offers shade and spot to enjoy a breeze, and a sitting area in the cooler evenings. The evenly spaced large windows ventilated the warm air outside. Most homes had big centered entrances at the front and rear of the house.[3] A hipped or gabled roof are characteristics of antebellum architecture and often feature a cupola.[4] (A cupola is a dome-like structure on top of a building that provides ventilation and serves as decoration.[5]) These mansions were also often surrounded by grand gardens with geometrically cut bushes that complemented the symmetry of the houses.[6] Antebellum architectural structures often have multiple stories or levels.[7]
The interior of these mansions were just as extravagant as the outside. Common features included enormous foyers, sweeping open stairways, ballrooms, grand dining rooms, and detailed design work. The design work included intricate shapes and patterns made from plaster used to adorn walls and furniture. It was also used to create wood and floor designs. Designs additionally include friezes, large pier glasses, and marble mantels.[4]
Greek revival components apparent in antebellum architecture include doorways, often recessed and flanked by pilastered and entablatured columns.[7]
Similarly, Georgian architecture is illustrated with highly decorated entrances featuring colonnades, including a lunette over the door.[7]
Examples of Antebellum Architecture
The Herndon Glanton Reeves house, built in 1845 in Troup County, Georgia, was home to several prominent citizens and used as a hospital for both Confederate and Union soldiers during the Civil War. The detail on the staircase newel and on the wall are both common features of antebellum architecture.
Designed by Thomas Jefferson and James Madison, this building shows the Neoclassical style. Its grand columns and symmetry are all examples of the Classical style, which was widely used in government buildings.
Built in the Greek Revival style, this building features a central dome and classical columns. The design falls largely under the classical indications of Antebellum Architecture with grand columns on the facade among other items.
The home of Thomas Jefferson, Monticello blends Neoclassical and Palladian styles, with its iconic dome and symmetrical design reflecting Jefferson's architectural vision. The plantation relied on enslaved labor for its operation, which is important in understanding its historical and architectural context.
Oak Alley is a Greek Revival mansion, recognized for its long avenue of oak trees leading up to the house. The building's classical features, including columns and symmetry, reflect the style's influence in the Antebellum South.
Fruitland (Augusta, Georgia)
Designed by James Monroe and incorporating both Greek Revival and Palladian elements, Fruitland is a notable example of the architectural relationship between plantation estates and agricultural practices.[8]
An example of Greek Revival residential architecture, Rosedown features large columns and symmetrical facades. The design is intended to reflect the wealth and status of the owners, which was largely tied to plantation economy.
Home to President Andrew Jackson, The Hermitage is a Neoclassical style plantation house with distinctive elements like columns and a large portico. The architecture reflects Jackson's personal style and political power during the Antebellum period.
This church is an example of Greek Revival architecture, marked by its large columns and classical proportions. The design reflects the influence of classical architecture in religious buildings during the Antebellum period.
St. Philip's Church blends Georgian and Greek Revival styles, with its notable bell tower and use of other classical elements. The church is an example of how religious architecture during the Antebellum period often incorporated these popular architectural styles.
Though constructed after the Antebellum period, this Art Deco building reflects the continuing influence of classical design elements in the state's architecture, including the use of grand columns and verticality somewhat falling under the umbrella of Antebellum Architecture.
Built in the Neoclassical style, this building features symmetry and formal design, which were common in government buildings during the Antebellum period, reflecting classical traditions.
This building, part of Charleston's commercial and military history, features both Georgian and Neoclassical design elements. It is a key example of Charleston's role as a major port city, involved in trade and slavery during the Antebellum era.
The features associated with antebellum architecture were introduced by people of largely British descent who settled in the Southern states during the colonial period and in U.S. territories after the Louisiana Purchase of 1803 along with a wave of immigration from Europe in 1812.[9] Great numbers of Europeans seeking economic opportunities emigrated to America after Napoleon's defeat and the end of the war of 1812. This new wave of entrepreneurs began to dominate not only the economy, but also the architecture of the first half of the 19th century.[10]
A prime example of the influence of these immigrants in antebellum architecture is Stanton Hall, a mansion whose namesake is Frederick Stanton, an immigrant from Belfast[11] who made his fortune in trading cotton. The design was based on the Revival style. The Hall's architecture shows the increasingly connected national and global economy in which antebellum architecture emerged. The house used mantel pieces from New York, gas-burning chandeliers from Philadelphia, and mirrors from France. Similar to many antebellum homes, Stanton Hall was built using a fortune Stanton made trading cotton. During the Civil War, like many other plantation houses, the Hall was occupied by Union soldiers.[12]
President Andrew Jackson's home, The Hermitage, is another example of antebellum architecture and the social conditions in which it arose. It was built in the Federal Style which, while losing favor in the more trendy East, was still popular in Western slave states like Tennessee. Later, renovations made the house more in line with contemporary styles, adding Doric columns and making it more Classical and Revivalist in appearance.[13] Like other homes of its time, the Hermitage was built in a symmetrical design with equal amounts of corridors and rooms.[13] Not just reflecting the cultural differences between the West and East in this time, the Hermitage also was part of the South's economy. The Hermitage was an active plantation which grew the period's dominant cash crop, cotton.
Antibellum architecture holds close ties with social and racial structures that existed throughout the 19th-century Southern United States. Plantations and other grand antebellum architecture constructions stood as displays of wealth and power for white Southerners, reflecting the success of the slave-based plantation economies. The design and placement of these buildings, often in the Greek Revival style, symbolized the control and dominance of the plantation economy. In contrast, the slaves who worked on these plantations saw them as representations of their oppression and subjugation.[14]
Driskell and Trawalter (2021) explored how perception of antebellum architecture varied by race, with white Southerners viewing the buildings as symbols of identity and status, while Black individuals and enslaved people saw them largely as symbols of oppression. These differing perspectives held a role in reinforcing the social structures of the time. The relationship between antebellum architecture and the social hierarchy of the 19th dentury continues to be studied, as modern views of these buildings address both their architectural beauty and their historical associations with slavery.[14]
Georgia's Old Governor's Mansion is one of the finest examples of the High Greek Revival architecture of this period. The mansion, located in Milledgeville, was designed by Charles Cluskey, an Irish immigrant who emigrated to New York City in 1827 where he trained to be an architect under the firm Town and Davis, and was built by Timothy Porter in 1839. Like other antebellum homes, this mansion has Ionic columns, a covered porch, and symmetrically placed windows. For over thirty years, this mansion housed many Georgian chief executives such as George Crawford, Howell Cobb and Joseph E. Brown. It was used as a stage for their speeches, and a place to introduce important guests. This mansion also played a part in the Civil War; General William T. Sherman headquartered in the building in 1864 and it was claimed as a prize in the "March to the Sea." After the war, the mansion was abandoned when Georgia's government was moved to Atlanta.[15]
After the Civil War, the upkeep of these homes was strained. Stanton Hall, for example, was owned by the descendants of Stanton for several decades after the Civil War, but eventually the financial burden was too much and it became the Stanton College for Young Ladies.
Today most antebellum buildings serve as museums. These museums, especially the museums located at former plantations, often attempt to show both sides of the architectural style. While celebrating the beauty of the buildings, they also tell the story of the slaves who worked the land. Boone Hall is a prime example of modern antebellum museums. The museum uses nine of the original slave cabins built between 1790 and 1810 as part of its "Black History in America" exhibit. In the exhibit, each cabin presents different aspects of slave life on the plantation, presenting to the public the country's history of slavery.[16]
Regional Variations in Antebellum Architecture
Antebellum Architecture in the Southern United States is largely associated with various buildings largely made up of the Greek Revival Style that fills much of the South. Regional variations can be found such as in Middle Georgia which reveal how variables such as local resources, climate, and numerous other factors can influence the architectural style.
The architecture of Middle Georgia, particularly in the Oconee region, is one example of this, with distinct adaptations to the local conditions. Aspects of the local architecture that diverge from the standard style include the materials used and other modifications reflecting the local climate. The iconic plantation homes of the antebellum style were largely faithful to the original design but incorporated locally sourced brick, which acted as an insulator against the hotter summer climate.[17]
The regional variations also differ due to local economic conditions, with the economy being primarily based on cotton cultivation and farming. The buildings were constructed as demonstrations of wealth and power, with these key aspects serving as central design elements. The buildings showcased the material success of local plantations, which were the primary examples of antebellum architecture in the region.[17]
In modern society
An estimated 20% of antebellum mansions remain intact in the south today due to many being burned during the Civil War, natural disasters, and their neglect.
Many antebellum homes are now museums; Georgia's Old Governor's Mansion is an example of this. The mansion belongs to Georgia College, and is its most treasured structure. In 2001, the structure began its restoration, and now serves as a museum that exhibits artifacts and gardens that showcase its history. Tours are available today that focus on the history of the building, gardens, and artifacts. The mansion was declared a National Historic Landmark in 1973.[15]
In 2005, Hurricane Katrina struck Louisiana and Mississippi. Its effects damaged or destroyed many antebellum buildings throughout the South. This destruction once again raised the question of whether or not these buildings, as symbols of a wealthy society propped up by slavery, should be preserved. For example, Grass Lawn, an antebellum mansion in Gulfport, Mississippi, was totally destroyed by the hurricane. As the community began to raise funds to rebuild the mansion, it faced resistance from parts of the community who opposed the symbolism of the mansion.[18] Though it eventually passed through city council, the bill funding the reconstruction was at first even voted down.
Many prime example of antebellum architecture did not receive the same support as Grass Lawn. In the wake of Katrina, cleanups of cities often did not follow the guidelines of the National Historic Preservation Act. Hundreds of properties were destroyed with little hope of being reconstructed or commemorated.[10] There are movements however, to preserve these historic properties. FEMA (Federal Emergency Management Agency) for example helps to preserve important architectural properties, especially those affected by Katrina.[19]
