The Lab contained a 'soft floor' cinema in the basement designed and run by David Curtis. In the entrance there was a gallery space co-curated by Biddy Peppin (Curtis's partner) and Pamela Zoline. In a separate (but connected) warehouse was the theatre, designed by Jack Henry Moore, who initially co-directed the activities there. Both the cinema and theatre were constructed by David Jeffrey, whose partner, Philippa James, was closely involved in the Lab's day-to-day running. Upstairs, the space in front initially housed a film workshop put together by Malcolm Le Grice and students from St. Martin's School of Art and the London School of Film Technique, and subsequently a restaurant run by Susan Miles.[2] Haynes lived in the back above the storage and dressing rooms. A number of other people lived in various corners of the building, and the all-night cinema was often seen as a cheap crash-pad.[3] Such amenities made it perfect for live events and "happenings", and helped establish it as a centre of the London counterculture.
Yoko Ono and John Lennon's first joint artwork Build Around was exhibited at the Drury Lane Arts Lab in May 1968.[6]
David Bowie, who used to rehearse (and perform mime) at the Drury Lane Arts Lab, co-founded a Beckenham Arts Lab, which organised a one-day free festival, but was disillusioned by the lack of interest of other performers/artists taking an active role in the continuation of the centre.[7]
Wheeler Winston Dixon worked at the Arts Lab in the summer of 1968, writing for the Lab's newsletter, as well as making and screening his own films.
The Havering Arts Lab, run by future Stuckism founder Charles Thomson (at the time aged 16) resulted in the headline "Sex Orgy Tale—Group Banned" in the local newspaper.[9]
Alan Moore, writer of comic books including Watchmen and V for Vendetta, regarded as "one of the most important British writers of the last fifty years".[15] was involved with many activities,[16] including poetry, in the Northampton Arts Lab.[17]
Influence
An Arts Lab Newsletter was produced by Nicholas Albery of BIT in 1968 and updated in various editions of Bitman in later years.
The first multi-day free festival in the UK, the Cambridge Free Festival, was organised by the Cambridge Arts Lab in 1969.[18]
In London, a New Arts Lab (also titled 'Institute for Research in Art and Technology') was founded by a breakaway group of original members and others, including the London Film-Makers' Co-op.[20] Housed between 1969 and 1971 in a short-life factory building in Robert Street, London NW1, it contained a cinema run by David Curtis, theatre and gallery spaces, the London Film Makers' Co-op workshop, John Hopkins's TVX, and a printing workshop run by John Collins. The full-width opening doors at ground floor level enabled J. G. Ballard's Crashed Cars exhibition to be held there.[21]
After a 'Day of Counter-Culture' meeting,[22] a new Northampton Arts Lab was formed in 2016.[23]