Avalon
Studio album by Roxy Music
Released	28 May 1982 (1982-05-28)
Recorded	1981–1982
Studio	Compass Point, Nassau, Bahamas Power Station, New York City
Genre	Sophisti-pop[1][2][3] new wave[4][5] pop-soul[6]
Length	37:26
Label	E.G. Polydor
Producer	Rhett Davies Roxy Music
Roxy Music chronology
Flesh + Blood (1980) Avalon (1982) The High Road (1983)
Singles from Avalon
"More than This" Released: March 1982 "Avalon" Released: June 1982 "Take a Chance with Me" Released: September 1982

Avalon is the eighth and final studio album by the English rock band Roxy Music, released on 28 May 1982 by E.G. Records, and Polydor. It was recorded between 1981 and 1982 at Compass Point Studios in Nassau, Bahamas, and is regarded as the culmination of the smoother, more adult-oriented sound of the band's later work. It has been credited with pioneering the sophisti-pop genre.^[7]

The first single, "More Than This", preceded the album and was a top 10 hit in Britain, Australia, and several European countries. "Avalon", the second single, reached the top 20; "Take a Chance with Me" reached the top 30. In the United States, "More Than This" and "Take a Chance with Me" reached 103 and 104.

Avalon is Roxy Music's most successful studio album. It stayed at number one on the UK Albums Chart for three weeks, and stayed on the chart for over a year. Although it reached only No. 53 in the US, Avalon endured as a sleeper hit and became Roxy Music's lone million-selling US record, ultimately receiving platinum certification. While the band has toured periodically since the album's release, it remains their most recent studio album to date.

The Roxy Music singer, Bryan Ferry, started working on the material for Avalon while staying at Crumlin Lodge on the west coast of Ireland. Ferry was there with his girlfriend, Lucy Helmore, who would become his wife in 1983. The album cover artwork featured the same lough (lake) that can be seen from the lodge.^[8]

The guitarist, Phil Manzanera, has said about the making of the record, "By the time you get to Avalon, 90 per cent of it was being written in the studio. That album was a product of completely changing our working methods," adding "for the last three albums, quite frankly, there were a lot more drugs around as well, which was good and bad. It created a lot of paranoia and a lot of spaced-out stuff."^[9] Ferry said: "I've often thought I should do an album where the songs are all bound together in the style of West Side Story, but it's always seemed like too much bother to work that way. So instead, I have these 10 poems, or short stories, that could, with a bit more work, be fashioned into a novel. Avalon is part of the King Arthur legend and is a very romantic thing, when King Arthur dies, the Queens ferry him off to Avalon, which is sort of an enchanted island. It's the ultimate romantic fantasy place."^[10]

Manzanera said of the title track, "Avalon", "When we were recording the third or fourth album in London we'd often be working in the same studio as Bob Marley, who'd be downstairs doing all of those famous albums. It just had to rub off somewhere."^[11] Rhett Davies recounted the story of how the song got made:

"Ferry had stayed up that Saturday night and composed what would be the lyrics to "Avalon." Then, happenstance would provide "Avalon" with one of its most memorable elements: the interpretive vocal contributions of Yanick Étienne. Sunday was usually a down day at the Power Station, so the studio would let local Haitian bands come in to do demos when there wasn't much happening. It was then that Davies and Ferry, on a coffee break in the hallway, heard Etienne singing.

"Bryan and I could hear this girl from the Haitian band next door singing, and we thought, 'Wow! What a voice! We've got to get her singing some backing vocals on "Avalon."' That was Yanick Étienne, who didn't speak a word of English. She came in with her boyfriend/manager and we described to him what we wanted and she sort of sang the choruses and the [word] 'Avalon' – the great sound that is on there. Then we said, 'Can she try and do something free at the end?' and we ran the end of the track and she did absolutely nothing. So I said, 'No, we want her to sing anything that she would want to sing, totally free.' So the second time we ran the tape, she sang exactly what you hear on the record at the end.

"Bryan then went straight out and re-sang his vocal properly, because he was so inspired by Yanick's singing. I remember Bryan's manager walked in the room and Bryan was just finishing his vocal. We were doing the playback and I'd never seen the look on his eyes before. He went, 'Jesus fucking Christ! That is incredible!' Well, we knew it was a really high point of the evening. I remember going, 'Wow! We have really created something special here.' That is how I felt. Then we mixed it the next day with Bob [Clearmountain].

"It was one of those turnaround things, where the original track was just about to be thrown in the can. And then suddenly, we did a completely different version of the song that just made the record for me," Davies concludes. "I thought, 'That's it. That completes the record!' I remember we had dinner a couple nights later, and I asked Bryan, 'What are you going to call the album?' and he said, 'I'm going to call it Avalon,' and I thought, 'Yeah. Of course.'"^[12]

The artwork was designed by Peter Saville.^[13] Although less visually obvious than it had been with past releases, Avalon continued the tradition for Roxy Music albums to feature images of women on the cover artwork. Bryan Ferry's girlfriend (and soon to be wife) Lucy Helmore appeared on the album cover.

The scene was captured by photographer Neil Kirk at dawn, looking out over Lough Ugga Beag, Connemara. A robed figure wearing a medieval helmet is pictured from behind facing a body of water. A hooded Merlin Falcon is perched on their gloved hand, evoking King Arthur's last journey to the mysterious land of Avalon.^[14]

In November 1982, Roxy Music singer Bryan Ferry told the LA Weekly's Don Waller: “(Avalon) is the Isle of Enchantment, a fantasy place, a very romantic place… I thought this was the most romantic, dream-like album I’d ever done. I started working on the songs for Avalon on the west coast of Ireland, on the very lake that’s used in the photograph on the album cover".^[15]

Professional ratings

Review scores
Source	Rating
AllMusic	[16]
Mojo	[17]
Pitchfork	8.0/10[18]
Q	[19]
Rolling Stone	[20]
The Rolling Stone Album Guide	[21]
Smash Hits	8/10[22]
Spin Alternative Record Guide	9/10[23]
Uncut	[24]
The Village Voice	A−[25]

In The Village Voice's 1982 Pazz & Jop critics' poll, Avalon was voted the 11th-best album of the year.^[26] In 1989, the album was ranked No. 31 on Rolling Stone magazine's list of "The 100 Greatest Albums of the 1980s". In 1993, Entertainment Weekly included the CD as No. 25 in their 100 Greatest CDs A Love-It-Or-Loathe-It Guide to the Essential Disc Library.^[27] In 2000 it was voted number 187 in Colin Larkin's All Time Top 1000 Albums.^[28] In 2003, the album was ranked number 307 on Rolling Stone magazine's list of The 500 Greatest Albums of All Time. Avalon is the highest entry of four Roxy Music albums that made the list (Siren at No. 371, Country Life at No. 387 and For Your Pleasure at No. 394 being the others); Avalon and Country Life were dropped from the 2012 revision, but Avalon was re-included on the 2020 revision at No. 336. In 2012, Slant Magazine named the album the 45th best album of the 1980s.^[29]

The album has consistently been praised by critics. Reviewing the album in Rolling Stone, Kurt Loder wrote: "Avalon takes a long time to kick in, but it finally does, and it's a good one. Bryan Ferry stars as a remarkably expressive keyboard player and singer whose familiar mannerisms are subsumed in a rich, benevolent self-assurance. And reed man Andy Mackay shines in a series of cameos (his oboe meditation on Ferry's "Tara" is particularly lovely). Ten years after its debut, Roxy Music has mellowed: the occasional stark piano chords in "While My Heart Is Still Beating," for example, recall the stately mood of "A Song for Europe," but the sound is softer, dreamier and less determinedly dramatic now. Ferry's songwriting, however, has seldom seemed stronger."^[20]

Mark Coleman in The New Rolling Stone Album Guide gave the record four-and-a-half stars out of five, and wrote; "this austere, beautiful set of songs represents a mature peak. The controlled chaotic edge of the early albums is completely gone, and co-founders Manzanera and Mackay provide only skeletal guitar and sax lines. Ferry fills in the details, creating layered synth landscapes around his tragic scenarios and melodic ruminations. Avalon's pervasive influence on the British pop scene of the '80s can't be overstated. Roxy Music's stature is even further enhanced by the absence of a latter-day comeback album. So far, anyway."^[30] Spin Alternative Record Guide rated Avalon nine out of ten: "1982's Avalon remains one of the all-time great makeout infernos, a synthesized version of Al Green's Call Me, Van Morrison's Moondance, and João Gilberto's Amoroso."^[23]

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In 2003, Virgin reissued Avalon on Hybrid Super Audio CD with a new 5.1-channel surround sound remix by the original production team of Rhett Davies (the producer) and Bob Clearmountain (the mixing engineer). The original 1982 stereo mix is left intact and is the same for the CD layer and for the HD layer, allegedly being transferred from analogue master tapes to DSD and processed in DSD throughout the process. The surround part of the HD layer includes the full album in the original running order plus the bonus track "Always Unknowing", whose original stereo mix is only available on CD on the 4-CD boxed set The Thrill of It All and in the 2012 Roxy Music Complete Recordings boxed set.

Except for "India", the short instrumental piece whose original multi-track tape had been lost, all tracks in the surround mix were remixed from multi-track sources, as opposed to two-channel stereo mixes being 'upmixed' to 5.1 as in some DVD-Video releases. For "India," the stereo mix is panned clockwise a few times as the track plays, which ends in the rear right channel, from which the saxophone begins the next piece, "While My Heart Is Still Beating," making up for "India" not being a fully-fledged surround recording.

The surround mix has roughly the same running times as the ten tracks present in the stereo mix. The main difference is in the stereo image being 360-degrees wide, as opposed to a front image plus rear ambiance, and the levels at which various tracks from the multi-track are mixed into the multi-channel mix. For instance, the guitar parts in "The Main Thing" and "Take a Chance with Me" are noticeably more prominent in the multi-channel mix than in the stereo mix. Guitar, saxophone, synthesizer, and percussion parts are often placed in the rear part of the sound field, while lead vocals tend to stick to the front centre, as opposed to being mixed in dual-mono in front left and right like in the somewhat traditional 2.0 stereo mixing.

In an interview with Sound on Sound regarding the surround-sound remix of Avalon, Clearmountain stated: "This record probably means more to me than anything I've ever done. I've had more comments and compliments on this album by far than anything else I've ever done."^[31]

Track numbering refers to CD and digital releases of the album, except where noted.

Roxy Music

• Bryan Ferry – vocals (1–3, 5–9), keyboards, guitar synthesizer (4), Linn LM-1^[32]
• Andy Mackay – saxophones (1–6, 9, 10), oboe (7)
• Phil Manzanera – lead guitar (1–7, 9)

Additional personnel

• Paul Carrack – acoustic piano (8)
• Neil Hubbard – guitars (1–9)
• Jimmy Maelen – percussion (1–3, 5, 7, 9)
• Kermit Moore – cello (8)
• Andy Newmark – drums (1–7, 9)
• Rick Marotta – drums (8)
• Alan Spenner – bass guitar (1, 3–6, 8, 10)
• Neil Jason – bass guitar (2, 6, 7, 9)
• Fonzi Thornton – backing vocals (1–3, 5–7, 9)
• Yanick Étienne – backing vocals (3)

Production

• Rhett Davies – producer
• Roxy Music – producers
• Benjamin Arbiter – assistant producer
• Barry Bongiovi – assistant producer
• Colin Good – assistant producer
• Ian Little – assistant producer
• Peter Revill – assistant producer
• Bob Clearmountain – engineer, mixing
• Michael Boddy – tape archivist
• Bob Ludwig – mastering at Masterdisk (New York, NY)
• Bryan Ferry, Neil Kirk, Antony Price and Peter Saville – cover artwork

• Avalon at Discogs (list of releases)