Begin Again is a 2013 American musicalcomedy-drama film written and directed by John Carney and starring Keira Knightley and Mark Ruffalo. Knightley plays a singer-songwriter who is discovered by a struggling record label executive (Ruffalo) and collaborates with him to produce an album recorded in public locations all over New York City.
After the success of his 2007 musical film Once, Carney wrote the script for Begin Again in 2010 and employed Gregg Alexander to compose most of the film's music. With a US$8 million budget, production began in July 2012 with filming taking place in various locations around New York City. The film premiered in September 2013 at the Toronto International Film Festival and was released theatrically on June 27, 2014, in conjunction with the release of the film's soundtrack. It has grossed over $63 million worldwide and received mostly positive reviews from critics. It was nominated for an Academy Award for Best Original Song for "Lost Stars".
Plot
Formerly successful record label executive Dan Mulligan lives in New York City, estranged from his wife Miriam and struggling to keep up with the changing music industry. After being fired, he goes on a drinking binge, leading him to a bar on the Lower East Side where he encounters Gretta James.
Gretta is a young, fiercely independent songwriter from England, who just broke up with her longtime boyfriend and songwriting partner, Dave Kohl. A newly successful musician, he has had an affair with a production assistant. Captivated by Gretta's music, Dan offers to sign her to his former record label, and although initially refusing, she reconsiders and agrees.
Dan and Gretta meet with Saul, Dan's business partner and co-founder of the record label, but he does not see the same potential in her, turning her away. Undeterred, Dan proposes they produce their own album together, to be recorded live during the summer at various public locations around the city. Recruiting a team of talented musicians, including Steve (a busker and an old best friend of Gretta's), Dan sets out to make an album worthy of being published. During this time, Dan and Gretta bond both personally and professionally, and she takes his teenage daughter Violet, a fledgling guitarist, under her wing and encourages her to play on the album.
When Gretta sees Dave accepting an award on television, she criticizes him for selling out to the music industry and, with the help of Steve, she expresses her grievances with him in a song which she records on his voicemail. A remorseful Dave, back in New York promoting his new album, returns her call and asks to see her. After some consideration, she decides to meet with him and they critique each other's albums.
Gretta feels betrayed by Dave's heavily commercialized rendition of "Lost Stars" (a love ballad she had written and composed for him as a Christmas present) and believes the true meaning of the song has been lost. He tells her the audiences love the way he plays it, and that their energy fills the room. He believes that music is about sharing it with people, but Gretta insists it is not what she intended for that song. Nevertheless, Dave invites her to come and hear him play the song at the Gramercy Theatre that weekend so that she can see how his fans react to it.
When the album is finished, Dan and Gretta meet again with Saul, who is very impressed with their collaboration. She demands Saul give Dan his job back and her a bigger share in the deal. They leave without reaching an agreement, but Dan feels confident that Saul will eventually sign on Gretta. Later, after receiving a text message from Dave reminding her of his concert and much consideration, Gretta arrives at the venue just in time to watch Dave play her original arrangement of the song.
Watching him play, Gretta is initially happy to hear their song as she envisioned, but when the audience starts to cheer as it climaxes, she realizes that too much has changed. She leaves the concert and cycles through the city with a feeling of newfound hope and closure as a dejected Dave continues to perform.
Afterward, Gretta visits Dan at his apartment as he prepares to move back home, having made amends with his wife. She tells him she does not want him to release her album, instead preferring to distribute it online for $1. Although Dan returns to work with Saul, he agrees to let Gretta release the album online and helps her to promote the release. The next day, Saul jokingly fires Dan for promoting Gretta's album and informs him that it sold 10,000 copies on its first day of release.
Begin Again marked actress Keira Knightley's first singing role and singer Adam Levine's first acting role in a film.
Director John Carney conceived the premise for Begin Again several years before he began to write the screenplay in 2010.[2] The story was partly inspired by his own experiences as a musician in a band,[2] and from his impression of the artists and repertoire (A&R) executives of record labels during the 1990s, which formed the basis of Dan's character.[4] Carney wrote the script, which was initially titled Can a Song Save Your Life?, before he, Glen Hansard, and Gregg Alexander began writing the songs; he wanted "to work the music around the story, instead of the other way around."[4] The script's style of featuring songs as a natural element of the story was inspired by the 1954 Judy Garland musical film A Star Is Born, and is also employed in Carney's earlier film Once (2007).[5] Carney first pitched the film in 2010 to filmmaker Judd Apatow, who produced the film alongside Tobin Armbrust and Anthony Bregman whose production company Exclusive Media financed the film's US$8 million budget.[2]
Before casting Keira Knightley as Gretta, Carney considered casting a pop singer such as Adele in the main role, as well as a number of other actresses including Scarlett Johansson, who was at one point attached to the project.[2][6] Knightley, who had never sung professionally before, prepared for the role by training with a vocal coach and learning how to play a guitar.[7]Mark Ruffalo was Carney's first choice for the role of Dan,[2] and agreed to star in the film after Carney sent him the first draft of the screenplay.[6] Singer Adam Levine was also the only person Carney considered casting as Dave, and won the role after talking with Carney over Skype and recording some dialogue as an audition;[8] he declined to be paid for appearing in the film.[9] Although he had had minor acting parts on television before, Begin Again marked his first role in a film.[8] Carney approached James Corden to appear in the film after admiring Corden's performance in the lead role in a Broadway production of One Man, Two Guvnors.[10]
Principal photography of the film began in New York City on July 2, 2012,[11] and lasted for 23 days.[12] Carney chose to film in Manhattan's lesser known neighborhoods that would be more recognizable to locals than tourists. Specific locations included Greenwich Village, the East Village, Times Square, and Washington Square Park.[13][14] Rather than performing live during filming, the actors sang to pre-recorded tracks. In order to save money on hiring a full crew and extras, some scenes—including one in Times Square—were shot late at night with a handheld camera.[2] The rooftop location near the Empire State Building is located at 28 W 36th St.[15][16][17][18]
Carney's criticism of Knightley
During a series of interviews to promote his film Sing Street in 2016, Carney repeatedly criticized Knightley's performance and comportment while making Begin Again. When asked about the critical reaction to Sing Street by The Independent, Carney responded unprompted that "it's a small personal movie with no Keira Knightleys in it. It's really rewarding."[19] In the same interview, Carney also referred to her repeatedly as a model, despite the fact that Knightley had been working professionally as an actress since childhood, saying "I'll never make a film with supermodels again." He also criticized her in an interview with Heyuguys.com, saying, "I just think with Keira it was like asking her to do something that she could not do."[20] Though he did not specifically name Knightley, he did, in an interview with Den of Geek, say that his desire to make Sing Street came from his "experience of working, let's face it, with a model on my last film".[21] Filmmakers Massy Tadjedin, Mark Romanek, Lorene Scafaria and Lynn Shelton, who had worked with Knightley on other films, tweeted their support for her after Carney's comments.[22]
Carney later tweeted a public apology saying he felt like "a complete idiot" and saying that Knightley was "nothing but professional and dedicated" during the filming of the movie.[23]
In 2019, when asked about Carney's comments, Knightley accepted his apology and revealed that she was not shocked by his earlier comments as they had not gotten along during filming.[24][25]
Begin Againpremiered on September 7, 2013, at the Toronto International Film Festival. After a tense bidding war The Weinstein Company acquired the U.S. distribution rights to the film for a $7 million minimum guarantee and at least $20 million in prints and advertising, prevailing over companies including Summit Entertainment/Lionsgate, CBS Films, Fox Searchlight and A24.[2][30] It was later screened on April 26, 2014, on the closing night of the Tribeca Film Festival.[31] The film's title was changed from Can a Song Save Your Life? to Begin Again between its festival premiere and its theatrical release because viewers found it difficult to remember and it was often misquoted.[6] However, for the release in Germany, the original title was kept, while for the French release, it was changed to New York Melody.
Box office
The film was given a limited release in the United States on June 27, 2014, grossing $134,064 on its opening weekend, and opened in wide release on July 11.[3] It was re-released by The Weinstein Company on August 29, closer to the awards season.[32] Overall, the film earned $16,170,632 at the U.S. box office and $47,294,229 internationally for a total gross of $63,464,861.[3]
Critical response
Begin Again received generally positive reviews from critics. On Rotten Tomatoes, the film holds a rating of 83%, based on 170 reviews, with an average rating of 6.90/10. The website's critical consensus reads, "Writer-director John Carney's return to musical drama isn't quite as potent as it was with Once, but thanks to charming work from its well-matched leads, Begin Again is difficult to resist."[33] On Metacritic, the film has a score of 62 out of 100, based on reviews from 39 critics, indicating "generally favorable reviews".[34]
Rolling Stone critic Peter Travers gave Begin Again three out of four stars, praising the "subtle magic" of the lead actors' performances and Carney's creation of "surreal, enchanting loveliness" without being overly sentimental.[35] Ian Freer of Empire awarded the film four out of five stars, describing it as "lovely stuff, winningly played, open-hearted and guaranteed to slap on a smile on a balmy summer night."[36] In a review for Variety, Peter Debruge wrote that "Gregg Alexander's music is undeniably the best thing" about the film, which "lays emotions on the line and then drives them home with music."[37]The Hollywood Reporter's David Rooney praised the "disarming emotional candor and intimacy" of Carney's script and the chemistry between Knightley and Ruffalo,[38] while David Edelstein of New York enjoyed Ruffalo's "very funny" performance and Knightley's "surprisingly sweet singing voice".[39]
The Los Angeles Times'sKenneth Turan, on the other hand, opined that the story and performances felt contrived and that the film as a whole failed to impress as much as Carney's previous musical film Once.[40] Similarly, A. O. Scott of The New York Times wrote that Begin Again was a "disappointing, overly produced follow-up" to Once and found it "not very good, but ... kind of enjoyable."[41] In a review for The Guardian, Paul MacInnes awarded the film 2 out of 5 stars and described it as "a movie obsessed with authenticity but as phony as a Miley Cyrus dance routine."[42] The Chicago Sun-Times critic Bruce Ingram also found the film hypocritical, noting "the slightly bogus vibe" of the song performances that had been recorded in a studio but were meant to be played live.[43]
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