Charles Erskine Scott Wood (February 20, 1852 – January 22, 1944), also known as C. E. S. Wood, was an American author, civil liberties advocate, artist, soldier, attorney, and Georgist.[1] He is best known as the author of the 1927 satirical bestseller, Heavenly Discourse.
Early life
Born in Erie, Pennsylvania, Wood graduated from West Point in 1874.[2] He served as a lieutenant with the 21st Infantry Regiment and fought in the Nez Perce War in 1877. He was present at the surrender of Chief Joseph of the Nez Perce. It was Wood who transcribed, and perhaps embellished, Chief Joseph's famous speech, which ended with: "My heart is sick and sad. From where the sun now stands, I will fight no more forever."[3] The two men became close friends.
He raised his family in Portland at a house on King's Hill near the northeast corner of today's Vista Bridge. The site is now occupied by the Portland Garden Club in the Goose Hollow neighborhood. John Reed grew up a few blocks away and was greatly influenced by Wood.[4]
Oregon politics
Following his service he became a prominent attorney in Portland, Oregon, where he often defended labor unions and "radicals" including birth control activist Margaret Sanger.[5] He began to write, became a frequent contributor to The Pacific Monthly magazine, and was a leader of Portland's literary community.
Wood was unflagging in his opposition to state power. He advocated such causes as civil liberties for anti-war protesters, birth control, and anti-imperialism.[6] In 1927, he wrote in Heavenly Discourse that the "city of George Washington is blossoming into quite a nice little seat of empire and centralized bureaucracy. The people have a passion to 'let Uncle Sam do it.' The federal courts are police courts. An entire system with an army of officials has risen on the income tax; another on prohibition. The freedom of the common man, more vital to progress than income or alcohol, has vanished."[9]
Artist and painter
Wood advocated for the native peoples, but he also painted them. His love of painting generated numerous studies of landscapes and points of interest along the Oregon and California coastline. He also memorialized some of his favorite places in watercolor including Keats' grave and vistas from his home in Los Gatos, California.
His primary medium was watercolor and graphite. The Huntington Library has a good sampling of his artwork online.[10]
Time in Los Gatos
From 1925 until his death in 1944, Wood lived with his second wife, Sara Bard Field, in Los Gatos in a house named "The Cats" or the "Cats Estate" located on the hill on southbound Highway 17.[11] The house was built in 1925 on a 34-acre property, with an entry way featuring a wrought iron gate flanked by two large white cat sculptures, named Leo and Leona.[11] The sculptures were made by sculptor Robert Paine, and an image of them is featured on the seal of the town of Los Gatos. Many famous people visited this home, including Charlie Chaplin, Eleanor Roosevelt, and John Steinbeck.[11]
The Pursuit and Capture of Chief Joseph. Appendix in Chester Anders Fee, Chief Joseph: The Biography of a Great Indian, Wilson-Erickson, 1936. Retrieved from pbs.org 2008-04-08.
^MacColl, E. Kimbark (1979). The Growth of a City: Power and Politics in Portland, Oregon 1915–1950. Portland, Oregon: The Georgian Press. ISBN0-9603408-1-5.
^"Nan Wood Honeyman - Congresswoman". State of Oregon: Blue Book - Notable Oregonians. Oregon Secretary of States (SOS). Archived from the original on 2018-10-26. Retrieved 2021-02-02.
References
Books about C.E.S. Wood
George Venn, Soldier to Advocate: C.E.S. Wood's 1877 Legacy (La Grande: Wordcraft of Oregon, LLC, 2006) ISBN1-877655-48-1
Robert Hamburger, Two Rooms: The Life of Charles Erskine Scott Wood (Lincoln: University of Nebraska Press, 1998) ISBN0-8032-7315-0
Edwin Bingham and Tim Barnes (eds.), Wood Works: The Life and Writings of Charles Erskine Scott Wood (Corvallis: Oregon State University Press, 1997) ISBN0-87071-397-3
Edward R. Bingham, "Oregon's Romantic Rebels: John Reed and Charles Erskine Scott Wood," Pacific Northwest Quarterly, vol. 50, no. 3 (July 1959), pp. 77–90. In JSTOR.