Clare Torry was born in November 1947 in Marylebone, London,[1] to Geoffrey Napier Torry (1916–1979), who combined careers as Lieutenant-Commander in the Fleet Air Arm and Flight Lieutenant in the RAF, and his wife Dorothy W. Singer (1916–2017), who was secretary to six BBC Directors-General.
Career
In the 1960s Torry began a career as a singer, mostly performing covers of popular songs[2] which included session work at Abbey Road Studios. She later worked as a staff songwriter for EMI.[3]
In January 1973, Pink Floyd were finishing work on The Dark Side of the Moon at Abbey Road, and a female singer was needed to add vocals to an instrumental composition by Richard Wright to be called "The Great Gig in the Sky". Engineer Alan Parsons remembered having been impressed by Torry's voice, and she was booked for a session on Sunday 21 January.[4]
"They simply said, 'Who shall we get to sing this?' And I said, 'Well, I know a great singer.' I just knew her through one album of hit cover versions she'd done – you know, the cover albums that proliferated in the early 1970s. They were always done in a day. And I was very impressed with her. There was a bit of direction given: they said, 'Sorry, we've got no words, no melody line, just a chord sequence – just see what you can do with it.' She was only there for a couple of hours. As I remember, she did two or three tracks, from which we assembled the best bits for a master version. But somewhere in the archives are the bits we didn't use, and I'm sure it would make for an interesting remix version one day." – Alan Parsons.[5]
Torry is also credited on the 1987 album En Dejlig Torsdag (A Lovely Thursday) by the Danish pop rock band TV-2, where she sings in a fashion similar to "The Great Gig in the Sky" at the end of the tracks "Stjernen I Mit Liv" ("The Star in my Life") and "I Baronessens Seng" ("In the Bed of the Baroness").[12]
On 20 October 2010, Torry was presented with a BASCA Gold Badge Award in recognition of her unique contribution to music.[13]
Lawsuit
In 2004, Torry sued Pink Floyd and EMI for songwriting royalties on the basis that her contribution to "The Great Gig in the Sky" constituted co-authorship with keyboardist Richard Wright. In 1973, as a session singer, she was paid only the standard flat fee of £30 for Sunday studio work (the equivalent of £400 in 2022).[9] She said in 1998, "If I'd known then what I know now, I would have done something about organising copyright or publishing."[3] In 2005, an out-of-court settlement was reached in Torry's favour, although the terms of the settlement were not disclosed.[14] All releases after 2005 carry an additional credit for "Vocal composition by Clare Torry"[15] in the "Great Gig in the Sky" segment of the booklet or liner notes.
Later work
In February 2006, Torry released Heaven in the Sky, a collection of her early pop recordings from the 1960s and 1970s. In 2011, she released a collaboration with musician and composer John Fyffe.
References
^GRO Register of Births: JUN 1949 5d 499 MARYLEBONE. Clare H. Torry, mmn = Singer
^ ab"'Dark Side' at 30: Alan Parsons". Rolling Stone. 12 March 2003. Archived from the original on 14 June 2009. Retrieved 18 February 2009. She had done a covers album; I can remember that she did a version of "Light My Fire". I just thought she had a great voice. When the situation came up, they started head-scratching, saying, "Who are we going to get to sing on this?" I said, "I've got an idea – I know this girl." She came, and in a couple of hours it was all done. She had to be told not to sing any words: when she first started, she was doing "Oh yeah baby" and all that kind of stuff, so she had to be restrained on that. But there was no real direction — she just had to feel it.
^Cunningham, Mark (January 1995). "The other side of the moon". Making Music. p. 19.
^"'Dark Side' at 30: Roger Waters". Rolling Stone. 12 March 2003. Archived from the original on 14 October 2009. Retrieved 18 February 2009. It was something that Rick had already written. It's a great chord sequence. "The Great Gig in the Sky" and the piano part on "Us and Them," in my view, are the best things that Rick did – they're both really beautiful. And Alan [Parsons] suggested Clare Torry. I've no idea whose idea it was to have someone wailing on it. Clare came into the studio one day, and we said, "There's no lyrics. It's about dying – have a bit of a sing on that, girl." I think she only did one take. And we all said, "Wow, that's that done. Here's your sixty quid."
^Harris, John (2005). "Interviewed by author John Harris for his book "Dark Side of the Moon"". Brain Damage. Retrieved 18 February 2009. I went in, put the headphones on, and started going 'Ooh-aah, baby, baby – yeah, yeah, yeah.' They said, 'No, no – we don't want that. If we wanted that we'd have got Doris Troy.' They said, 'Try some longer notes', so I started doing that a bit. And all this time, I was getting more familiar with the backing track. ... "That was when I thought, 'Maybe I should just pretend I'm an instrument.' So I said, 'Start the track again.' One of my most enduring memories is that there was a lovely can [i.e. headphone] balance. Alan Parsons got a lovely sound on my voice: echoey, but not too echoey. When I closed my eyes – which I always did — it was just all-enveloping; a lovely vocal sound, which for a singer, is always inspirational."
^"'Dark Side' at 30: David Gilmour". Rolling Stone. 12 March 2003. Archived from the original on 14 October 2009. Retrieved 18 February 2009. Clare Torry [session singer] didn't really look the part. She was Alan Parsons' idea. We wanted to put a girl on there, screaming orgasmically. Alan had worked with her previously, so we gave her try. And she was fantastic. We had to encourage her a little bit. We gave her some dynamic hints: "Maybe you'd like to do this piece quietly, and this piece louder." She did maybe half a dozen takes, and then afterwards we compiled the final performance out of all the bits. It wasn't done in one single take.
^ abcMabbett, Andy. Pink Floyd: A Visual Documentary. pp. [unnumbered].
^"Clare Torry – theme from film OCE". Mojo. February 2023.
^"Seventies Singer". 2005. Retrieved 23 January 2009. A female vocalist may have become the first British artist to win an out-of-court settlement for a piece of music recorded over 30 years ago. Clare Torry was paid £30 to perform on Pink Floyd's 1973 album 'Dark Side of the Moon' and was given a written credit at the time. Yet the session singer, who contributed to the track The Great Gig in the Sky, took her claim to the High Court where she has won a half-share on copyright ownership on the song performed. Although most details of the case are secret, the Daily Telegraph has reported the singer secured a cash payment with Pink Floyd and their label, EMI.
^"The Dark Side Of The Moon" vinyl gatefold / booklet