The song's lyrics are about a promiscuous woman, or perhaps three different women if each stanza describes a different woman.[6] Author Nigel Williamson describes the lyrics as "obscure and dreamlike, addressed to some idealized woman."[2] Music critic Johnny Rogan describes the lyrics as "oblique", describing the woman as being both "idealistic" and "idealized" by the singer, referring particularly to the line "When so many love you, is it the same?"[7] Author David Downing suggests that this line reflects ambiguity as to whether increased sexual freedom is a blessing or whether it is a curse.[6] Downing, however, feels that the next line, "it's the woman in you that makes you want to play this game", was already outdated when the song was released in the late 1960s.[6] At the time of the song's initial release, Rolling Stone described the lyrics as "quietly accusative".[7] Young himself has claimed that "Cowgirl in the Sand" is about his impression of "beaches in Spain", despite the fact that when he wrote the song he had never been to Spain.[2][6]
Author Ken Bielen suggests an interpretation of the lyrics, in which Young is singing about himself. The sand in the title could be a reference to young people coming to California, which has many beaches. The woman in the first stanza could be a veiled reference to Young, since Young moved from Canada to California. Lines such as "Old enough now to change your name" and "Has your band begun to rust" could be references to Young's departure from the band Buffalo Springfield. The line "When so many love you, is it the same?" could be a reflection of Young's own ambivalence towards fame, and in Bielen's interpretation, the line that bothered Downing, "it's the woman in you that makes you want to play this game", could be a reference to Young believing that his own feminine side is causing him to seek fame despite the harassment that fame attracts.[8]
The music of "Cowgirl in the Sand", like that of "Down by the River", is based on a chord progression from minor chord to major chord.[3] Also like "Down by the River", the song features several guitar solos featuring what critic Toby Creswell describes as "distortion and chaos".[5] Young plays a distorted guitar section after each of the three choruses.[8] Williamson claims that the song includes "some of the most powerful and untamed lead guitar playing ever recorded".[2]Allmusic critic Matthew Greenwald describes Young's guitar playing as his "most barbed guitar excursions".[3] Rogan notes, that it "has rightly been acclaimed as a prime example of Young's distinctive, brooding guitar work."[7] However, when the song was first released, Rolling Stone, while noting that "the lead guitar, alternatively soaring, piercing and driving, keeps the song surging forward", considered Young's guitar work on this song "inferior" to that on earlier songs.[7]Rolling Stone considered Young's vocal performance as "the real key to the success of this track", particularly praising the "depth" of his voice.[7]
Young sings "Cowgirl in the Sand" primarily in the falsetto register.[9]
Reception
Allmusic critic Matthew Greenwald described "Cowgirl in the Sand" as "one of Neil Young's most lasting compositions" and "a true classic".[3]Rolling Stone critic Rob Sheffield calls it and "Down by the River" the "key tracks" on Everybody Knows This is Nowhere, calling them "long, violent guitar jams, rambling over the nine-minute mark with no trace of virtuosity at all, just staccato guitar blasts sounding as though Young is parachuting down into the middle of the Hatfield-McCoy feud."[10]
^ abBielen, K. (2008). The Words and Music of Neil Young. Praeger. pp. 12–13. ISBN978-0275999025.
^Sheffield, Hazel (November 4, 2008). "Classic Track # 1 - Neil Young's Cowgirl In The Sand". Gigwise. Retrieved August 4, 2022. Still anchored by that uncompromisingly sturdy tempo, it is Young's transcendent falsetto that is the manifestation of someone who struggled for liberty from others, but ultimately could not escape from themselves.
