David Lloyd (1597 – 7 September 1663) was a Welsh clergyman, and was the author of a ballad The Legend of Captain Jones.
Life
David Lloyd was born at Berthlwyd in the parish of Llanidloes, Montgomeryshire, in 1597, son of Edward Lloyd and his wife Ursula Owen,[1] daughter of Hugh Lewis Owen of Cae'r Berllan in Llanfihangel-y-Pennant, Gwynedd who was the 2nd son of Lewis Owen.[2] David's brother was Oliver Lloyd, DCL and Fellow of All Souls (d.1662).
His uncle was Oliver Lloyd, Dean of Hereford Cathedral from 1617,[3] and through his uncle Jenkin Lloyd (High Sheriff of Montgomeryshire in 1588 and 1606), was cousin to Sir Edward Lloyd and Dr John Lloyd, Canon of Windsor and chaplain to the king in his exile.[4]
In 1642 Lloyd was also appointed warden of Ruthin, Denbighshire. Deprived, and for a time imprisoned by the Long Parliament, he was reinstated in his benefices upon the Restoration, and in 1660 became Dean of St Asaph. Included in his petition to the king from which he was granted Dean of St Asaph, it reads:
"Your petitioner hath often entertained as his own charge Prince Rupert, Prince Maurice, and other chief commanders and officers of the Royal Army, and once your Royal Father himself was pleased to honour your petitioner's house with his presence. Lastly, he hath been sequestered, imprisoned, and often plundered to his utter impoverishment, ruin of his estate, and undoing of himself, wife and children."[5]
David married Margaret Morgan and had at least 6 children.
He died on 7 September 1663 at Ruthin, where he was buried without any inscription or monument; however a humorous rhyming epitaph, said to have been written by himself, is printed in Anthony Wood's work Athenæ Oxonienses (iii. 653). The epitaph bespeaks a jovial ecclesiastic who spent considerably more than his revenues on the pleasures of the table.[3]
The Legend of Captain Jones
Lloyd is particularly known for the jeu d'esprit which he produced very soon after leaving Oxford, entitled The Legend of Captain Jones; relating his Adventures to Sea … his furious Battell with his sixe and thirty Men against the Armie of eleven Kings, with their overthrow and Deaths... (London, 1631). The legend or ballad, which opens with
I sing thy arms (Bellona) and the man's
Whose mighty deeds outdid great Tamerlan's,
is a genial, if somewhat coarse burlesque upon the extravagant adventures of a sea-rover called Jones, who, says Wood, "lived in the reign of Queen Elizabeth and was in great renown for his high exploits." The poem relates how with his good sword Kyl-za-dog Jones slew the mighty giant Asdriasdust, how eleven fierce kings made a brave but futile attempt to stay his triumphant progress, and how at last he was captured by the Spanish king at the expense of six thousand warriors, but at once ransomed by his countrymen, anxious to recover him on any terms.[3]
Elsewhere Wood says that the Legend was a burlesque upon a Welsh poem entitled Awdl Richard John Greulon; but the view that Jones was not an altogether mythical person seems to derive support from the fact that, in his Rehearsal Transprosed (1776, ii. 19), Andrew Marvell says, apropos of the Legend, "I have heard that there was indeed such a captain, an honest, brave fellow; but a wag that had a mind to be merry with him, hath quite spoiled his history."[3]
The Legend at once obtained great popularity. It was reissued in 1636, and with the addition of a second part in 1648. In 1656 the edition described by Wood appeared (in octavo), with a frontispiece representing Jones "armed cap-a-pee, well-mounted on a war-horse, encountering an elephant with a castle on its back, containing an Indian king, shooting with arrows at the captain, under whose horse's feet lie the bodies of kings, princes, and lyons, which had been by him, the said captain, kill'd."[3]
In subsequent editions introductory poems were added, and in 1766 appeared a so-called second edition, with the title, The Wonderful, Surprizing, and Uncommon Voyages and Adventures of Captain Jones to Patagonia, relating his Adventures to Sea … all which and more is but the Tythe of his own Relation, which he continued until he grew speechless and died, with his Elegy and Epitaph. But by this time the supplemental rodomontade of successive editors had almost entirely destroyed the naïve effect of the original version. Besides the Legend, Lloyd is vaguely said by Wood to have written "certain songs, sonnets, elegies, &c.—some of which are printed in several books"; these do not seem to have been identified. The Legend was printed in its original form in the Archæologist, 1842, i. 271.[3]