Eduardo Mendoza Garriga (born 11 January 1943) is a Spanish novelist, playwright, and essayist. His first novel, La Verdad sobre el Caso Savolta (The Truth About the Savolta Case), published in 1975, reflected the social changes as Spain transitioned to democracy, and was very successful. His 1986 novel, La Ciudad de los Prodigios (The City of Marvels), is widely acclaimed, and he is also known for his "mad detective" parody novels, in particular El Laberinto de las Aceitunas (The Olive Labyrinth, 1982).
Early life and education
Eduardo Mendoza Garriga was born on 11 January 1943 in Barcelona.[1][2]
He studied law in the early 1960s and lived in New York City between 1973 and 1982, working as interpreter for the United Nations. He attempted practising as a lawyer, but realised that he wanted to be a writer.[2] He currently lives in London.
Career
In 1975, Mendoza published his very successful first novel, La Verdad sobre el Caso Savolta (The Truth About the Savolta Case), where he shows his ability to use different resources and styles. The novel is considered a precursor to the social change in the Spanish post-Franco society and the first novel of the transition to democracy. He describes the union fights at the beginning of the 20th century, showing the social, cultural and economic conditions of workers in Barcelona by that time.[citation needed]
In 1992, he published the novel, El Año del Diluvio (The Year of the Flood), which tells of the inner conflicts faced by Sister Consuelo after she meets and falls in love with Augusto Aixelâ, with evocative descriptions of the post-civil war prevailing deprivations in Spain by that time.[citation needed] In 1996, he published his third major Barcelona-related novel, this time set in the 1940s, Una Comedia Ligera (A Light Comedy).[citation needed]
Several of Mendoza's novels feature the "mad detective", a peculiar character, a nameless accidental-detective locked up in a mental hospital. The first of these novels, El Misterio de la Cripta Embrujada (The Mystery of the Enchanted Crypt, 1979) is a parody with hilarious moments mixing hard-boiled genre with Gothic narrative.[citation needed] The second novel of the saga, El Laberinto de las Aceitunas (The Olive Labyrinth, 1982) is one of his most successful works.[citation needed] The third novel of the saga, La Aventura del Tocador de Señoras (The Adventure of the Ladies' Dressing Table), and the fourth one, El Enredo de la Bolsa y la Vida (The Money and the Life Muddle), were published in 2001 and 2012, respectively.[citation needed] The 5th novel was released in 2015 under the title of El Secreto de la Modelo Extraviada (The Secret of the Missing Model) with great success.[3]
The Spanish newspaper El País published two of his novels in instalments, Sin Noticias de Gurb (No Word from Gurb, 1990) and El Último Trayecto de Horacio Dos (The Last Journey of Horatio Dos, 2001), both of them science fiction comedy novels.[citation needed]
In 1993 he published his first play, Restauració (Restoration), written in Catalan and later translated into Spanish by Mendoza himself. This was followed by two other plays, with the three works published together in 2017.[citation needed]
In 2018 he published the novel El Rey Recibe (The King Receives), the first book in the Three Laws of Motion trilogy, which explores the major developments of the second half of the 20th century.[citation needed]
Critical appraisal
Mendoza's narrative studies divide his work into serious or major novels, and humorous or minor ones, although recent studies have shown the seriousness, criticism and transcendence in his parodic novels, as well as the humour present in his serious ones, due to the influence of the characteristics of the postmodern novel.[4]
Recognition and awards
Mendoza is considered among the most important Spanish living writers. He is included in the so-called Spanish New Narrative.[5]
He has won many awards, including:
1976: Critics Prize, for debut novel La Verdad sobre el Caso Savolta[citation needed]
Mendoza maintained an intense relationship with novelists Juan Benet and Juan García Hortelano, poet Pere Gimferrer and writer (and neighbour) Félix de Azúa.[2]
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