Tailfeathers was born to Bjarne Store-Jakobsen, a Sámi rights activist and journalist from Norway, and Kainai activist and doctor Esther Tailfeathers, from Canada.[11][12] Her parents met at a global indigenous peoples' conference in Australia, and married sometime after.[13]
After acting for a period of time, Tailfeathers shifted her focus to filmmaking and began to work as a writer, director, and producer.[10] During her time at the University of British Columbia she started to use film equipment and editingsoftware.[14]
Bloodland
Bloodland (2011) is an experimental short film that offers a commentary on fracking practices in Canada and across the world. It can be found on YouTube, where it was made public in 2013 in solidarity with the Idle No More movement. The short film uses metaphoric imagery of a woman being held down and drilled into as a comment on the current fracking practices in Canada. This project was funded by the Blood Tribe Chief and Council through a distribution cheque, and as a result was indirectly funded by the proceeds of various gas and oilcompanies, as well as KRI Resources.[14] The film was well received at its premier in Lethbridge, and was the subject of a greater national debate regarding the practice of fracking in Indigenous lands.
The film was selected for the following film festivals:
A Red Girl's Reasoning (2012) is a short film that was created in response to the growing numbers of missing and murdered Indigenous women in Canada. This film centres around a survivor of sexual assault and her quest to bring justice to the attackers of her fellow women. While originally a short film, it is currently in the process of expanding into a feature film. This film was the winner of the 2012 Vancouver Crazy8s Competition, where filmmakers were challenged to create a film in under eight days.[14]
Rebel (Bihttoš)
Rebel (Bihttoš) is an experimental and unconventional documentary where a young woman (Tailfeathers) explores her complex "relationship with her father through an examination of family photos and the family lore surrounding her parents’ courtship and marriage."[5][15]Bihttoš combines "animation, re-enactments, and archival photos, [and] delves into the dissolution of her parents' mythic love story and how it has coloured her perception of love in her adult life."[5]
cəsnaʔəm, the city before the city (2017) is a feature film on the history of the land in the area which is now known as Vancouver.[17] Made in partnership with Musqueam First Nation, the film was part of a larger exhibition put on in partnership with the Museum of Anthropology at UBC, the Museum of Vancouver and the Musqueam Cultural Centre.[18]
Her work has garnered attention for its focus on representations of women of colour, and her thematic focus on First Nations subjects and issues. Tailfeathers explores "innovative means of telling stories through mediums including narrative fiction, docudrama, documentary, mockumentary, and experimental film."[5] Her film projects are usually staffed primarily with Indigenous cast and production members, reflecting her emphasis on engaging with First Nations and Indigenous filmmakers.[5]
One of her primary focuses as a filmmaker is activism and social justice and approaches film as a way to "use it as a form of nonviolent direct action against issues like violence against women and degradation of Indigenous land."[9][14] Her film and activist pursuits focus on issues that directly relate to and affect Indigenous women and communities.[14]
Awards and recognition
She has won and been nominated for awards at various international film festivals, and has been recognized for her work rooted in social justice.[5] Notable recognition has included receiving a Kodak Image Award, the Vancouver Mayor's Arts Award as an emerging filmmaker.[5] She is included in CBC's "Young Indigenous Leaders: 5 Under 30 To Watch in 2015."[16] Her autobiographical short film Rebel (Bihttoš) was named one of the Top Ten short films at the 2014 Toronto International Film Festival. It was also awarded best documentary at the Seattle International Film Festival in 2015.[6] In 2017, Tailfeathers won a Canadian Screen Award for best actress for a dramatic program or limited series for her work in the CBC movie Unclaimed, as well as an award for best performance at the Vancouver Women in Film Festival.[22]
At the 2019 Vancouver International Film Festival, Tailfeathers and her co-director Kathleen Hepburn received the $25,000 Best BC Film Award for their film The Body Remembers When the World Broke Open. Tailfeathers also won the $17,500 BC Emerging Filmmaker Award.[23]
In 2020, Elle-Máijá Tailfeathers was awarded the Skábmagovat Prize, an indigenous film award to honor the significant, long-term contributions she has made to the Sámi culture and communities.[24]
She is active in advocating for issues affecting First Nations communities. In 2011, she was arrested for participating in a peaceful blockade at the entrance of a drilling site in the Alberta Blood Reserve.[14]
^ abTailfeathers, Elle-Máijá Apiniskim (21 December 2016). "A Conversation with Helen Haig-Brown, Lisa Jackson, and Elle-Máijá Apiniskim Tailfeathers, with Some Thoughts to Frame the Conversation". Biography. 39 (3): 277–306. doi:10.1353/bio.2016.0038. ISSN1529-1456.
^Dowell, K. L. (2015). "The future looks rad from where I stand: A review of claiming space: Voices of urban aboriginal youth at the UBC museum of anthropology". Anthropologica. 57 (1). ProQuest1690736642.
^"Native Cinema Showcase 2016"(PDF). Native Cinema Showcase 2016. Smithsonian National Museum of the Native American. Archived from the original(PDF) on 18 September 2016. Retrieved 17 September 2016.
Canadian Film Awards 1968–1978, Genie Awards 1980-2011, Canadian Screen Awards 2012–present. Separate awards were presented by gender prior to 2022; a single unified category for best performance regardless of gender has been presented since.
