The recently widowed, 80-year-old Fred Barcroft is moved by his daughter, against his will, into an apartment in New Orleans, next door to 74-year-old Elsa Hayes. Fred has become embittered, considers himself a realist, but spends most of his time lying down. Elsa is a flighty, vivacious romanticist who dreams of "the sweet life in Rome," as lived by Anita Ekberg in the 1961 film La Dolce Vita. Despite their opposite temperaments and outlooks on life, they fall in love.
Elsa coaxes Fred out of his shell, but tries his patience by telling him several lies about herself. She claims to be a widow and hides her severe kidney disease, which requires dialysis. Fred does not know whether or not to believe Elsa's claim that Pablo Picasso made a painting of her. She says that she has it in a safe, for which she has misplaced the key.
Erika Alexander plays the aide Laverne, who regularly cares for Fred. As she sees him daily, she provides a lively counterpoint and commentary on his developing relationship with Elsa.
When Fred learns from his doctor friend John that Elsa is probably dying, he takes her to Rome to fulfill her dream of wading (like Ekberg) in the Trevi Fountain. He chooses this rather than investing in his son-in-law's dubious business venture. After Elsa dies, her son opens her safe and gives Fred the painting by Picasso, which Elsa bequeathed to him.
The film was shot on location in New Orleans because of tax incentives, according to MacLaine.[3] Plummer declared he does not consider it a remake of the 2005 film, as "Shirley and I, and Michael totally rewrote it. So I prefer to think of it as the English-language version."[3]
The scene in Rome where MacLaine and Plummer wade into the Trevi Fountain is shot in black and white, to mimic the corresponding scene in La Dolce Vita.
Release and reception
During the 2014 Miami International Film Festival in March, Elsa & Fred received a "roaring response", according to John Anderson of IndieWire.[3] In September, at the 2014 Cinéfest Sudbury International Film Festival, it was awarded the Audience Choice Award.[4] However, Rich Heldenfels said the film "was not well received" and pointed out that reviews "are mostly negative".[5]
The film was released by Millennium Entertainment in the United States on November 7, 2014 in select theaters.[6]