The daughter of Florence Alta (Weed) Parsons and Brainerd Parsons,[2][3] Eunice Parsons was born in Loma, Colorado, in 1916.[4] Her family lived briefly in Montana, but when she was age four, her family moved to Chicago. In 1934 and 1935, she attended children's art classes at the School of the Art Institute of Chicago.[5] She was married to Allen Herbert Jensen from 1936[6] to 1960,[7] and they lived in Portland, Oregon, raising three children there. From 1950 to 1954, she studied at the Portland Museum Art School.[5] In 1957 she took a bus to New York, Philadelphia, and Washington, D.C., to study abstract expressionism.[8] Her sketchbooks from that trip demonstrate her early inclinations in "color, line, and shading, all developing into a unique and distinctive style".[9]
Career
Parsons joined the faculty of the Portland Museum Art School as a painting instructor, where she was known as a "blunt but brilliant" teacher.[9] She also taught printmaking and composition between 1957 and 1979. Her career has also included teaching classes at Portland State University.[4]
Parsons was a co-founder of the 12x16gallery in southeast Portland,[10] a cooperative which exhibited artists' work between 2006 and 2017.[1][11]
She exhibited new collage works, Eunice Parsons, La Centenaire, at the Roll-Up Photo Studio Gallery in Portland to celebrate her centennial year in 2016.[10] At age 100 in 2017, she was the only remaining living artist from the 2004 group exhibition, "Northwest Matriarchs of Modernism", at Marylhurst University's gallery, The Art Gym.[12] That exhibition had also included artists LaVerne Krause, Maude Kerns, Mary Henry, Sally Haley, and Hilda Morris.[8]
Isaac Peterson at PortlandArt.net called Parsons' collages "painterly", writing that they are "composed with intricate consideration, but occasionally she moves with a speed and daring any skater would admire".[13] Marc Andres of Portland Community College described Parsons' process of creating collage as one of creation and destruction, adding that it is "at once both extremely spontaneous in its generation and equally methodical in its resolution".[14] Blair Saxon Hill compared her artistic style to that of European artists like Kurt Schwitters or Miró.[12]
In a 2005 review, Victoria Blake wrote of Parsons' view that "collage, like life, is an art of imperfection, of the torn edge and the spot of glue". Blake continued that Parsons has "the ability to recognize the chance encounter for what it is: potential in its purist form".[15]
Russo Lee Gallery, "Early Northwest Masters: A Survey", Portland, OR[22]
Awards and honors
In 2001, Pacific Northwest College of Art presented an honorary Master of Fine Arts to Parsons, as well as displaying "Eunice Parsons, a Fifty Year Retrospective" at the college's Felman Gallery. In addition, philanthropist Stephen Wiener donated an endowment for student travel scholarships in Parsons' name.[5]
Further reading
Parsons is included in two books featuring notable artists of Oregon:[5]
Allen, Ginny; Klevit, Jody (1999). Oregon Painters: The First Hundred Years (1859–1959) : Index and Biographical Dictionary. Portland, Oregon: Oregon Historical Society Press. ISBN0-87595-271-2.
