The Handspring Puppet Company is a South African puppetry performance and design company. It was established in 1981 by Adrian Kohler, Basil Jones, Jon Weinberg, and Jill Joubert,[2] and is based in Cape Town, South Africa.
War Horse, a play seen by nearly eight million people, features horse puppets designed and created by Handspring Puppet Company and operated by three actors each.
History
Jones and Kohler met at the Michaelis School of Fine Art in Cape Town.[2] At first, they designed puppets for children-targeted productions, which Jones initially disliked. Kohler "introduced him [Jones] to the West African tradition of puppetry for adults,"[3] working with Malcolm Purkey and Barney Simon, among others.[4]
Productions
Some notable productions include:
Episodes of an Easter Rising
Esther van Ryswyk directed Episodes of an Easter Rising (1985), a play based on David Lytton's radio special of the same name.[5] It told the story of two white lesbian women who became part of South Africa's anti-apartheid struggle. It premiered at the Baxter Theatre in Cape Town and toured to the National Arts Festival in Makhanda (formerly Grahamstown), WITS University Theatre in Johannesburg and to the 7th World Festival of Puppet Theatre in Charleville-Mézières, France.[4]
Ubu and the Truth Commission
In 1997, they worked with William Kentridge (director) and Jane Taylor (scriptwriter) on Ubu and the Truth Commission.[4] The play draws extensively on Alfred Jarry's absurdist production Ubu Roi (1896). It fuses the chaos of the Ubu legend with original testimony from witnesses at the post-apartheidTruth and Reconciliation Commission (TRC). It highlights Kentridge's work in the evolution of truth through a combination of fictional narratives and facts.[6] The production premiered in Weimer, Germany on 17 June 1997. Over the next two years, it toured to 38 theatres in South Africa, Europe and the USA.[7]
Tall Horse
Tall Horse (directed by Marthinus Basson in 2004) was a collaboration between the Sogolon Puppet Troupe of Mali and Handspring Puppet Company. The production was based on historical events: in 1827 the Pasha of Egypt, Muhammad Ali, sent a giraffe as a gift to King Charles X of France. The play dramatised the giraffe's journey across the Mediterranean Sea and the politics underlying it. With initial funding from the John F. Kennedy Centre in Washington, D.C, Tall Horse was also supported by Anglo Gold Ashanti, a mining company with interests in both Mali and South Africa.[8]
War Horse
The maquette for the horse Joey from the National Theatre production. The puppets were made by the Handspring Puppet Company. This scale model was a gift to writer Sir Michael Morpurgo, author of War Horse.
The company collaborated with Neil Bartlett and Rae Smith on Or You Could Kiss Me, which opened at London's National Theatre on 5 October 2010, for a six-week season. The show has been described as "an intimate history of two very private lives, lived in extraordinary times". It was loosely based on the lives of Kohler and Jones, and speculated on their future circumstances when both men reach the age of 85.[18]
Exhibitions
Unmasking the Puppet —1987 This exhibition opened at the UNISA Gallery in Pretoria and toured to the Johannesburg Art Gallery, the Durban Art Museum, the Tatham Art Gallery in Pietermaritzburg, and the South African National Gallery in Cape Town.[1]
Episodes 2001–2003 Presented in various venues across South Africa, this installation included puppets from seven productions created over 16 years. Episodes represented a retrospective of Handspring's work. The exhibition was sponsored by the Goodman Gallery.[19]
Patrimony 2004–2005 An exhibition of Bamana Puppets from Mali, featured puppets from the extensive family collection of Yaya Coulibali. It toured South Africa.
At Arms Length – The Art of African Puppetry – 2006 Produced by the Museum for African Art (now known as The Africa Center, New York), this exhibit presented nearly 100 animated puppets, marionettes and puppet sculptures used in traditional and contemporary theatrical performances from Handspring and the Sogolon Puppet Troupe from Mali.
KKNK National Art Festival – 2011 Selected as a featured visual artist for a solo exhibition at the Klein Karoo National Arts Festival, held annually in Oudtshoorn, South Africa, Handspring Puppet Company exhibited puppets featured in performances in the preceding 2 years that were in line for further international touring.[19]
National Theatre Gallery London – 2012 This exhibition explained the puppet-making process for War Horse.
Circa Gallery, Johannesburg – 2016 An exhibition of Joey and Topthorn, characters from War Horse, together with portraits of puppets in the Handspring archives which Kohler had realised as editioned linocut prints.
Outer Critics Circle Special Achievement Award for "Puppet Design, Fabrication and Direction for War Horse"[21][22]
Honorary Awards
2012 – Honorary Doctorate of Literature Kohler and Jones both received an honorary doctorate in literature from the University of Cape Town, South Africa.[23]
2018 – John F. Kennedy Gold Medal Kohler and Jones received the John F. Kennedy Gold Medal in the Arts from the Kennedy Center International Committee on the Arts at a ceremony held at the Zeitz Museum of Contemporary Art Africa.[24]
Production Schedule
Schedule for productions featuring puppets created by Handspring Puppet Company
Kentridge, William. "Director's Note". In Ubu and the Truth Commission, by Jane Taylor, viii–xv. Cape Town: University of Cape Town Press, 2007.
Jones, Basil, and Adrian Kohler. "Puppeteers' Note". In Ubu and the Truth Commission, by Jane Taylor, xvi–xvii. Cape Town: University of Cape Town Press, 2007.
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