German actor
Hans Stüwe |
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Born | (1901-05-14)14 May 1901
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Died | 13 May 1976(1976-05-13) (aged 74)
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Nationality | German |
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Occupation | Actor |
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Years active | 1927–1955 |
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Hans Stüwe (14 May 1901 – 13 May 1976) was a German stage and film actor, singer, film and opera director. As a singer he made his debut at the Stadttheater in Königsberg and moved to Berlin to play on stage.[1]
Filmography
Year
|
Title
|
Role
|
Notes
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1925 |
Die Aßmanns |
Assessor von Bühren |
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1926 |
Des Königs Befehl |
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1927 |
Prinz Louis Ferdinand |
Luis Ferdinand |
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1927 |
Potsdam |
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1927 |
Feme |
Joachim Burthe |
|
1927 |
The Bordello in Rio |
Ernst Verloost |
|
1927 |
Assassination |
NadtDr. Themal |
|
1927 |
The Transformation of Dr. Bessel |
Alexander, ihr Sohn |
|
1928 |
The Prince of Rogues |
Hannes Bückler - Schinderhannes |
|
1928 |
The Sinner |
Gaston |
|
1928 |
Pawns of Passion |
Bruno Bronek, Maler |
|
1928 |
Villa Falconieri |
Cola Graf Campana, Schriftsteller |
|
1928 |
Anastasia, the False Czar's Daughter |
Iwan Wolkoff |
|
1929 |
Cagliostro |
Cagliostro |
|
1929 |
Flucht in die Fremdenlegion |
Georg Leitron |
|
1929 |
Hungarian Nights |
Capt. Arpad Bartok |
|
1929 |
Poison Gas |
Arnold Horn, ein Erfinder |
|
1929 |
It's You I Have Loved |
Dr. Hubert Baumgart |
|
1930 |
Die Jugendgeliebte |
Johann Wolfgang Goethe |
|
1930 |
Der Walzerkönig |
Johann Strauß |
|
1930 |
Echo of a Dream |
Puiu Faranga / Mironescu |
|
1930 |
Retreat on the Rhine |
Oskar Graf von Rastenfeld |
|
1931 |
Ash Wednesday |
Leutnant v. Linken |
|
1931 |
A Woman Branded |
Dr.Kurt Rehmann - Ilses Verlobter |
|
1931 |
The Woman They Talk About |
René Bennett |
|
1931 |
Alarm at Midnight |
Kriminalkommissar Bremer |
|
1932 |
The Dancer of Sanssouci |
Baron Cocceji |
|
1932 |
Tannenberg |
Rittmeister von Arndt - Gutsbesitzer |
|
1932 |
Trenck |
Freiherr von der Trenck |
|
1933 |
The Master Detective |
Max Müller |
|
1933 |
Johannisnacht |
Heinrich Radegast, Schriftsteller |
|
1934 |
At the Strasbourg |
Ruedi Pfister, Sohn |
|
1934 |
You Are Adorable, Rosmarie |
Frank Quick |
|
1934 |
Nocturno |
Karl |
|
1935 |
The Private Life of Louis XIV |
Philipp von Orleans, sein Bruder |
|
1935 |
The Saint and Her Fool |
Graf Harro Thorstein |
|
1936 |
Schloß Vogelöd |
Andreas, Leopolds Bruder |
|
1936 |
Heißes Blut |
Tibor von Dénes |
|
1936 |
Back in the Country |
Lüder Volkmann |
|
1937 |
Millionenerbschaft |
Michael Korff |
|
1938 |
The Tiger of Eschnapur |
Architekt Fürbringer |
|
1938 |
The Indian Tomb |
Peter Fürbringer, Architekt |
|
1939 |
The Life and Loves of Tschaikovsky |
Pjotr Iljitsch Tschaikowsky |
|
1939 |
Three Fathers for Anna |
Dr. Bruck |
|
1940 |
Passion |
Hans Strobel |
|
1941 |
Der Weg ins Freie |
Detlev von Blossin - Antonias Mann |
|
1943 |
Back Then |
Jan Meiners, Reichsanwalt |
|
1944 |
The Enchanted Day |
Professor Albrecht Götz |
|
1948 |
Gaspary's Sons |
Robert Gaspary |
|
1951 |
The Heath is Green |
Lüder Lüdersen |
|
1952 |
At the Well in Front of the Gate |
Georg Straaten |
|
1953 |
Come Back |
Konrad Frisius |
|
1953 |
Ave Maria |
Dietrich Gontard |
|
1953 |
When The Village Music Plays on Sunday Nights |
Gutsbesitzer Ertl |
|
1954 |
Daybreak |
Oberst Gaffron |
|
1955 |
The Ambassador's Wife |
Christian Lundvall |
|
1957 |
Blaue Jungs |
Brugger Carlos |
(final film role)
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Bibliography
- O'Brien, Mary-Elizabeth. Nazi Cinema as Enchantment: The Politics of Entertainment in the Third Reich. Camden House, 2004.
External links
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