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House of the Black Death

House of the Black Death
Theatrical release poster under alternate title
Blood of the Man Devil
Directed by
Written by
Produced by
Starring
CinematographyMurray De Atley
Edited byJerry Warren
Release date
  • 1965 (1965)
[1]
Running time
89 minutes
CountryUnited States
LanguageEnglish

House of the Black Death is a 1965[2] American horror film directed by Harold Daniels, Reginald LeBorg[3] and Jerry Warren. The film was written by Richard Mahoney, based on a novel titled The Widderburn Horror by Lora Crozetti.[4][5] The movie starred Lon Chaney Jr. and John Carradine, although the two actors shared no scenes in the film.[6]

Plot summary

Two elderly brothers who are warlocks, Belial (Lon Chaney Jr.) and Andre (John Carradine), have been feuding with each other for years over the family estate. Belial, who sports small goat's horns on his forehead and runs a coven of witches, has been using his black magic to bewitch members of the family, while Andre spends the entire film bedridden. Andre keeps warning people that his brother Belial is evil and up to no good. Belial turns Andre's son into a werewolf by way of a magical spell and bewitches Andre's daughter (Serena) into dancing and gyrating sensuously. Much of the plot involves scenes of the sexy witches belly-dancing in front of their satanic altar.

Cast

Production

The film was originally to be titled Night of the Beast or The Widderburn Horror,[4] but it was theatrically released as Blood of the Man Devil. When it was later released to television, the title was again changed to House of the Black Death.[6] Although the film was made in 1965, when most new films were being made in color, it was shot in black-and-white for $70,000.[6]

Harold Daniels initially shot the film in 1965 with actors Chaney and Carradine, and Reginald LeBorg co-directed in an uncredited capacity.[3] Reginald LeBorg claimed that he did very little actual directing. He said his work "consisted of little more than some shots of actors wandering around amongst the trees in the forest scenes."[6][7][8]

Afterwards, the producers felt the film needed something more, so Jerry Warren was hired to add some extra footage to pad out the running time and edit the film.[6] Warren brought Katherine Victor into the project, casting her as the leader of a coven of witches.[9] Interviewed by Tom Weaver, Jerry Warren said "They had a terrible mishmash of a movie. It wasn't a movie, it was a bunch of film. It came out bad but it came out playable, and it did pull out some money for the people who made it".[6][10]

Critical response

Fred Olen Ray claims to have seen the film under the title Blood of the Man Devil in the drive-in in the early 1970s on a quintuple "Blood" bill with Blood Mania and three other films. The fact that the film was made in black and white might have had something to do with its distribution difficulties."[6]

James O'Neill wrote "Cardboard monstrosity culled from footage contributed by three different directors....Most of the veteran cast look sick or drunk, or both".[11] Stephen Jones called it "an incomprehensible mess....with plenty of gratuitous belly-dancing".[4]

Film historian Wheeler W. Dixon remarked that on The House of the Black Death, "the less said the better.”[12]

See also

Notes

  1. ^ Weldon, Michael (1983). "The Psychotronic Encyclopedia of Film". Ballantine Books. ISBN 0-345-34345-X. Page 341
  2. ^ Weldon, Michael (1983). "The Psychotronic Encyclopedia of Film". Ballantine Books. ISBN 0-345-34345-X. Page 341
  3. ^ a b Ray, Fred Olen (1991). The New Poverty Row. McFarland and Co. Inc. p. 18. ISBN 0-89950-628-3.
  4. ^ a b c Jones, Stephen (1996). "The Illustrated Werewolf Movie Guide". Titan Books. ISBN 1-85286-658-6. Page 63
  5. ^ Dixon, 1992 p. 158-159: Directorial Credits.
  6. ^ a b c d e f g Ray, Fred Olen (1991). The New Poverty Row. McFarland and Co. Inc. p. 18. ISBN 0-89950-628-3.
  7. ^ Dixon, 1992 p. 37: “LeBorg was brought in to do some atmospheric linking shots…and had no creative control over the final film.”
  8. ^ Dixon, 1992 p. 112: LeBorg was paid $500 a day for two evenings of shots: “We had the wind machine through the trees…it was very satisfying.”
  9. ^ Ray, Fred Olen (1991). "The New Poverty Row". McFarland and Co. Inc. ISBN 0-89950-628-3. Page 18
  10. ^ Dixon, 1992 p. 159: Dixon lists Warren as “2nd Unit Director” in the Technical Credits section adding “Jerry Warren asserts he directed, produced and shot some material for this film.”
  11. ^ O'Neill, James (1994). "Terror on Tape". Billboard Books. ISBN 0-8230-7612-1. Page 184
  12. ^ Dixon, 1992 p. 37

References
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