Nemerov was born on February 29, 1920, in New York City;[4][5] his parents were David Nemerov and Gertrude Russek. The Nemerovs were a Russian Jewish couple who lived in New York City and owned Russeks, a Fifth Avenue department store. His younger sisters were the photographer Diane Arbus and sculptor/painter Renee Nemerov Sparkia Brown. The elder Nemerov's talents and interests extended to art connoisseurship, painting, philanthropy, and photography — talents and interests undoubtedly influential upon his son. Young Howard was raised in a sophisticated New York City environment where he attended the Society for Ethical Culture's Fieldston School. Graduated in 1937 as an outstanding student and second-string team football fullback, he commenced studies at Harvard University where, in 1940, he was Bowdoin Essayist, and he received a bachelor's degree. Throughout World War II, he served as a pilot, first in the Royal Canadian Air Force and later the U.S. Army Air Forces. He married in 1944, and after the war, having earned the rank of first lieutenant, returned to New York with his wife to complete his first book.
Nemerov then began teaching, first at Hamilton College and later at Bennington College, Brandeis University, and finally Washington University in St. Louis, where he was Edward Mallinckrodt Distinguished University Professor of English and Distinguished Poet in Residence from 1969 until his death in 1991. In 1999, Washington University dedicated a dormitory, The Howard Nemerov House, to him.[6] Nemerov's numerous collections of poetry include Trying Conclusions: New and Selected Poems, 1961-1991 (University of Chicago Press, 1991); The Collected Poems of Howard Nemerov (1977), which won the Pulitzer Prize, the National Book Award, and the Bollingen Prize; The Winter Lightning: Selected Poems (1968); Mirrors and Windows (1958); The Salt Garden (1955); and The Image and the Law (1947). His novels have also been commended; they include The Homecoming Game (1957), Federigo: Or the Power of Love (1954), and The Melodramatists (1949).
Nemerov served as poetry consultant to the Library of Congress in 1963 and 1964, as a Chancellor of the Academy of American Poets beginning in 1976, and two terms as poet laureate of the United States from 1988 to 1990. In 1990 he was inducted into the St. Louis Walk of Fame.[11] Nemerov died of cancer in 1991 in University City, Missouri. The Howard Nemerov Sonnet Award was instituted in 1994 to honor him, and by 2008 about 3000 sonnets were entered annually in the associated competition.[12]
Poetry
Nemerov's work is formalist. He wrote almost exclusively in fixed forms and meter. While he is known for his meticulousness and refined technique, his work also has a reputation for being witty and playful. He is compared to John Hollander and Philip Larkin.
"A Primer of the Daily Round" is his most frequently anthologized poem, and highly representative of Nemerov's poetic style. It is an archetypal Elizabethan sonnet, demonstrative of the prosodic creativity for which Nemerov is famous. Another widely appreciated poem is "The War in the Air," which draws on his wartime experience as a pilot.[13]
Nemerov's "Because You Asked about the Line between Prose and Poetry" is frequently taught as an example of an Ars Poetica as it describes the nearly imperceptible change between rain and snow while still maintaining the formal poetic elements of rhyme and meter. A critical review by Mary Kinzie said of it: "the poem imperceptibly thickens itself out of the stream of prose."[14]
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