Idyll V, sometimes called Αιπολικόν και Ποιμενικόν ('The Goatherd and the Shepherd'), is a bucolic poem by the 3rd-century BC Greek poet Theocritus.^[1] This Idyll begins with a ribald debate between two hirelings, who, at last, compete with each other in a match of pastoral song.^[2] The scene is in Southern Italy.^[2]

The scene of this shepherd-poem is laid in the wooded pastures near the mouth of the river Crathis in the district of Sybaris and Thurii in Southern Italy.^[1] The foreground is the shore of a lagoon near which stand effigies of the Nymphs who preside over it, and there is close by a rustic statue of Pan of the seaside.^[1] The characters are a goatherd named Comatas and a young shepherd named Lacon who are watching their flocks.^[1] Having seated themselves some little distance apart, they proceed to converse in no very friendly spirit, and the talk gradually leads to a contest of song with a woodcutter named Morson for the judge and a lamb and a goat for the stakes.^[1] The contest is a spirited, not to say a bitter, one, and consists of a series of alternate couplets, the elder man first singing his couplet and the younger than trying to better him at the same theme.^[1] After fourteen pairs of couplets, Morson breaks in before Lacon has replied and awards his lamb to Comatas.^[1]

According to J. M. Edmonds, "The themes Comatas chooses are various, but the dominant note, as often in Theocritus, is love. In some of the lines there is more meaning than appears on the surface."^[1] According to Andrew Lang, "No other idyl of Theocritus is so frankly true to the rough side of rustic manners."^[2]

The poem was imitated by the Latin poet Virgil in both Eclogue 3 and Eclogue 7. In Eclogue 3, the contest is preceded by unfriendly banter and consists of 12 rounds in which each contestant sings one couplet, ending in a draw; in Eclogue 7, there are 6 rounds where each contestant sings four lines, ending, as in Idyll 7, with a victory for the goatherd.^[3]

Attribution: This article incorporates text from these sources, which are in the public domain.

• Edmonds, J. M., ed. (1919). The Greek Bucolic Poets (3rd ed.). William Heinemann. pp. 61–81.
• Lang, Andrew, ed. (1880). Theocritus, Bion, and Moschus. London: Macmillan and Co. pp. 24–33.

• Crane, Gregory (1988). "Realism in the Fifth Idyll of Theocritus". Transactions of the American Philological Association. 118: 107–22. doi:10.2307/284164. JSTOR 284164.
• Giangrande, Giuseppe (1976). "Victory and Defeat in Theocritus' Idyll V". Mnemosyne. 29 (2): 143–54. doi:10.1163/156852576X00366. JSTOR 4430586.
• Gow, A. S. F. (1935). "Notes on the Fifth Idyll of Theocritus". The Classical Quarterly. 29 (2): 65–71. doi:10.1017/S0009838800020425. JSTOR 636519.
• Gow, A. S. F., ed. (1950). Theocritus. Vol. 1. Cambridge: Cambridge University Press. pp. 40–51.
• Gow, A. S. F., ed. (1950). Theocritus. Vol. 2. Cambridge: Cambridge University Press. pp. 92–117.
• Paraskeviotis, G. C. (2014). "Eclogue 7, 69–70. Vergil's Victory over Theocritus". Rivista di cultura classica e medioevale, 265–271.

•  Greek Wikisource has original text related to this article: Αιπολικόν και ποιμενικόν
• Media related to Idyll V at Wikimedia Commons
• "Theocritus, Idylls, Βουκολιασταὶ Κομάτας καὶ Λάκων". Perseus Digital Library.