Jesse Albert Stone (November 16, 1901 – April 1, 1999)[1] was an American rhythm and blues musician and songwriter whose influence spanned a wide range of genres. He also used the pseudonymsCharles Calhoun and Chuck Calhoun. His best-known composition as Calhoun was "Shake, Rattle and Roll".[2]
Ahmet Ertegun once stated that "Jesse Stone did more to develop the basic rock 'n' roll sound than anybody else."[3][4]
Early life
Stone was born in Atchison, Kansas,[2] and raised in Kansas. His grandparents were formerly enslaved in Tennessee.[4]
Stone was influenced by a wide array of styles. He came from a musical family who put on minstrel shows, and performed with them by age of five.[4] He was part of a trained dog act at the age of four.[citation needed]
Career
By 1926, Stone had formed a group, the Blue Serenaders, and cut his first record, "Starvation Blues", for Okeh Records in 1927. For the next few years he worked as a pianist and arranger in Kansas City, recording with Julia Lee among others, and then in the 1930s organised a larger orchestra.[2]
New York in the 1930s and 1940s
Duke Ellington got Stone's orchestra booked at the Cotton Club in 1936, and Ellington put Stone up free of charge in his apartment for four months. Over the next few years Stone worked as a bandleader at the Apollo Theatre, and more widely in Harlem as a songwriter and arranger, with Chick Webb's band (which included Louis Jordan), Jimmie Lunceford, and many others. He made some recordings under his own name in the 1930s and 1940s.
Stone's early writings show a deep blues influence. An early success was "Idaho", recorded by several artists, with the Benny Goodman version peaking at number 4 (pop) in 1942.[2] The recording by Guy Lombardo sold three million copies. Jimmy Dorsey recorded his composition "Sorghum Switch", later retitled "Cole Slaw" by Louis Jordan.[2] Stone also recorded novelty blues records for RCA Records, and wrote the standard "Smack Dab in the Middle".[2]
Atlantic Records
In 1945, with his friend Herb Abramson, he went to work for Al Green at National Records, and two years later the pair joined the staff at Atlantic Records.[2] At the time, Stone was the only black person on the Atlantic payroll.
Stone worked for Atlantic as a producer, songwriter, and arranger.[2] During a trip to the South in 1949 with Ahmet Ertegun and Herb Abramson, Stone discovered that Atlantic's records were not selling in the southern states because they lacked a certain danceable quality. Stone later said: "I listened to the stuff that was being done by those thrown-together bands in the joints down there, and I concluded that the only thing that was missing from the stuff we were recording was the rhythm. All we needed was a bass line. So I designed a bass pattern, and it sort of became identified with rock'n'roll - doo, da-DOO, DUM; doo, da-DOO, DUM - that thing. I'm the guilty person that started that."[3]
In 1953, he wrote Ray Charles' hit "Losing Hand" (1953), and also wrote "Money Honey", which became the first hit record for The Drifters, topping the national R&B chart for 11 weeks. The following year, he arranged "Sh-Boom" by The Chords.[2]
As Charles Calhoun
On Ertegun's advice, Stone used the pseudonym of Charles F. Calhoun, a name appropriated from an unknowing local builder, on his BMI tunes to avoid conflict with his membership in the other music licensing society, ASCAP. His best-known composition as Calhoun was "Shake, Rattle and Roll". The song was first recorded by Big Joe Turner in 1954 for Atlantic and was a major hit for the rhythm and blues artist,[2] often cited as one of the first rock and roll records. An even bigger success was a cover version of the song recorded later in 1954 for Decca Records by Bill Haley & His Comets. This version became one of the first rock and roll recordings to sell a million copies and be an international success. It predated Haley's better-known "Rock Around the Clock" by nearly a year.
Stone also co-wrote "Flip, Flop and Fly" with Big Joe Turner, which was another hit. Haley was also fond of the song, and recorded it three times during his career. Stone also had additional Haley connections. Haley's hit, 1955's "Razzle-Dazzle", was another written by Stone under the Calhoun pseudonym. Stone was also credited as co-writer (along with James E. Myers aka Jimmy DeKnight, co-writer of "Rock Around the Clock") of "Rattle My Bones", a song recorded in 1956 by the Comets spin-off group, The Jodimars.
As a bandleader, Stone recorded several singles in the late 1940s and mid 1950s, on RCA Victor, Atlantic and other labels, either under his own name or as "Chuck", "Charles" or "Charlie" Calhoun.
Later career
In 1960, he served as arranger and orchestra director for a session for LaVern Baker which produced four songs including the hit "Bumble Bee".[6] In 1961, after a brief and temporary retirement, Stone was recruited to run Randy Records in Chicago. However, he left after a few years.
After leaving Randy Records, Stone relocated to New York and then Florida. In 1975, he married Evelyn McGee[4] (1922–1996), formerly of the International Sweethearts of Rhythm.[1]
Elvis Presley performed Stone's "Shake, Rattle and Roll" and "Flip, Flop and Fly" in a medley on the January 28, 1956 broadcast of the Dorsey Brothers Stage Show. He also recorded "Money Honey" in 1956 and "Like a Baby" in 1960.
Jerry Lee Lewis recorded many of Stone's songs including "Don't Let Go", "Flip, Flop, and Fly" and "Shake, Rattle and Roll".
The Jerry Garcia Band performed Stone's "Don't Let Go" live in concert at least 154 times, between March 30, 1976, and April 21, 1995.[11]
The Steve Miller Band covered "Your Cash Ain't Nothing but Trash" (written as Charles Calhoun) on the 1973 album The Joker. It was also released as a single in 1974.
Count Basie wrote in autobiography that Stone had the reputation as the best piano player in Kansas City when Basie first performed there in 1920.
Kansas City jazz historian Frank Driggs wrote that Stone did the first written horn arrangements for a jazz band, and was instrumental in modernizing the form to be performed in 4/4 time.
^Greta Schiller and Andrea Weiss (directors) (2007). International Sweethearts of Rhythm: America's Hottest All-Girl Band (DVD) (Newly restored ed.). New York, NY: Jezebel Productions. OCLC123905581. 837101327985.
