The Juba dance or hambone, originally known as Pattin' Juba (Giouba, Haiti: Djouba), is an African-American style of dance that involves stomping as well as slapping and patting the arms, legs, chest, and cheeks (clapping). "Pattin' Juba" would be used to keep time for other dances during a walkaround. A Juba dance performance could include steps such as the "Jubal Jew", "Yaller Cat", "Pigeon Wing" and "Blow That Candle Out".
Later in the mid-19th century, music and lyrics were added, and there were public performances of the dance. Its popularization may have indirectly influenced the development of modern tap dance. [citation needed] The most famous Juba dancer was William Henry Lane, or Master Juba, one of the first black performers in the United States. It was often danced in minstrel shows, and is mentioned in songs such as "Christy's New Song" and "Juba",[5] the latter by Nathaniel Dett.[6]
In the 1930s and 1940s, African American composer Florence Price drew inspiration from Juba when composing her symphonies.
Hambone was famously adopted and adapted in the 1950s by rhythm & blues singer Bo Diddley for his "Bo Diddley beat", which was copied by many rock musicians.