Kurt Schulz (cinematographer)

This article needs additional citations for verification. Please help improve this article by adding citations to reliable sources. Unsourced material may be challenged and removed. Find sources: "Kurt Schulz" cinematographer – news · newspapers · books · scholar · JSTOR (April 2019) (Learn how and when to remove this message)

Kurt Schulz (1913–1957) was a German cinematographer.

• Hotel Sacher (1939)
• A Salzburg Comedy (1943)
• The Black Robe (1944)
• Young Hearts (1944)
• No Place for Love (1947)
• Thank You, I'm Fine (1948)
• Everything Will Be Better in the Morning (1948)
• Nothing But Coincidence (1949)
• One Night Apart (1950)
• The Black Forest Girl (1950)
• The Heath Is Green (1951)
• Dance Into Happiness (1951)
• The Land of Smiles (1952)
• Mikosch Comes In (1952)
• At the Well in Front of the Gate (1952)
• Mailman Mueller (1953)
• When The Village Music Plays on Sunday Nights (1953)
• When the White Lilacs Bloom Again (1953)
• Hooray, It's a Boy! (1953)
• On the Reeperbahn at Half Past Midnight (1954)
• The Gypsy Baron (1954)
• Emil and the Detectives (1954)
• Yes, Yes, Love in Tyrol (1955)
• Charley's Aunt (1956)
• Black Forest Melody (1956)
• Das Sonntagskind (1956)

• The Merry Heirs (1933)
• Triumph of the Will (1935)
• Hokum (1936)
• Heimweh (1937)
• Anna Favetti (1938)
• Three Fathers for Anna (1939)
• Sensationsprozess Casilla (1939)
• A Foreign Affair (1948)

• Kurt Schulz at IMDb

This biographical article related to film in Germany is a stub. You can help Wikipedia by expanding it.

• v
• t
• e