A limestone staircase riser showing a ball game scene.[1][2] La Corona, 8th century. Height: 25.1 cm; length: 43.2 cm Chicago Art InstituteTwo palanquins, Dallas Museum of ArtSMU graduate student Stanley Guenter cleans a panel of Maya glyphs discovered at La Corona.[3] This particular panel helped point to La Corona as the long-sought "Site Q". The panel's left side depicts king K'inich Yook of Sak Nikte'.
La Corona is the name given by archaeologists to an ancient Maya court residence in Guatemala's Petén department that was discovered in 1996, and later identified as the long-sought "Site Q", the source of a long series of unprovenanced limestone reliefs of exceptional artistic quality. The site's Classical name appears to have been Sak-Nikte' ('White-Flower').
The search for 'Site Q'
During the 1960s, looted Maya reliefs from a then-unknown city surfaced on the international art market. One of these reliefs, showing a ball player, is now in the Chicago Art Institute;[1][4][2] another is in the Dallas Museum of Art. Peter Mathews, then a Yale graduate student, dubbed the city "Site Q" (short for ¿Qué? [Spanish for "what?"]).
"La Corona was located[5] in February 1996 when a jaguar poacher and looter turned eco-tourism promoter named Carlos Catalán[6][7] led Santiago Billy,[8][9] a researcher on a Conservation International campaign to protect scarlet macaws, to the heavily looted site"[10][11]
Ian Graham[10] and David Stuart from Harvard University's Peabody Museum of Archaeology and Ethnology investigated the site the following year, naming the new site La Corona.[12] Among the broken sculptures left by looters, Stuart found textual references to a place name and to historical figures that were featured on Site Q artifacts, leading him to believe that La Corona was Site Q.
In 2005 Marcello A. Canuto,[13] then a Yale professor, found a panel in situ at La Corona that mentioned two Site Q rulers. The panel had been quarried from the same rock as the Site Q artifacts, providing convincing evidence that La Corona was indeed Site Q.
In April 2012, La Corona Archaeological Project discovered a row of 12 staircase risers with many different relief scenes; another 10 sculpted risers were found looted from their original context but then discarded for being too eroded to be worth selling on the illicit antiquities market.[citation needed]
The texts of these newly discovered panels contain important historical information about political events in the Classic period; one of the panels (Hieroglyphic Staircase 2, Block 5) contains a reference to 4 Ahau 3 K'ank'in, the notorious 13th baktun-ending.[citation needed]
La Corona and its history
Research focuses on the relationship between the powerful kingdom of Calakmul and La Corona.[14]
A famous sculpted panel (now in the Dallas Museum of Art) depicts two large palanquins each carrying a royal woman from Calakmul, one standing in a temple pavilion, the other overshadowed by a supernatural protector; the text, however, refers to three women who came from Calakmul's ruling dynasty to marry the kings of La Corona.
In 679 AD, a daughter of Calakmul's powerful Yuknoom Ch'een was given in marriage to a La Corona king. Another, newly discovered relief mentions a visit in between these two dates, in 696, by another Calakmul king (Yuknoom Yich'aak K'ahk'), following Calakmul's defeat by Tikal.[15]
In 721 AD, a daughter of the Calakmul king (Yuknoom Took' K'awiil) was married off to a king of La Corona.[16]
References
^ ab"Ballplayer Panel". The Art Institute of Chicago. 1965. Retrieved 2 September 2023. Late Classic Maya, Probably La Corona, Usumacinta River area, Guatemala 700 CE – 800 CE Limestone 43.2 × 25.1 cm (17 × 9 15/16 in.) In Central America, the best-known sculptors are the Maya, who decorated their temples and sacred precincts with finely carved stone reliefs representing powerful dynastic rulers involved in various secular and religious activities. This fragmentary ball-court panel from the late eighth century shows two men, dressed in elaborate costumes, engaged in a ritual ball game. Surrounding the figures, and clearly set off from them, are fragments of hieroglyphs by which the Maya identified the players and the date on which the game occurred.
^Oosterman, Naomi; Yates, Donna (23 November 2022). Art Crime in Context. Springer Nature. ISBN978-3-031-14084-6. La Corona only became known to science after Carlos Catalan and Luis Morales ... The site was then visited by macaw conservationist Santiago Billy in 1996, ...
^Nations, James D. (1 January 2010). The Maya Tropical Forest: People, Parks, and Ancient Cities. University of Texas Press. p. 21. ISBN978-0-292-77877-1. ... and their guides, Carlos Catalan and Luis Morales from Carmelita, Petén, came upon a Maya site near a chiclero camp called Lo Veremos.
