The Broadway production was produced by Gilbert Miller and co-directed by MacArthur and Lewis Allen. The scenic design was by Boris Aronson. It opened at the Martin Beck Theatre on October 17, 1939 and closed on January 13, 1940 after running for 105 performances.
Of the play Time said, "[it] brings Near-Divinity Helen Hayes back to Broadway in her first new role there since December 1935. For this Broadway can rejoice, even though finding anything to rejoice at in the play itself is like looking for a needle in a Hayestack. After a two-month tryout, this thing of shreds & patches is still, like Gaul, divided into three parts — comedy, drama, romance — and, as in Gaul, the three parts are on very uncivil terms."[2]
