Image |
Title |
Year |
Technique |
Dimensions (cm) |
Gallery
|
Catalog number
|
|
Seascape with Ships and a Burning City (disputed attribution) |
1553 |
Oil on panel |
22.4 × 34.8 |
Private collection, Switzerland
|
MS 1
|
|
Landscape with Christ and the Apostles at the Sea of Tiberias |
1553 |
Oil on panel |
67 x 100 |
Private collection, New York
|
MS 2
|
|
The Adoration of the Kings |
c. 1556-1562[1] |
Tempera on canvas |
124 × 169 |
Royal Museums of Fine Arts of Belgium
|
MS 4
|
|
Parable of the Sower |
1557 |
Oil on panel |
73.7 × 102.9 |
Timken Museum of Art
|
MS 5
|
|
Twelve Proverbs |
1558 |
Oil on panel |
75 × 98 |
Museum Mayer van den Bergh
|
|
|
Netherlandish Proverbs |
1559 |
Oil on panel |
117 × 163 |
Berlin State Museums
|
MS 6
|
|
The Fight Between Carnival and Lent |
1559 |
Oil on panel |
118 × 164 |
Kunsthistorisches Museum
|
MS 7
|
|
Children's Games |
1560 |
Oil on panel |
118 × 161 |
Kunsthistorisches Museum
|
MS 8
|
|
Naval Battle in the Gulf of Naples |
c. 1560 |
Oil on panel |
42.2 × 71.2 |
Doria Pamphilj Gallery
|
MS 9
|
|
Landscape with the Fall of Icarus (copy) |
1560s |
Oil on canvas |
73.5 × 112 |
Royal Museums of Fine Arts of Belgium
|
MS 3
|
|
The Suicide of Saul |
1562 |
Oil on panel |
33.5 × 55 |
Kunsthistorisches Museum
|
MS 10
|
|
The Fall of the Rebel Angels |
1562 |
Oil on panel |
117 × 162 |
Royal Museums of Fine Arts of Belgium
|
MS 12
|
|
Mad Meg (Dulle Griet) |
1562 |
Oil on panel |
117.4 × 162 |
Museum Mayer van den Bergh
|
MS 13
|
|
The Triumph of Death |
с. 1562 |
Oil on panel |
117 × 162 |
Prado
|
MS 14
|
|
Two Monkeys |
1562 |
Oil on panel |
20 × 23 |
Berlin State Museums
|
MS 15
|
|
The Tower of Babel |
1563 |
Oil on panel |
114 × 155 |
Kunsthistorisches Museum
|
MS 16
|
|
The Tower of Babel |
1563–1565 |
Oil on panel |
59.9 × 74.6 |
Museum Boijmans Van Beuningen
|
MS 17
|
|
Landscape with the Flight into Egypt |
1563 |
Oil on panel |
37.1 × 55.6 |
Courtauld Institute Galleries
|
MS 18
|
|
Portrait of an Old Woman |
1563 |
Oil on panel |
22 × 18 |
Alte Pinakothek
|
MS 38
|
|
Yawning Man (disputed attribution) |
c. 1563 |
Oil on panel |
12.6 x 9.2 |
Royal Museums of Fine Arts of Belgium
|
|
|
The Adoration of the Kings |
1564 |
Oil on panel |
111.1 × 83.2 |
The National Gallery, London
|
MS 19
|
|
The Procession to Calvary |
1564 |
Oil on panel |
124 × 170 |
Kunsthistorisches Museum
|
MS 20
|
|
Death of the Virgin |
1564 |
Oil on panel |
36 × 55 |
Upton House
|
MS 21
|
|
Haymaking |
1565 |
Oil on panel |
117 × 161 |
Lobkowicz Palace at the Prague Castle Complex
|
MS 22
|
|
The Harvesters |
1565 |
Oil on panel |
116.5 × 159.5 |
Metropolitan Museum of Art
|
MS 23
|
|
The Return of the Herd |
1565 |
Oil on panel |
117 × 159 |
Kunsthistorisches Museum
|
MS 24
|
|
The Hunters in the Snow |
1565 |
Oil on panel |
117 × 162 |
Kunsthistorisches Museum
|
MS 25
|
|
The Gloomy Day |
1565 |
Oil on panel |
118 × 163 |
Kunsthistorisches Museum
|
MS 26
|
|
Massacre of the Innocents |
1565–1567 |
Oil on panel |
109.2 × 158.1 |
Royal Collection and at Upton House, Warwickshire
|
MS 27
|
|
Winter Landscape with a Bird Trap |
1565 |
Oil on panel |
37 × 55.5 |
Royal Museums of Fine Arts of Belgium, and many copies; it is Bruegel's most copied work
|
MS 28
|
|
Christ and the Woman Taken in Adultery |
c. 1565 |
Oil on panel |
24 × 34 |
Courtauld Institute Galleries
|
MS 29
|
|
The Wine of Saint Martin's Day |
1565–1568 |
Tempera on canvas |
148 × 270.5 |
Prado
|
|
|
The Wine of Saint Martin's Day (copy) |
1565–1568 |
Oil on canvas |
147 × 269.5 |
Royal Museums of Fine Arts of Belgium
|
|
|
The Census at Bethlehem |
1566 |
Oil on panel |
115.5 × 163.5 |
Royal Museums of Fine Arts of Belgium
|
MS 30
|
|
The Sermon of Saint John the Baptist |
1566 |
Oil on panel |
95 × 160.5 |
Museum of Fine Arts (Budapest)
|
MS 31
|
|
The Wedding Dance |
c. 1566 |
Oil on panel |
119.4 × 157.5 |
Detroit Institute of Arts
|
MS 32
|
|
The Land of Cockaigne |
1566 |
Oil on panel |
52 × 78 |
Alte Pinakothek
|
MS 37
|
|
Adoration of the Kings in the Snow |
1567 |
Tempera on panel |
35 × 55 |
Oskar Reinhart Collection 'Am Römerholz', Winterthur
|
MS 33
|
|
Conversion of Paul |
1567 |
Oil on panel |
108 × 156 |
Kunsthistorisches Museum
|
MS 34
|
|
The Peasant Wedding |
1568 |
Oil on panel |
114 × 164 |
Kunsthistorisches Museum
|
MS 35
|
|
The Peasant Dance |
1568 |
Oil on panel |
114 × 164 |
Kunsthistorisches Museum
|
MS 36
|
|
The Peasant and the Nest Robber |
1568 |
Oil on panel |
59.3 × 68.3 |
Kunsthistorisches Museum
|
MS 39
|
|
The Misanthrope |
1568 |
Tempera on canvas |
86 × 85 |
Museo di Capodimonte
|
MS 40
|
|
The Beggars |
1568 |
Oil on panel |
18.5 × 21.5 |
Louvre
|
MS 41
|
|
Parable of the Blind |
1568 |
Tempera on canvas |
85.5 × 154 |
Museo di Capodimonte
|
MS 42
|
|
The Magpie on the Gallows |
1568 |
Oil on panel |
45.9 × 50.8 |
Hessisches Landesmuseum
|
MS 43
|
|
The Three Soldiers |
1568 |
Oil on panel |
20.3 × 17.8 |
The Frick Collection
|
|
|
The Drunkard pushed into the Pigsty |
1568 |
Oil on panel |
18 cm. diam. |
Private Collection (Sold at Christies in 2002)
|
|
|
The Storm at Sea (disputed attribution) |
1569 |
Oil on panel |
70.3 × 97 |
Kunsthistorisches Museum
|
MS 44
|