Live in Paris 1973 is a live double-album by German krautrock band Can, recorded at a performance of the band at L'Olympia in Paris, France. It was released on vinyl and CD by Spoon Records on 23 February 2024,[1] two weeks after the death of Can member Damo Suzuki on 9 February 2024.[2]
Live in Paris 1973 is the fourth live album in a series prepared by Can founding member Irmin Schmidt and producer/engineer René Tinner, and the first official live release to feature vocalist Suzuki.[3][1][a] The live performance features Schmidt, Holger Czukay, Michael Karoli, Jaki Liebezeit and Suzuki. It was one of the last concerts Suzuki performed in with Can. He left the band soon after Future Days was recorded.[3][2]
Music
The material on Live in Paris 1973 was sourced from tapes archived at Spoon Records, plus concert recordings by British fan, Andrew Hall.[4][5] Bootleg recordings of this concert of varying quality have circulated for many years, but for this official release the audio quality of the source tapes was restored and enhanced by engineer and producer René Tinner.[5][6]
The five track titles on the album are numbered in German: “Eins” (“One”), “Zwei” (“Two”), "Drei" (Three"), “Vier” (“Four”) and "Fünf" ("Five").[5] The music is improvised, with three of the tracks, "Zwei", "Drei" and "Fünf" being improvised extensions of three Can songs, "One More Night", "Spoon" and "Vitamin C" respectively. The songs are from their 1972 album Ege Bamyasi, which had been released three months before the L'Olympia concert.[4][6]
In a review at AllMusic, Paul Simpson wrote that "Live in Paris 1973 is Can at their on-stage best, and easily the band's most essential live release."[4] He called the band's improvisation around "Vitamin C" on "Paris 73 Fünf", "an extended freak-out", while "Paris 73 Zwei"'s reworking of "One More Night" showed their "mastery of killer grooves".[4] Simpson described the album as "a largely unfiltered display of the band's powers when they were at their prime".[4]
Reviewing the album in Mojo magazine, Ian Harrison called Live in Paris 1973 "the most astonishing" of the series of four live archival releases so far.[3] He wrote that Ege Bamyasi had just been released, and "Can were firing creatively and commercially", making this "one of the great[est] formations in Can’s history".[3]
Writing in a review in the Financial Times, Ludovic Hunter-Tilney described Live in Paris 1973 as "a vivid tribute to [Suzuki's] role in one of the best improvisational groups in rock’s history."[7] Hunter-Tilney stated that following the successes of Tago Mago and Ege Bamyasi, Can were "at the height of their powers." He said their long jams in Paris that night were "mesmerising", and Suzuki was often another instrument, "wailing with the guitar or barking chopped-up phrases in time to the rhythms."[7] Hunter-Tilney added that while Suzuki "didn’t like to look back", this album "allows us to do so, with gratitude."[7]
Sylvain Siclier wrote in a review of the album in Le Monde that Can's rendering of "Vitamin C" in "Fünf" is "beautiful" (belles), and added that Suzuki is "wonderful" (merveilleux) here.[6] Janne Oinonen wrote in The Yorkshire Post that Can "excelled in 'regressive rock', with the musicians scaling back every ounce of flab to arrive at a pure essence of groove that unveils a lean, fiercely potent European brand of avant-funk."[9] Oinonen called Live in Paris 1973 "electrifying", adding that despite being 50-year-old recordings, "it's difficult to think of a more timelessly fresh live album being released in 2024."[9]
^The four live albums prepared by Irmin Schmidt and René Tinner are Live in Stuttgart 1975 (2021), Live in Brighton 1975 (2021), Live in Cuxhaven 1976 (2022) and Live in Paris 1973 (2024).
^ abcSiclier, Sylvain (26 February 2024). "Réécouter Can en concert, un soir de mai 1973, à l'Olympia". Le Monde (in French). Paris. p. 21. ISSN0395-2037. ProQuest2931112167.
