After Edward MacDowell died in 1908, Marian MacDowell established the artists' residency program through a nonprofit association in honor of her husband, raising funds to transform her farm into a quiet retreat for creative artists to work. She led the organization for almost 25 years.
Over the years, an estimated 9,000 artists have been supported in residence with nearly 16,000 fellowships, including the winners of at least 102 Pulitzer Prizes, 33 National Book Awards, 31 Tony Awards, 34 MacArthur Fellowships, 18 Grammys, 9 Oscars, 969 Guggenheim Fellowships, and 122 Rome Prizes.[5] The artists' residency program has accepted visual and interdisciplinary artists, architects, filmmakers, composers, playwrights, poets, and writers, both well-known and unknown.[6] Since January 2020, Nell Painter has served as chair of MacDowell, the first woman to hold the position.[7]
History
In 1896, pianist Marian MacDowell bought Hillcrest Farm in Peterborough, New Hampshire, as a summer residence for herself and her husband, composer Edward MacDowell. She had always been careful to give him a quiet room for his work. They found that the New Hampshire landscape enhanced his work of composing music.[9]
The couple formulated a plan to provide an interdisciplinary experience in a nurturing landscape, by creating an institutionalized residential art colony in the area. In 1904, Edward MacDowell began to show signs of an illness that ended his composing and teaching career. He died in 1908.[10]
In 1907, Marian MacDowell deeded their farm to the Edward MacDowell Association and founded the MacDowell Colony. The first guests arrived that year: sisters Helen Farnsworth Mears, a sculptor, and Mary Mears, a writer. Mears wrote about her time on site for The Craftsman in July 1909.[9] MacDowell began by inviting applicants personally, but by the 1920s had consigned the admission process to a committee.
Marian and friends raised funds and found support from industrialist and philanthropist Andrew Carnegie, former U.S. PresidentGrover Cleveland, financier J. P. Morgan, other prominent people, as well as many others across the country. MacDowell said the most consistent support came from women's clubs and professional music sororities (see, for example, the MacDowell Club of New York). At the age of 50, MacDowell began lecturing to women's groups to raise funds, resumed her performing career, and became a noted interpreter of her husband's work.[11]
Elizabeth Sprague Coolidge organized an effort in 1916 to build and name a studio at MacDowell in memory of her teacher Regina Watson. It was renovated in 1993 and became McDowell's first barrier-free studio that was accessible to everyone.[12]
By 1918, 31 of Isabelle Sprague Smith's students funded the creation of the Isabelle D. Sprague Smith studio.[13] Through the years more separate studios were built. The program continues in 32 studios scattered over 450 acres (1.8 km2) of land.[14]
On March 13, 2020, MacDowell shut in the face of the COVID-19 outbreak and sent artists and fellows home. It was the first time the site had shut since the 1938 New England hurricane.[15] MacDowell reopened its doors in October of 2020.
Medal Day
Every year, MacDowell presents the Edward MacDowell Medal to an artist who has made a significant cultural contribution. Residency at MacDowell is not a requirement. Medal Day is one of the rare occasions when the site is open to the public.[16] The ceremony includes a keynote speech, after which the artists open their studios to visitors.[17]
Property tax dispute
MacDowell, a non-profit organization, enjoys the status of a charity, entitling it to exemption from local property taxes, among other things. However, in 2005, the town of Peterborough's selectmen (local-government executives) decided to challenge MacDowell's charitable status and billed the organization for a "payment in lieu of taxes". A lawyer for the town argued that "the Colony certainly benefits its artists-in-residence, but that doesn't strike us as being the general public."[18]
The then-Board of Directors paid the bill, then successfully challenged the charge.[19] A 2007 Superior Court opinion found that the MacDowell Colony, by promoting the arts, was a charitable institution, a ruling that was upheld by the New Hampshire Supreme Court in a subsequent appeal.[20]: p13 The appeal court found that "Contrary to the Town's assertions, MacDowell's articles of incorporation oblige it to use its property for its stated charitable purpose."[20]: p11
^ ab"MacDowell Colony". National Historic Landmark summary listing. National Park Service. Archived from the original on June 6, 2011. Retrieved October 22, 2007.
^Siller, Mabel Harriet; Armstrong, Florence A (1917). "XXII The MacDowell Colony Studio". The History of Alpha Chi Omega Fraternity (1885-1916). Menasha, WI: George Banta Printing Co. pp. 270–275.
^Bradford, S. Sydney; Rettig, Polly (January 6, 1976). "Accompanying 5 photos, from 1907 and 1975". National Register of Historical Places Inventory-Nomination: MacDowell Colony. National Park Service.
^Quay, Joyce Crosby (1995). Early Promise, Late Reward: A Biography of Helen Hooven Santmyer, author of "...And Ladies of the Club". Knowledge, Ideas and Trends.