Martin Clive Atkins (born 3 August 1959) is an English drummer, best known for his work in post-punk and industrial groups including Public Image Ltd, Ministry, Nine Inch Nails, Pigface, and Killing Joke. He also works as a consultant, has written multiple books on the music industry, and is the music industry studies coordinator at Millikin University in Decatur, IL. Atkins is the owner and operator of the Museum of Post Punk and Industrial Music in Chicago, is an honorary board member of the Chicago-based nonprofit organization Rock For Kids, and a fellow of In Place of War.
In 1980, Atkins left Public Image Ltd to concentrate on his band Brian Brain with Pete Jones (who also played with Public Image Ltd in 1982 and 1983) on bass (in 1983 replaced by original Go-Gos' bassist Margot Olavarria) and Bobby Surgeoner on guitar (later replaced by Olavarria's husband, Geoff Smyth). Named after the Worcestershire and Gloucestershire seam bowler Brian Brain, the band released six singles and one LP (Unexpected Noises) on Secret Records,[3] and continued to release singles and LPs on Atkins' own Plaid Records throughout the 1980s. The band had a minor indie chart hit in 1980 with "They've Got Me in the Bottle" (#39),[4] and club hits with the singles "Jive Jive" (1981) and "Funky Zoo" (1982).
Atkins was hired in late 1980 by Public Image Ltd to perform on The Flowers of Romance, drumming on four tracks. In 1982 he re-joined as a full-time band member, co-producing and co-writing the album This Is What You Want... This Is What You Get. Atkins left PiL for the last time in 1985.
1985–2005
After leaving Public Image Ltd, Atkins revived his Brian Brain project[5] and recorded an EP at Planet Sound Studios in New York for his own, short-lived label Plaid Records,[6] which was released in July 1985.[7] Throughout the late 1980s, the 1990s and early 2000s, Atkins performed with many bands, including Nine Inch Nails (appearing in the video for "Head Like A Hole"), as well as Ministry. The dual-drumming of Atkins and Bill Rieflin appears on the live Ministry album/video In Case You Didn't Feel Like Showing Up. Atkins later joined Killing Joke, performing on 1990s Extremities, Dirt, and Other Repressed Emotions. He also managed the band for that time, and designed their live show scenery and some merchandise.
In between creating albums and touring with Pigface he also formed The Damage Manual with Jah Wobble, Walker, and Connelly. Atkins later produced and released a collaborative album with Skinny Puppy's Nivek Ogre, the latter's first project outside of Skinny Puppy, under the moniker Rx. The resulting album was entitled Bedside Toxicology.
Between 2000 and 2002 he released four albums as Opium Jukebox featuring instrumental cover tunes done in a Bhangra style.[9]
2006–present
In October 2006, Atkins visited Beijing to discover the emerging Chinese music scene. During his stay, Atkins recorded and signed a handful of Chinese bands to Invisible Records and recorded material for a new Pigface album.
Atkins has taught at Columbia College in Chicago where he instructed the course "The Business of Touring". He is also an active guest lecturer, speaking at such institutions as the University of Southern California, the Midi School in Beijing and Lebanon Valley College in Annville, Pennsylvania. Atkins has since become an instructor at the Madison Media Institute in Madison, Wisconsin. Atkins has announced plans to take his lecturing further by eventually opening a school of his own.[10] He is also a former department chairman for a music business program he designed at SAE Chicago.[11] He now is the acting Music Business program coordinator at Millikin University in Decatur, IL.
Atkins has held a number of seminars at Tech Music Schools (Drumtech, Vocaltech, Guitar-X and Keyboardtech) in London, with more planned for the future.
Atkins has written what he calls "the first real book on touring". The book Tour:Smart, featured contributions from Henry Rollins, Cynthia Plastercaster, The Enigma, the Suicide Girls, Zim Zum (formerly of Marilyn Manson), Kevin Lyman, Curse Mackey, CPA Lisa Malina and various other managers, journalists, venues, agents, sponsors, and radio personalities.[12][13]
Atkins was on the tenth annual Independent Music Awards judging panel, and was also a judge for the seventh annual season of Independent Music Awards to support independent artists.[14]
Starting in 2015, Atkins has written and performed several podcast stories for The Martin Atkins Minute, included with the NPRAll Songs Considered podcast.[15]
In 2018 Martin released Band:Smart, the follow-up to his Tour:Smart book. This book covers record labels, book agents, crafting a stage show, band names, social media and lots more.[16]
In 2021, Martin opened Chicago's "Museum of Post Punk and Industrial Music" documenting the history of the two movements with over 3000 items and ephemera. Displays include handwritten lyrics by Trent Reznor for Pigface,[17] Martin's drum set,[18] vintage rarities from Skinny Puppy, and a myriad of other rare items from the history of Industrial music.
In 2022, Martin was also inducted by Brian Eno as a fellow of In Place of War, a global organization that uses creativity in places of conflict as a tool for positive change.
^Lazell, Barry (1997). Indie Hits 1980–1999. Cherry Red Books. ISBN0-9517206-9-4.
^Freeman, Kim (25 May 1985). "Grass Route". Billboard. p. 85. Retrieved 23 November 2014. Back in New York, former Public Image Ltd. drummer/writer/producer Martin Atkins has gone solo with a new label called Plaid Records. The first project there is an EP by Brian Brain, which features Margot Olavarria, formerly of the Go-Go's.
^Goodman, Fred (20 July 1985). "Album Reviews". Billboard. p. 66. Retrieved 23 November 2014. Four-song EP by New York based outfit employing heavy drum sound and chant vocal arrangements. Title track is an anti-drug tune that manages to avoid becoming bogged down under the weight of its message.
