Martyrs of Compiègne
The Martyrs of Compiègne were the 16 members of the Carmel of Compiègne, France: 11 Discalced Carmelite nuns, three lay sisters, and two externs (or tertiaries). They were executed by the guillotine towards the end of the Reign of Terror, at what is now the Place de la Nation in Paris on 17 July 1794, and are venerated as martyr saints of the Catholic Church. Ten days after their execution, Maximilien Robespierre himself was executed, ending the Reign of Terror. Their story has inspired a novella, a motion picture, a television movie, and an opera, Dialogues of the Carmelites, written by French composer Francis Poulenc. HistoryThe number of Christian martyrs increased greatly in the early years of the French Revolution. Thousands of Christians died by the guillotine or as the result of mass deportations, drownings, imprisonment, shootings, mob violence, and "sheer butchery".[1] In 1790, the French Revolutionary government passed the Civil Constitution of the Clergy, which outlawed religious life.[2] The community of Carmelite sisters at Compiègne, a commune 72 km north of Paris, was founded in 1641, a daughter house of the monastery in Amiens. The community grew rapidly and "was renowned for its fervor and fidelity".[3] It was supported by the French court.[3] Shortly after Bastille Day, on 4 August 1790, government officials, with armed guards, interviewed each sister at their convent in Compiègne and forced them to choose between breaking their vows or risking further punishment. They all refused to abandon their lives of obedience, chastity, and poverty.[2][4] They were allowed to remain at the convent and were deemed wards of the state, which entitled them to receive government pensions. The revolutionary government, at the end of 1791, required all clergy to swear a civic oath supporting the Civil Constitution or risk losing their pensions. At Easter 1792, the government plundered churches and interrupted services. Mother Teresa of St. Augustine, the convent's prioress, suggested to the community that they commit themselves to execution and offer themselves as a sacrifice for France and for the French Church.[5] In August 1792, the government ordered all women's monasteries closed; the seizure and removal of the Compiègne convent's furnishings occurred on 12 September, and the sisters were forced to leave the convent and re-enter the world on 14 September, the end of their cloistered community. Mother Teresa made arrangements for the 20 sisters living in the convent at the time to hide in the city in four separate apartments and find civilian clothes for them to wear, since the wearing of habits and religious apparel had been outlawed.[6] They were dependent on the charity of friends, and "courageously continued to practice community prayer",[2] despite the government's orders. In 1794, after the Terror began, the government searched the sisters' apartments for two days; they found letters revealing their "crimes" against the Revolution, which included hostility to the Revolution, strong sympathies to the monarchy, and evidence that they continued to live as a community of consecrated Christian women.[7] They also found two letters written by "the unfortunate"[8] Mulot de la Ménardière to his cousin, Sister Euphrasia of the Immaculate Conception, containing unfavorable criticisms of the Revolution. Mulot was accused of helping them and of being a non-juring priest, even though he was married, and was arrested and imprisoned with the sisters.[9] On 22 June, the sisters and Mulot were arrested and locked up in the former convent of the Visitation, an improvised jail for political prisoners in Compiègne. On 10 July 1794, they were transferred to the Conciergerie Prison in Paris to await trial.[2] The sisters recanted their civic oath while in prison.[6] During their trial on 17 July 1794, in which they received no legal counsel,[6] Sister Mary-Henrietta tried to force the prosecutor to define the word "fanatic", one of the charges against them. She pretended she did not know what the word meant, thus getting him to admit their fanaticism was due to their religion, which made them "criminals and annihilators of public freedom".[10] Mother Teresa claimed full responsibility for the charges of being counter-revolutionaries and religious fanatics, and defended and insisted on the others' innocence.[11] All 16 sisters, along with Mulot, were sentenced to death.[2] At one point, while waiting for the transportation from the Conciergerie to the site of their executions, one of the nuns, Sister St. Louis, after consulting with Mother Teresa, bartered a fur wrap she owned for a cup of chocolate for the sisters to drink from to give them strength after not being able to eat anything all day.[12] There were 26 nights between their arrest and execution.[13] ExecutionOn the night of 17 July 1794, the sisters were transported through the streets of Paris in an open cart, a journey that took two hours. During that time, they sang "hymns of praise,"[2] including the Miserere, the Salve Regina, the evening vespers, and the Compline. Other sources state that they sang a combination of the Office of the Dead, the vespers, the Compline, and other shorter texts.[14] Onlookers berated them, yelling insults and throwing things at them. While waiting to be executed, a sympathetic woman from the crowd offered the sisters water, but Sister Mary-Henrietta stopped one sister from accepting, insisting that it would break their unity and promising that they would drink when they were in heaven.[10] A crowd gathered, as usual, at the Place du Trône Renversé (now called Place de la Nation), the site of the executions,[15] to watch, but the sisters showed no fear and forgave their guards. The final song the sisters sang was Psalm 116, Laudate Dominum. Sister Constance, a novice, the youngest of the group and the first to die;[15] she "spontaneously"[16] began the chant, but it was cut short by the guillotine blade. Each sister joined her and was silenced in the same way. Before their execution they knelt and chanted the "Veni Creator" as a profession and then renewed their baptismal and religious vows out loud.[15] According to scholar John Wainewright, "absolute silence prevailed the whole time that the executions were proceeding".[15] Sister Charlotte, who at 78 years of age was the oldest sister, walked with a crutch and was unable to stand up and get out of the cart because her hands were tied and the other sisters were unable to help her. Eventually a guard gathered her up in his arms and threw her on the street; she lay face down on the pavement stones, with no signs of life as the crowd protested against the guard's treatment of her. She stirred, lifted up her blood-smeared face, and warmly thanked the guard for not killing her, "thereby depriving her of her share in her community's glorious witness for Jesus Christ".[17] Sister Mary-Henrietta stood by her prioress until it was her turn to die, helping the 14 other sisters climb the scaffold steps before climbing them herself, and was the second-to-last to die.[10] Mother Teresa died last.[15] There are no surviving relics of the Martyrs of Compiègne because their heads and bodies were buried, along with 128 other victims executed that day, in a deep, 30-feet square sand-pit in the Picpus Cemetery. Five secondary relics, however, are in the possession of the Benedictines in Stanbrook Abbey in Worcestershire.[15] Their burial site, located in the back of the cemetery, is marked with two large, gravel-covered quadrangles. The heads and torsos of the 1,306 people who were guillotined at the Place de la Nation between 13 June and 27 July 1794 are buried there. Their names, including the 16 Martyrs of Compiègne as well as Mulot de la Ménardière, are inscribed on marble plaques covering the walls of a nearby church, where prayer is offered continuously.[18] On the day the sisters were killed there were 24 other victims.[19] VenerationThe Martyrs of Compiègne were beatified on 27 May 1906. They were the first martyrs of the French Revolution to be recognized by the Holy See. Their feast day is 17 July.[2][15][20] There were four miracles proven during the process of beatification: the cure from cancer in June 1897 of a Carmelite lay sister from New Orleans, at point of death; the cure of an abbé at the seminary in Brive, also at the point of death, in March 1897; the cure of a Carmelite lay sister in Vansy, of tuberculosis and an abscess in her right leg, in December 1897; and the cure of a Franciscan sister from Montmorillon in April 1898.[15] On 22 February 2022, the Roman Catholic Diocese of Beauvais announced that Pope Francis had accepted the procedure of equipollent canonization for the Martyrs of Compiègne, which would allow them to be canonized as saints without having a miracle attributed to their intercession recognized.[21][22] All sixteen sisters were recognised as saints of the Church on 18 December 2024 by Pope Francis via equipollent canonization as expected.[23] LegacyTen days after the sixteen were executed, Maximilien Robespierre was executed, ending the Reign of Terror.[2][24] French Catholics of the time believed that the public executions of the nuns "helped bring about the end to the horrors of the revolution"[2] and hastened the end of the Reign of Terror.[25] Three of the sisters were away from the community at the time of the arrests and so escaped execution. One of them, Marie de l'Incarnation (Françoise Geneviève Philippe), wrote an account of the execution, History of the Carmelite nuns of Compiègne, which was published in 1836.[26] The story of the Martyrs of Compiègne has inspired a novella, an unproduced film, a play, and an opera.[24] In 1931, the German writer Gertrud von Le Fort drew on the History for a novella called Die Letzte am Schafott (The Song at the Scaffold), centered on a fictional character named Blanche de la Force, notable for her timidity, who abandons herself to fear and is rewarded with the grace that allows her to emerge from the crowd of spectators to join the other sisters on the scaffold "without trembling, jubilantly".[27] Her work appeared in an English translation as The Song of the Scaffold in 1933.[28] Emmet Lavery used Le Fort's novella as the basis for his 1949 play, titled The Song at the Scaffold.[29] Raymond-Leopold Bruckberger, a French Dominican, and cinematographer Philippe Agostini developed a film project based on Le Fort's novella. Though their project never made it into production, they made an important contribution to the legacy of the Carmelites of Compiegne in 1947 when they persuaded Georges Bernanos to write its dialogue. With the film abandoned, Bernanos' dialogue became a stage drama. It premiered in 1951 in Zurich as Dialogues des carmélites and ran for 300 performances the following year.[25] Bruckberger and Agostini eventually resurrected their film project and used Bernanos' text as the basis for the French film Le Dialogue des Carmélites, written and directed by Agostini and released in 1960.[30] James Travers and Willems Henri wrote that "despite its starry cast and needlessly showy production values" the film has "stood the test of time and deserves to be more widely known". They also said that the film "more than does justice to Georges Bernanos' play and provides a thoughtful and emotionally involving reflection on the power and limits of faith". The cast included well-known French actors: Pierre Brasseur, Jeanne Moreau, Madeline Renaud, Alida Valli, Georges Wilson, and Jean-Louis Barrault.[31]In 1984, another version adapted from Bernanos was directed by Pierre Cardinal for a French television. This included more of Bernanos' dialogue than the 1960 film and featured Bernanos' granddaughter Anne Caudry in the cast.[30] French composer Francis Poulenc was commissioned to write a ballet based on Bernanos' dialogue for La Scala and Casa Ricordi, but instead wrote an opera titled Dialogues of the Carmelites. As of 2019, the Metropolitan Opera had performed the opera 59 times, first in English, then in its original French, since 1977.[24] List of the martyrsThe Martyrs of Compiègne consisted of 11 nuns, three lay sisters, and two externs (or tertiaries).[2]
Tertiaries in service of the community since 1772.[15]
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