A music box (American English) or musical box (British English) is an automatic musical instrument in a box that produces musical notes by using a set of pins placed on a revolving cylinder or disc to pluck the tuned teeth (or lamellae) of a steel comb. The popular device best known today as a "music box" developed from musical snuff boxes of the 18th century and were originally called carillons à musique (French for "chimes of music"). Some of the more complex boxes also contain a tiny drum and/or bells in addition to the metal comb.
History
The Symphonium company started business in 1885 as the first manufacturers of disc-playing music boxes. Two of the founders of the company, Gustave Brachhausen and Paul Riessner, left to set up a new firm, Polyphon, in direct competition with their original business and their third partner, Oscar Paul Lochmann. Following the establishment of the Original Musikwerke Paul Lochmann in 1900, the founding Symphonion business continued until 1909.[1]
According to the Victoria Museums in Australia, "The Symphonion is notable for the enormous diversity of types, styles, and models produced... No other disc-playing musical box exists in so many varieties. The company also pioneered the use of electric motors... the first model fitted with an electric motor being advertised in 1900. The company moved into the piano-orchestrion business and made both disc-operated and barrel-playing models, player-pianos, and phonographs."[1]
Meanwhile, Polyphon expanded to America, where Brachhausen established the Regina Company. Regina was a spectacular success. It eventually reinvented itself as a maker of vacuums and steam cleaners.[citation needed]
In the heyday of the music box, some variations were as tall as a grandfather clock and all used interchangeable large disks to play different sets of tunes. These were spring-wound and driven and both had a bell-like sound. The machines were often made in England, Italy, and the US, with additional disks made in Switzerland, Austria, and Prussia. Early "juke-box" pay versions of them existed in public places. Marsh's free Museum and curio shop in Long Beach, Washington (US) has several still-working versions of them on public display. The Musical Museum, Brentford, London has a number of machines.[2] The Morris Museum in Morristown, New Jersey, USA has a notable collection, including interactive exhibits. In addition to video and audio footage of each piece, the actual instruments are demonstrated for the public daily on a rotational basis.[3]
9th century: In Baghdad, the Banū Mūsā brothers, a trio of Persian inventors, produced "the earliest known mechanical musical instrument", in this case a hydropoweredorgan which played interchangeable cylinders automatically, which they described in their Book of Ingenious Devices. According to Charles B. Fowler, this "cylinder with raised pins on the surface remained the basic device to produce and reproduce music mechanically until the second half of the nineteenth century."[4]
Early 13th century: In Flanders, an ingenious bell ringer invents a cylinder with pins which operates cams, which then hit the bells.[4]
1598: Flemish clockmaker Nicholas Vallin produces a wall-mounted clock which has a pinned barrel playing on multiple tuned bells mounted in the superstructure. The barrel can be programmed, as the pins can be separately placed in the holes provided on the surface of the barrel.[5]
1665: Ahasuerus Fromanteel in London makes a table clock which has quarter striking and musical work on multiple bells operated by a pinned barrel. These barrels can be changed for those playing different tunes.[6]
1772: A watch is made by one Ransonet at Nancy, France which has a pinned drum playing music not on bells but on tuned steel prongs arranged vertically.[7]
1877: Thomas Edison invents the phonograph, which has important consequences for the musical-box industry, especially around the end of the century.[9][10]
In 2010 American jazz guitarist Pat Metheny released the album Orchestrion on which he performed alongside a variety of custom-designed and built acoustic and electromechanical orchestrions which comprised the rest of the "band", playing music in real-time through the MIDI file format.[11]
In March 2016, the band Wintergatan released a video of their homemade Marble Machine which took 14 months to make and played in any key using a 3,000-piece wooden construction fueled by 2,000 marbles. Band member Martin Molin used a hand crank to mobilize the marbles, which then created various noises on a vibraphone and other installed musical elements.[12]
In 2019, Tevofy Technology Ltd., based in Taiwan, released the first app-controlled mechanical music box called the Muro Box, an abbreviation of "Music Robot in a Box". Unlike traditional music boxes, people do not need to punch holes to compose songs on a paper-strip music box, and there is no minimum order for making customized music box movement to play a selected song.[13]
^ abFowler, Charles B. (October 1967), "The Museum of Music: A History of Mechanical Instruments", Music Educators Journal, 54 (2), MENC_ The National Association for Music Education: 45–49, doi:10.2307/3391092, JSTOR3391092, S2CID190524140. Citation on p. 45.
^In the Collections of the British Museum (M.L. Antiquities Dept. Ilbert collection)
^Peter Andraschke, "Kompositorische Tendenzen bei Karlheinz Stockhausen seit 1965", in Zur Neuen Einfachheit in der Musik, Studien zur Wertungsforschung 14, edited by Otto Kolleritsch, 126–43 (Vienna and Graz: Universal Edition [for the Institut für Wertungsforschung an der Hochschule für Musik und darstellende Kunst in Graz], 1981). ISBN3-7024-0153-9.
^Giuliano d'Angiolini, "Tierkreis, oeuvre pour instrument mélodique et/ou harmonique: un tournant dans le parcours musical de Stockhausen", Analyse Musicale (1989, 1er trimestre): 68–73.
^Hermann Conen, Formel-Komposition: Zu Karlheinz Stockhausens Musik der siebziger Jahre, Kölner Schriften zur Neuen Musik 1, edited by Johannes Fritsch and Dietrich Kämper. (Mainz: Schott's Söhne, 1991). ISBN3-7957-1890-2.
^Wilfried Gruhn, "'Neue Einfachheit'? Zu Karlheinz Stockhausens Melodien des Tierkreis", in Reflexionen uber Musik heute: Texte und Analysen, edited by Wilfried Gruhn, 185–202 (Mainz, London, New York, and Tokyo: B. Schott's Söhne, 1981. ISBN3-7957-2648-4.
^Jerome Kohl, "The Evolution of Macro- and Micro-Time Relations in Stockhausen’s Recent Music", Perspectives of New Music 22 (1983–84): 147–85, citation on 148.
^Gallus Oberholzer, "Karlheinz Stockhausen komponierte 12 Melodien speziell für Spieldosen", Das mechanische Musikinstrument: Journal der Gesellschaft für selbstspielende Musikinstrumente 12, no. 46 (December 1988): 49.
^Christel Stockhausen, "Stockhausens Tierkreis: Einführung und Hinweise zur praktischen Aufführung" Melos 45 / Neue Zeitschrift für Musik 139 (July–August 1978): 283–87.
Further reading
Bahl, Gilbert. Music Boxes: The Collector's Guide to Selecting, Restoring and Enjoying New and Vintage Music Boxes. Philadelphia, Pennsylvania: Running Press, 1993.
Mechanical Music from Phonogrammarchiv of the Austrian Academy of Sciences
LP vinyl record: "The Concert Regina Music Box and the Symphonium" (1977, Nostalgia Repertoire Records – Sonic Arts Corporation, 665 Harrison Street, San Francisco Ca. 94107, Curator: Leo de Gar Kulka, Record No. RR 4771 Stereo.)