As Time Goes By (1971); Nice (1973); Play Mas (1974); Rum an' Coca Cola (1976); Independence (1979); Welcome Home Jacko (1978); Meetings (1981); Playboy of the West Indies (1984)
Mustapha Matura (17 December 1939 – 29 October 2019)[1][2] was a Trinidadianplaywright living in London. Characterised by critic Michael Billington as "a pioneering black playwright who opened the doors for his successors", Matura was the first British-based dramatist of colour to have a play in London's West End, with Play Mas in 1974.[3] He was described by the New Statesman as "the most perceptive and humane of Black dramatists writing in Britain."[4]
Early years
Born Noel Mathura in 1939 to an East Indian father and Creole mother[5] in Port of Spain, Trinidad,[3] he changed his name when he became a writer, and explained: "I liked the sound of it.... It was the sixties."[6]
Leaving the Caribbean, he travelled by ship to England where he arrived in 1962; as he recalled in a 1977 interview: "We went to London and found out the sophistication of our dreams was just a gloss. It was very harsh on the bottom of the ladder."[7] After a year working as a hospital porter, he and fellow Trinidadian Horace Ové went to Rome, Italy, where he worked on stage productions such as Langston Hughes' Shakespeare in Harlem.[6] Matura thereafter decided to write plays about the West Indian experience in London.[4]
Play Mas was first performed at the Royal Court in 1974 (with Stefan Kalipha, Rudolph Walker, Norman Beaton and Mona Hammond in the cast), winning Matura the London Evening Standard’s Most Promising Playwright Award that year. It would be revived in 2015 at the Orange Tree Theatre, directed by Paulette Randall in what was described by The Guardian as a "beautifully observed production... a richly informative play that raises big questions about the nature of liberation, and is also hilariously precise about the shifting balance of power."[8] The reviewer for The Arts Desk wrote: "It is surprising that this is the first major revival of Play Mas.... It is exuberant, funny and often charming."[9]
In October 2023, a new production of Meetings was staged by the Orange Tree Theatre, with a cast comprising Kevin N Golding, Martina Laird and Bethan Mary-James, directed by Kalungi Ssebandeke.[10]
In 1978, he co-founded the Black Theatre Co-operative (now NitroBeat) together with British director Charlie Hanson.[4] "Frustrated by the lack of interest from London Fringe theatres in Matura's new play Welcome Home Jacko, Matura and Hanson set up their own theatre company. Welcome Home Jacko was presented at The Factory in Paddington, west London, in May 1979 and marked the beginnings of the Black Theatre Co-operative. The company supported, commissioned and produced work by black writers in Britain."[13] Matura was also a member of Penumbra Productions, an independent production company, other members of which included Horace Ové, H. O. Nazareth, Farrukh Dhondy, Michael Abbensetts, Margaret Busby and Lindsay Barrett, and among whose projects was a series of films based on lectures by C. L. R. James in the 1980s.[16][17]
Matura's work for television included the Channel 4 sitcom No Problem! (1983–85), written by him with Farrukh Dhondy, and Black Silk (BBC, 1985), which he devised in collaboration with Rudy Narayan.[18]
Personal life and legacy
Matura's first marriage, to Marian Walsh, with whom he had two children (Dominic and Ann), ended in divorce.[3] He was subsequently married to Ingrid Selberg, daughter of Norwegian mathematician Atle Selberg,[19] with whom he had two children, Cayal and Maya.[3]
In 2021, the Mustapha Matura Award and Mentoring Programme was announced, linked to the Alfred Fagon Award and supported by Matura's estate along with other donors, with the competition being open to emerging young black playwrights of Caribbean and African descendant up to the age of 25, and including a cash prize and a nine-month mentoring programme with a leading Black British playwright.[23]
Matura: Six Plays: "As Time Goes By", "Nice", "Play Mas", "Independence", "Welcome Home Jacko" and "Meetings", Bloomsbury Publishing, 2007, ISBN978-0413660701
^The New York Times Theater Reviews, 1920– Volume 21, p. 153, 1971: "Next to the intensity of 'Death and the Maiden' and the breadth of 'Brothers and Sisters,' Mustapha Matura's new play, 'The Coup,' at the National, seems small in scale. It is a satiric comedy about the limits of revolution. Mr. Matura can be a ..."
"'Ter Speak in yer mudder tongue': An interview with playwright Mustapha Matura" in Kwesi Owusu (ed.), Black British Culture & Society, Routledge, 2000.