The Asura King Hiranyakashipu, having been granted the boon of immortality by Brahma, projects himself as Supreme Being, even beyond Vishnu, whom he wants to avenge for killing his brother Hirnayaksha. After years of penance Brahma grants Hiranyakashipu his boon where he asks not to be killed by man or animal, on earth or space, inside the house or outside, and neither at dawn or at night. In his arrogance he aims for filicide when his son Prahlada rejects him as the supreme power, worshipping only Vishnu as the true God. He makes several attempts at killing Prahlad, one of them by burning him on the pyre. Prahlad is inadvertently saved when Holika's, (sister of Hiranyakashipu) fire-proof veil lands on him and Holika gets burnt instead. Hiranyakashipu is further angered when Prahlad, on being asked if Vishnu exists in the pillar of the palace too, answers He is everywhere. Hiranyakashipu smashes the pillar and a half man half lion form appears. It is Narsimha (Vishnu’s Avatar). The enraged Narsimha stands on the threshold and places the King on his thighs. It is twilight time indicating neither day nor night making Hiranyakashipu no longer invincible. With his talons he rips Hiranyakashipu’s abdomen apart, thereby killing him. Before leaving he installs Prahlad as the new King.
Amrit Gangar in his book states that the film was hailed as a "mass entertainer" according to Filmindia 1949. He cites another reviewer of the time who pointed out the discrepancy in Holika's name, quoting H. H. Wilson (1840) that according to the Puranas, Hiranyakashipu's sister's name was Sinhika, and she was married to Viprachitta.[5]
Several films have been made in India in different languages on the story of Prahlad and Narsimha. The first film version was made as Bhakta Prahlad (1926) by Dadasaheb Phalke. Since then nearly ten more films have been made with Bhakta Prahlad (1967) Telugu version cited as the best remake.[6]
