Conservatory president Gunther Schuller created the 12-member student ensemble in 1972 for a festival of romantic American music, at which the group performed some of Schuller's own editions of orchestrated versions of Joplin's piano rags. These period arrangements from the collection "Standard High-Class Rags", commonly known in early accounts as the Red Backed Book (later shortened to The Red Back Book), had been preserved by New Orleans musician Bill Russell and forwarded to Schuller by pianist and music historian Vera Brodsky Lawrence.
In 1973 the group's performance at the Smithsonian Institution[1] led to a recording for Angel Records.[2] Orchestrations for later repertoire included oboe, bassoon, French horn and guitar and banjo, a routine period practice.
"The Red Back Book" earned a Grammy Award for Best Chamber Music Performance of 1973.[4][5] It spent 54 weeks on Billboard's Top 100 Albums List; 84 weeks on the Top Classical Albums List, including 6 separate appearances at #1; and 12 weeks on the Top Jazz Album List. It was the magazine's Top Classical Album of 1974.[6]
The ensemble's second recording, "More Scott Joplin Rags", spent 26 weeks on the Top Classical list, earning a #7 ranking for 5 weeks.
The group continued to concertize extensively after 1974, becoming independent of the conservatory when Schuller left the school in 1977. He expanded their repertoire, adapting existing arrangements as well as arranging and transcribing the music of James Scott, Joseph Lamb, Louis Chauvin, Arthur Marshall, James Reese Europe, Jelly Roll Morton, Zez Confrey, and Claude Debussy. Schuller later incorporated contemporary rags by William Albright, Stefan Kozinski, Kenneth Laufer, Rob Carriker, David Reffkin, and one of his own compositions, Sandpoint Rag.
^Ray Murphy (March 11, 1975). "Ragtime sells out symphony". The Boston Globe.
^Speight Jenkins (May 5, 1974). "Joplin's Red Back Book at Alice Tully Hall". The New York Post.
^Daniel Webster (June 22, 1974). "Troupe Revives Ragtime At the Temple Festival". The Philadelphia Inquirer.
^"Schuller's Ragtime Ensemble Joyously Plays the Music of Joplin". The Evening Bulletin. June 21, 1974. p. 27.
^"Ragtime sounds performed on Channel 3 this Sunday". The Portales News-Tribune. February 20, 1987.
^"Il rag del New England". La Gazzetta del Mezzogiorno. September 27, 1983.
^George McKinnon (July 16, 1978). "Schuller makes rags the rage of Russia". The Boston Globe.
^David Willis (June 26, 1978). "Soviets sample ragtime rhythm". The Christian Science Monitor.
^Susan Larson (September 16, 1998). "Schuller charms with the lilt of ragtime". The Boston Globe.
^Martin Mayer (August 1974). "Recordings". Esquire. p. 30.
^Alan Rich (June 10, 1974). "The Lively Arts: Rags To Rip-Offs". New York Magazine. p. 80. The ensemble is marvelous; you know that every member is a superb technician, and yet together they have worked out an insinuating way of slurring and sliding - like the Vienna Philharmonic playing Johann Strauss - that gives the music marvelous warmth.