Outrun the Sky is the third studio album by American singer Lalah Hathaway. It was released on September 28, 2004, via then Universal-distributed Mesa/Blue Moon Recordings. Her first album in a decade, it peaked at number 34 on the US BillboardTop R&B/Hip-Hop Albums chart.
Background
In 2003, Hathaway signed with Universal-distributed Mesa/Blue Moon Records.[1] In 2004, she released a cover version of Luther Vandross's song "Forever, for Always, for Love" which later appeared on the all-star tribute album Forever, for Always, for Luther (2004) and peaked at number one on Billboard's Adult R&B Songs chart.[1] For her fourth album, Hathaway consulted producers Rex Rideout, Mike City, and David Delhomme as well as Vivian Sessoms and Chris Parks to work with her.[2]
Hathaway took an active hand in the production of Outrun the Sky,[3] writing or co-writing nine songs on the album and producing or co-producing six of them.[3] The album's closing track was originally written in 1993 after Hathaway had moved to Los Angeles. She cited it "the most personal song on the album."[4] The track, "Better And Better" began as a track intended for Eric Benét's album of the same name (2005). His finished track is the same as the one used on this album. Benét's lead and backgrounds were simply removed, and Hathaway's were added.[4]
Promotion
Originally recorded for the all-star tribute album Forever, for Always, for Luther (2004), Outrun the Sky was preceded by Hathaway's rendition of the same titled Luther Vandross song. Also serving as the album lead single, it became her first number one hit on Billboard's Adult R&B Songs chart.[5] Follow-up "Better and Better," produced by Mike City, reached number 21 on the same chart.[5] A third single, "How Many Times," also produced by City, failed to chart.[1]
Outrun the Sky earned generally positive reviews from music critics.[9]AllMusic editor David Jeffries responded that "it's her warm voice, smooth delivery, and allegiance to fad-free R&B that keeps the faithful patiently waiting. Delivering on all counts, Outrun the Sky is a fan's dream and the singer's best showcase since her debut."[7] He called the album a "showcase" on which Hathaway not only does "cover a wider spectrum of tones and moods but she also producers and writes most of the highlights of the album."[7] Jim Abbott of the Orlando Sentinel wrote "Outrun the Sky is worth the wait for fans of old-school singing without the self-indulgent histrionics that American Idol contestants confuse with emotion. Although these 13 songs lack the distinctive punch needed to rival Alicia Keys — the gold standard for modern R&B; — the album is filled with subtle charm."[8]
Mark Anthony Neal from PopMatters found that Outrun the Sky was in the spirit of Hathaway's previous album The Song Lives On but "finds its place. There are obvious attempts to garner some support from urban radio [...] but Hathaway'’s strength throughout her career has been the ballad. No longer feeling the need to compete with some of her R&B peers, Hathaway makes the transition here to song stylist — think Nancy Wilson — adding a level of depth by writing many of the project's songs."[10]SoulTracks critic Chris Rizik noted that "while her 1999 disc with Joe Sample, The Song Lives On, was a career album that couldn't be replicated, with Outrun the Sky Lalah Hathaway has created a classy and welcome addition to her discography that should be gobbled up by her patient, devoted fans."[11]
