New York praised the "raspy lushness" of Toots Hibbert's vocals.[8]The New York Times wrote: "Although customarily raucous, the Maytals' reggae retains a marked gospel intensity. As such, Pass the Pipe does not represent a new direction so much as a greater concentration on one aspect of Toots and company's mature gifts. Highly recommended."[3] The Bay State Banner thought that the "guitar and bass men shun the usual metallic riffing in favor of a reedy vegetable sound that purrs and mushes against your speakers."[9]Stereo Review deemed Pass the Pipe "a recording of special merit."[10]
Dave Thompson, in Reggae & Caribbean Music, thought that on Pass the Pipe "jazz influences creep into the now solidly soulful brew."[11]
