The Pepoli family was an Italian aristocratic banking family of Bologna, in northern Italy. They were lords of the city for thirteen years in the fourteenth century.
A branch of the family moved to Trapani in Sicily and were granted several feudal lordships and baronies.[1]
History
Origins
The presence of the family in Bologna seems to have been documented since the last decade of the eleventh century. The testament of Romeo Pepoli's Zerra, written by Rolandino de 'Passaggeri on 8 October 1251, shows the presence of the family in the area of via Castiglione at that time.[2] From the beginning, the Pepoli had established a prominent banking house in Bologna and became among the richest families in Italy at that time. For this reason, the chessboard used to count the relationship between different coins was adopted as the family's coat of arms.[2] After years of private financial activity, the family eventually took a leading role in the political scene of the city.
Lordship of Bologna
The House of Pepoli reached its apogee in the first half of the 14th century. The family took power as Lords of Bologna during the chaotic struggles between Guelfs and Ghibellines in the city. In August, 1337, Taddeo Pepoli orchestrated an armed occupation of the city and gained support for his election as Lord of Bologna. While initially reluctant to acknowledge Pepoli, PopeBenedict XII sent the bishop of Como, a Parravicini, to the city. The papal nuncio delivered the keys of the city to Taddeo, appointing him papal vicar for a three-year term. With this title Taddeo obtained the legitimacy to his office. These episodes are commemorated in two ovals frescoed in the 17th century by Canuti in the stairwell entrance of the Palazzo Pepoli Campogrande, across the street from the Palazzo Pepoli Vecchio.
^Cesare De Seta, Maria Antonietta Spadaro, Sergio Troisi (1998). Palermo city of art: a guide to the monuments of Palermo and Monreale . Palermo: Aries.
Further reading
A. Gerbino, Palazzo Natoli. Un itinerario settecentesco e un pittore contemporaneo, Ed. Sciascia, 1994
Diana Malignaggi: La pitture del Settecento a Palermo. Attività divulgativa e didattica 1978, Soprintendenza ai Beni Artistici e Storici, Palermo 1978
Angela Mazzé: Memoria di Gioacchino Martorana. A cura di Roberto Petricolo. Soprintendenza ai Beni Artistici e Storici, Palermo 1979
M. di Natale, La pittura dell'Ottocento in Sicilia: tra committenza, critica d'arte e collezionismo, Flaccovio, 2005