Originally training as an actor at the Royal Academy of Dramatic Art, Yates entered the film industry as an assistant director for top directors like Tony Richardson. After directing television programmes like The Saint and Danger Man, Yates made a breakthrough helming the heist film Robbery (1967). This led him to direct Bullitt (1968), which was a major critical and commercial success.
Yates' first feature as director was Summer Holiday (1963), a "lightweight"[6] vehicle for Cliff Richard. It was the second most popular movie at the British box office in 1963.[7] Yates had seen the original Royal Court production of N.F. Simpson's play One Way Pendulum and got the job of making the film version released in 1964. It was produced by Michael Deeley. The movie was not widely seen.[8][9] During the mid 1960s, Yates directed episodes of television, notably The Saint and Danger Man.
1967–1984
Yates' third feature as director was the heist film Robbery (1967), a fictionalised version of the Great Train Robbery of 1963 starring Stanley Baker and produced by Deeley.[10]Robbery was a critical success in the US and led to an offer to direct Bullitt (1968), of which Bruce Weber has written, "Mr. Yates's reputation probably rests most securely on Bullitt (1968), his first American film – and indeed, on one particular scene, an extended car chase that instantly became a classic."[11]
Yates later said, "In Hollywood back then, everyone knew a British director couldn't do action, so I think the studio had another motive in letting me come over. I think the reason they let McQueen bring me in was because if they let him have his way, they'd get him out of the studio – and out of their hair – for a while."[12] Yates moved to New York. "A filmmaker must go where the stories are," he said.[13]Bullitt was a huge success. Yates signed a contract with the Mirisch Company to make four films over seven years.[14]
Yates followed Bullitt with a romantic comedy, John and Mary (1969) with Dustin Hoffman and Mia Farrow. "I like to change the kind of stories I do," said Yates. "If you're not careful, you get pigeonholed and sooner or later someone better will come along."[15] In 1970, Yates said he would make Don Quixote with Richard Burton but the project stalled.[16] Instead he did a war film with Peter O'Toole produced by Deeley, Murphy's War (1971). Yates did another heist film, The Hot Rock (1972), based on a novel by Donald Westlake starring Robert Redford from a William Goldman script. After this he was going to make The Leatherstocking Saga and Jonathan Schwartz's Almost Home but neither was made.[17]
In 1972 he signed a four picture deal with Paramount which was to start with Deadly Edge from a Westlake novel.[18] Yates stayed with crime with The Friends of Eddie Coyle (1973) starring Robert Mitchum. He then did two comedies: For Pete's Sake (1974) with Barbra Streisand, and Mother, Jugs & Speed (1976); he produced the latter along with writer Tom Mankiewicz. Yates had a big commercial success with the adventure film The Deep (1977), where Mankiewicz did some uncredited writing.
Yates used his clout from The Deep to raise finance for Breaking Away (1979), written by Steve Tesich, whose play The Passing Game, Yates had directed in New York. Yates produced and directed the film. Breaking Away was nominated for five Academy Awards, including Best Director and Best Film for Yates. It led to a short-lived TV series that Yates also produced.[19] Yates and Tesich were reunited on the thriller Eyewitness (1981) starring William Hurt. He tried fantasy with Krull (1983), but it was not a success at the box office.
Yates also produced and directed The Dresser (1983), an adaptation of the Ronald Harwood stage play. The film received seven BAFTA and five Oscar nominations, including the BAFTA Award for Best Film and for Best Direction and the Academy Award for Best Film and for Best Director for Yates. The Dresser was also entered into the 34th Berlin International Film Festival.[20] Along with Eddie Coyle and Breaking Away, The Dresser was one of Yates' three favourite films.[12] "I'm ambitious in my own way," said Yates around this time. "I don't crave power. I really wouldn't want to trade places with anyone, not even Steven Spielberg. Look at what power can do to a gifted director like Robert Altman. It isn't necessarily healthy. I just want to make the movies that I want to make and, if by chance a few of them should turn out to be important or influential or successful, well, that would be an accident, wouldn't it?"[21]
1985–2004
Following The Dresser, Yates next four directorial efforts proved to be unsuccessful at the box office: Eleni (1985), written by Tesich; Suspect (1987), a thriller with Cher and Dennis Quaid; The House on Carroll Street (1988), which he also produced; and An Innocent Man (1989) with Tom Selleck.[22] In the early 1990s, after 18 years in New York, Yates moved to Los Angeles.[23] He made Year of the Comet (1992), which was a flop despite being based on a William Goldman script, and Roommates (1995).[24] He was an executive producer on Needful Things (1992). Yates went to Ireland to make The Run of the Country (1995) which he also produced.
In 1997 Yates returned to London. "The work was starting to close down," he admitted. "Firstly, you're supposed to be under 30, if possible. Secondly, I prefer to develop my own projects... There were a lot of teenage films around, which I wasn't right for and didn't feel connected to, and special-effects films of a kind I didn't know enough about. You have to be brought up in a computer-literate generation."[23] He made Curtain Call (1998) with Michael Caine then made a television film of Don Quixote in 2000, with John Lithgow in the title role of the Cervantes novel.[23] Yates' final film was A Separate Peace (2004)
Directorial style
Yates was known for his versatility and "attention to detail" across a variety of genres.[25] He said: "I think there's probably some truth in the theory that I prefer heroes who fight against adversity and make it through from being the underdog to winning".[12]
Death
Yates died from heart failure in London on 9 January 2011. He was 81 years old.[1][26]
^ ab"Peter Yates: Oscar-nominated British director whose much copied car chase scene in Bullitt established him as a leading film-maker in Hollywood". The Times 12 January 2011, p.49.
^ abcBritish-born director Peter Yates has enjoyed an... ] Portman, Jamie. CanWest News 22 March 1995: 1.
^British Director to Film U.S. Dilemma Lesner, Sam. Los Angeles Times 9 February 1968: c14.
^Peter Yates' Life Becomes a Super Thing: Peter Yates Leads the 'Super' Life Warga, Wayne. Los Angeles Times 26 July 1968: f1.
^Director Yates Cuts to the ChaseDana Kennedy of the Associated Press. St. Louis Post – Dispatch 26 April 1992: 12.C.
^Peter Waymark. "Burton as Quixote under 'Bullitt' director." Times [London, England] 15 December 1970: 3. The Times Digital Archive. Web. 12 July 2012.
^Tell Them Polonsky Is Here Again By A. H. WEILER. New York Times 30 May 1971: D11.
^Life With Father Hitler By A. H. WEILER. New York Times 21 May 1972: D15.
^A Hot Director Breaks Away From the Mainstream By SHAUN CONSIDINE. New York Times 15 July 1979: D17.
^'THE DRESSER' – PETER YATES BALTAKE, JOE. Philadelphia Daily News; Philadelphia, Pa. [Philadelphia, Pa]13 Jan 1984: 43.
^Peter Yates, Filmmaker, Is Dead at 81:Weber, Bruce. New York Times 11 January 2011: A.18.
^ abcTELEVISION; Taking a Classic Turn; With TNT's movie of 'Don Quixote,' Peter Yates joins a list of feature film directors who say that the small screen allows them to present a bigger vision. Gritten, David. Los Angeles Times 2 April 2000: CAL.5.
^A Vintage Approach to Filmmaking Script Gets Star Treatment in Old-Fashioned Romance Caper: [Home Edition] Gritten, David. Los Angeles Times 7 January 1992: 1.
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