It is in particular played by snake charmers, mostly in the Terai and Nepal, to arouse snakes to dance.[12]
The instrument has a high, thin tone and continuous low humming.[13]
It has been an important instrument in Indian folk culture and is known by various names in different parts of India. In northern India, it is known as the been, tumbi, and bansi; in the southern India, it is known as the magudi, mahudi, pungi, and pambaattikulhal.[14]
Construction
The pungi is constructed from a solid coconut cover, to which pieces of bamboo are joined, and has two components: a hollow vessel constructed from a gourd, and two pipes, each with a free-beating single reed (jivala).
The player blows air through the top tube-like portion of the instrument. One pipe makes drone-like sounds. and the other produces the melody. The pipe that produces the melody has seven holes and a range of one octave. The drone pipe only has one hole. Traditionally, both sounds are played simultaneously using circular breathing to create a hypnotic effect.
The pungi is usually played solo, as it is difficult to play it with other instruments.[15]
Ban on snake charming
The instrument was often used to entertain the public with snake charming. However, this practice was eventually banned throughout the country in 1991, under the Wildlife Protection Act, 1972.[citation needed]