Ruby Tjangawa Williamson (c. 1940 – September 2014) was a Pitjantjatjaraartist from Amaṯa, in central Australia. She made acrylicpaintings and traditional wood carvings, and was one of the most successful artists from the region.[1][2] Her paintings have attracted critical acclaim for her unusually modern style. Williamson painted sacred stories from the Dreamtime that have morals or lessons from her people's traditional law. She used the typical style of the Western Desert, but the techniques and imagery were more modern. Her style is said to be experimental.[3]
Early and personal life
Williamson was a member of the Pitjantjatjara nation. She was born about 1940,[a] at a sacred site near Kata Ala, Western Australia. She grew up with her family in the bushland along the western side of the border with South Australia. Her family spent most of their time travelling between her father's homeland near Pukara and her mother's around Mantamaru. When Williamson was a teenager, they followed other Pitjantjatjara families to settle at Ernabella, far to the east. Williamson grew up and went to school at the mission there until she got married.[3]
Williamson's husband was a stockman whose family came from what is now Amaṯa, west of Ernabella. After they married, they moved north to Areyonga, where he worked on the cattle station. They later moved back to his homeland, where he got a job on the Musgrave Park station. They had five children together, before her husband died in his early 40s.[3][7]
^The exact year of her birth is not known. Most sources estimate that it is around 1940.[4][5] The National Gallery of Australia puts it between 1938 and 1942.[6]
References
^ abc"Amata painters". QAGOMA. Queensland Art Gallery. Archived from the original on 28 June 2013. Retrieved 3 November 2012.
^ ab"Ruby Williamson: Desert Ruby". Australian Art Collector (45). Gadfly Media: 158. July–September 2008. Retrieved 3 November 2012.