Shinji Higuchi (Japanese: 樋口 真嗣, Hepburn: Higuchi Shinji, born September 22, 1965) is a Japanese filmmaker. Known for his tokusatsu blockbusters, Higuchi is considered one of Japan's leading filmmakers of the 21st century.[1][2][3]
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Early life
Higuchi was born on September 22, 1965,[7] in Shinjuku, Tokyo, Japan. When Higuchi was in junior high school, his aunt took him on a tour of Toho Studios, where she worked on commercials. Upon watching Toho's special effects crew at work, Higuchi became inspired and frequently visited the filming sets.[8]
In 2019, Higuchi told French interviewers about his education: "At the end of high school, when I had to pass the entrance examinations to universities, I failed everything. But since I was in a very popular high school, the school leaders refused to let me leave empty-handed! [laughs] So they said to me: 'you have to pass an exam, any!' I ended up passing my entrance examination for the Japanese Post Office, as a civil servant. I was sorted, locked up in a warehouse."[9]
As a key Daicon/Gainax member, he played an important part in the creation of one of the most popular anime series, Neon Genesis Evangelion (1995). He was a writer and art director/storyboarder for the series. He was also the namesake for the show's protagonist, Shinji Ikari.[11] He later voice-acted a musician modeled after himself in two episodes of Karekano.[12]
Higuchi made his directorial debut in 1992 with the disaster filmThe Day the Sun Fissured: The Great Tokyo Earthquake which he produced for Tokyo Fire Department.[13]
Personal affairs
Higuchi supports Japan's whaling and consumptions of whale meats in general, and have appeared in the 2023 pro-whaling documentary film by Keiko Yagi, the director of the 2015 film Behind The Cove.[14] The 2023 documentary featured the pro-whaling claim to highlight the necessity of whaling to control the marine ecosystem to prevent declines of fish stocks by whales, which largely affected public opinion regards the issues in Japan. The Fisheries Agency of Japan withdrew the claim in 2009 at the annual meeting of International Whaling Commission, but didn't correct it domestically afterwards.[14][15] Yagi and Higuchi remarked that "Godzilla is closely connected to whales and environmental issues in naming of the character and other aspects",[a] and expressed their supports for whaling and skeptical views towards veganism.[14][26]
^"庵野秀明企画・脚本『シン・ウルトラマン』が日本公開中。半世紀愛されるシリーズの新作" [Shin Ultraman planned and written by Hideaki Anno is now open in Japan. New work from a series beloved for half a century]. JFF+ (in Japanese). Japan Foundation. June 30, 2022. Archived from the original on November 30, 2022. Retrieved November 29, 2022.
^"【独占】樋口真嗣監督に聞く、庵野秀明氏とシン・ウルトラマンで目指す「断絶の解消」" [(Exclusive) Interview with Director Shinji Higuchi: 'Elimination of discontinuity' for Shin Ultraman with Hideaki Anno]. Business + IT (in Japanese). p. 1. Archived from the original on November 30, 2022. Retrieved November 29, 2022.
^"【樋口真嗣監督インタビュー】特撮映画の牽引者は、『シン・ウルトラマン』でなにを描くのか?" [(Interview with director Shinji Higuchi) What will the tokusatsu film leader draw in Shin Ultraman?]. Pen Online (in Japanese). May 13, 2022. Archived from the original on November 30, 2022. Retrieved November 29, 2022.
^Hajime Tsuburaya, July 7, 2001, "Birth of Godzilla by Tadao Saito", The films of Eiji Tsuburaya (復刻版 円谷英二 日本映画界に残した遺産), pp.70-71, Shogakukan
^Toho, May 1, 1985, "Interview on Takeo Murata", Toho SF Tokusatsu Film Series Vol.3 - Godzilla/Godzilla Raids Again/Varan the Unbelievable (ゴジラ/ゴジラの逆襲/大怪獣バラン: 東宝SF特撮映画シリ-ズ 3), pp. 216–223