Will Proudfoot is a quiet and shy 11-year-old boy from a family that belongs to the strict Plymouth Brethren church. Will is forbidden from watching films or television and is made to leave his classroom when a documentary is shown in class. In the corridor, he meets Lee Carter, the 12-year-old worst-behaved boy in school, thrown out of another class for bad behaviour. After they accidentally break a fish bowl, Lee volunteers to take the blame in exchange for Will's watch, which belonged to his dead father. Moreover, Lee demands that Will perform the stunts in a film Lee is making to enter the Screen Test Young Film-Makers' Competition.
At Lee's house, Will finds out Lee intends to use home video equipment owned by his 16-year-old bullying older brother Lawrence to make a homage to First Blood. While hiding from Lawrence, Will accidentally sees the film; becomes inspired, he joins Lee in the production. Will enthusiastically does several dangerous action scenes, culminating in the two boys becoming 'blood brothers' after Lee saves him from drowning. Lee finds Will's sketchbook and incorporates some of the ideas into his film script. The two become best friends, but Will has to keep it secret from his family and the increasingly interfering Brother Joshua of the Brethren, who has designs on his mother.
Didier Revol, a popular French exchange student, finds Will's sketchbook and asks to join the film, and Will agrees. This snowballs into the whole school being part of the production, and Will being included with the cool sixth-formers. Lee does not like this, as he is no longer in control. While filming the last sequence at a disused power station, their tension culminates in a fight, and Lee storms off. Due to Didier's carelessness, part of the unstable structure collapses, trapping Will. The rest of the kids, including Didier, flee the scene. Lee returns to rescue his friend. Lee gets hurt and is hospitalised. Lawrence visits Lee, but is angry about the broken camera.
Will's mother, from whom he has struggled to hide his activities, finally realises that her son must be allowed to be himself. Her family leaves the Brethren. The film is never submitted to the competition as they miss the deadline. Lawrence looks at Lee's footage and he is impressed. He also sees Lee defending him when Will condemns his behavior, which was accidentally filmed. With Will's help, Lawrence adds a part in which he acts himself – including a message for his brother.
When Lee leaves the hospital, he is brought to a cinema. His film is shown before the main feature (much to the enjoyment of the audience) and the two boys reconcile.
Son of Rambow received generally favourable reviews from critics. On Rotten Tomatoes the film has an approval rating of 73% based on reviews from 118 critics. The site's consensus is: "Undeniable heart and charming young leads save the film's nostalgic storyline from suffering at the hands of predictability [sic]."[7] On Metacritic the film has a score of 66 out of 100, based on 29 reviews.[12]
Roger Ebert of the Chicago Sun-Times gave the film a positive review and wrote: "After the movie, I imagined its writer-director, Garth Jennings (The Hitchhiker's Guide to the Galaxy) being more than a little like Will, and the movie uncannily similar to one of Will's comic epics."[13] Desson Thomson of The Washington Post wrote: "We cringe and laugh at -- and are ultimately moved by -- their clumsiness and innocence. And it endears us to the Rambo films in ways we never could have anticipated."[citation needed] Kimberley Jones of The Austin Chronicle called it "Funny and sweet and guaranteed to flood you with good feeling",[14] and Ty Burr of The Boston Globe called it "an absolute delight".[15]
David Morrell, the author who created the character of John Rambo, called it "a tender, charming story".[16] Stallone saw the film and sent a note to the filmmakers saying he loved it.[17]
Accolades
The film appeared on several critics' top ten lists of the best films of 2008. Both Kimberly Jones of The Austin Chronicle and Ty Burr of The Boston Globe named it their eighth best, and Marc Savlov of The Austin Chronicle named it his ninth.[18]
Son of Rambow was released on DVD and Blu-ray in the United Kingdom on 11 August 2008,[22] and on DVD in the United States on 26 August 2008.[23]
Musical
A stage musical adaptation has been workshopped by Nuffield Southampton Theatres (NST) in association with The Other Palace in London where it was presented from 24 May to 2 June 2018. It was directed by Nuffield Southampton Theatres' Artistic Director Samuel Hodges, with music by Miranda Cooper and Nick Coler, lyrics by Cooper and Richard Marsh, and book by Marsh.[citation needed]
^"Son of Rambow". UNCUT. 28 March 2008. Archived from the original on 15 April 2021. Retrieved 15 August 2020. Has Sylvester Stallone seen it? Yes, and I got this message saying he loved it.
