Soul of Country Music is the ninth studio album by American country singer Connie Smith. It was released in December 1967 by RCA Victor and contained 12 tracks. The album included mostly covers of previously-recorded songs. It received mixed reviews from critics following its release and reached the top ten of the American country albums chart.
Background
Prior to the Soul of Country Music, Connie Smith had reached peak career success with a series of top ten country singles like "Then and Only Then" (1965), "If I Talk to Him" (1965), "Ain't Had No Lovin'" (1966) and "The Hurtin's All Over" (1967). These songs were fueled by the success of Smith's 1964 debut single "Once a Day", which spent eight weeks at the top of the country chart.[2] The RCA Victor and Camden labels had previously released eight studio albums and one compilation album of her material.[3] The sessions held for these projects between 1966 and 1967 were backed by string instrumentation to provide a "middle of the road" pop-inspired sound.[4] For the Soul of Country Music, RCA chose to bring Smith back to a "small group context again", according to writer Colin Escott. For the project, strings were removed and replaced by traditional country instrumentation, including the fiddle.[5]
Soul of the Country Music was first released in December 1967 on the RCA Victor label. It was the ninth studio collection of Smith's music career and her eighth with RCA Victor (RCA Camden had issued one studio album of her songs). The project was originally distributed as a vinyl LP, containing six songs on both sides of the record.[7] Decades later, it was re-released to digital and streaming sites through Sony Music Entertainment.[8]Soul of Country Music spent eighteen weeks on the American BillboardTop Country Albums chart, peaking at the number seven position in April 1968. It was Smith's final LP to place on the chart in her career.[9]
The album received mixed reviews following its release. Billboard magazine criticized Smith's delivery and the album's production. "Except for one song–"It Only Hurts for a Little While"–the rest of the songs on this album sound sound as if Connie Smith wasn't too interested in them when she recorded them. Perhaps one should blame her producer for not demanding her best effort," the publication commented.[10] Dan Cooper of AllMusic gave the album three out of five stars. "More of the same unearthly sound, but this has Smith covering -- at times burying -- other singers' hits. Her version of Rex Griffin's 'The Last Letter' is almost literally to die for," he stated.[1]
