Construction started in 1747, but was interrupted and delayed several times by economic problems. It was not opened until 1 November 1773, when the king's friend, Ignacy Krasicki, the Bishop of Warmia (later Archbishop of Gniezno), officiated at the cathedral's consecration.[2]
After the Kristallnacht pogroms that took place on the night of 9–10 November 1938, Bernhard Lichtenberg, a canon of the cathedral chapter of St. Hedwig since 1931, prayed publicly for Jews at evening prayer. Lichtenberg was later jailed by the Nazis and died on the way to the concentration camp at Dachau.[3]
In 1965, Blessed Bernhard Lichtenberg's remains were transferred to the crypt at St. Hedwig's Cathedral.
The cathedral was severely damaged by Allied bombing in an air raid on 1 March 1943. Only the damaged shell of the building was left standing. Reconstruction started in 1952 and on 1 November 1963, All Saints' Day, the new high altar was consecrated by the Bishop of Berlin, Alfred Cardinal Bengsch.[4]
Between 1949 and 1990, St. Hedwig's was in East Berlin, under the control of the East German government.
The cathedral closed for major renovations on 1 September 2018. The relics of Bl. Bernhard Lichtenberg have been transferred to the crypt of Maria Regina Martyrum during the cathedral's renovation.[2] The church of St. Joseph in Wedding is the interim location for pontifical masses. A focal point of the renovations is a hemispherical altar composed of small stones from around the diocese collected by parishioners, based on an idea proposed by Austrian artist Leo Zogmayer.[1]
Tapestries
Fitting to the character of the liturgical season, a huge tapestry is hanging behind the cathedra. The cathedral owns three of them; all three share the motif of the heavenly Jerusalem.[5]
The tapestry of former Bauhaus student Margaretha Reichardt (Grete Reichardt) (1907–1984) of Erfurt was handwoven in 1963. It depicts a stylised city with the names of the apostles inscribed on foundation stones. God is represented by the Tree of Life and a lamb features as a symbol of Christ. Anton Wendling [de] (1891–1965) made a colorful appliqué work. It is a geometric composition using themes from the Book of Revelation. The three-part woven carpet made by Else Bechteler-Moses [de] (born 1933) was made in cooperation with Nürnberger Gobelinmanufaktur GmbH, a tapestry weaving company, between 1979 and 1981. This also uses themes from Revelations.