Critics mostly gave mixed reviews to the film. Pradeep Sebastian of Deccan Herald opined that despite the film playing "like a cross between a television serial drama and a somber Kannada art film, it isn't pointlessly wacky or irritatingly smart-alecky like most Indian English films". However, he complained that the film picks up pace only towards the end and that "for most of its running time it lacks drama, it lacks tension. It fails to grip." He concluded praising the film for its "evocative cinematography, deft characterization and convincing ensemble acting."[3] The reviewer for Hindustan Times, Manjulaa S. Negi opined that the film was a "forthright tale about naive individuals who still believe. They are the idealists whose dreams are shattered rather rudely and there is no recourse really, but to try and get back to their earlier lives with a bit more understanding and a lot more wiseness." She felt that despite the subject's shortcomings, "it holds", while adding that the direction and sound departments needed improvement. She concluded writing that the film's content was "powerful enough" for one-time watch at least.[4]
Deepa Gumaste of Rediff.com commended the film for its "realistic depiction of educated urban youth and their aspirations" and the performances of the leading actors including Anant Nag, Suhasini Maniratnam, M. D. Pallavi and Balaji Manohar. However, she blamed the director for being "over simplistic and loses his way with some characters". She added that the storytelling required to be more "restrained".[5] The reviewer for Viggy.com called it "a brilliant 'made in Bangalore' English film for Bangaloreans, by Bangaloreans and of Bangaloreans." They echoed Gumaste's view on the performances of the leading characters. The reviewer added, "Music by Praveen D. Rao is real good. Catchy dialogs of Prakash are very effective."[6]
