Teatro Caupolicán (Caupolicán Theatre) is a theatre and music venue located on the San Diego street in Santiago, Chile. It was opened in 1936. During its long history has hosted sporting, political, and cultural events. Currently is an important concert venue for popular Chilean and international artists, with a seating capacity of 4,500 and a total capacity of 5,400 (including standing places).
History
Zaldivar with Eduardo Frei Montalva voting no in the Chilean constitutional referendum of 1980 in the Teatro Caupolicán
The history of Teatro Caupolicán began in 1936, when the Caja de Empleados Públicos (or the resources for public employment), financed the construction of the location for large scale spectacles in Santiago.[1]
The theatre has hosted a wide array of types of events. In 1939 there was an opera program which included The Barber of Seville, Madame Butterfly, and Rigoletto. European symphony orchestras have also performed at the theatre. The Soviet ballet Beriosk came, as well as the Moscow Circus, and the Chinese Circus. Later, the ice skating show Holiday on Ice performed on a number of occasions.[2]
In 1946 women's Chilean basketball won its first South American title there. The theatre hosted boxing events, including fights with Arturo Godoy, Antonio Fernández, Godfrey Stevens, Samuel Serrano defending his WBA world Junior Lightweight title against Benedicto Villablanca,[3] and Martín Vargas.
Teatro Caupolicán has been a political forum in Chilean history as well. Former presidents Arturo Alessandri, Eduardo Frei Montalva and Salvador Allende all held rallies in this theatre. Allende's personal secretary recounts the Unidad Popular's rally held there.[4][5]
Some of these political speeches have been printed and are sold as books.[6]
Notable performers
Nobel prize winning Chilean poet Pablo Neruda once spoke at this theatre.[7] Neruda's speech had some political content criticizing Argentina in 1944.[8] In 1945 Neruda chose the theatre as a place to declare himself a member of the Communist Party.[9]
Enrique Venturino Soto ran the theatre at the beginning of the 1940s.[10]
Venturino also formed the Chilean circus troupe, Las Águilas Humanas (in English, "the human eagles") during an earlier era in which the space was dubbed Teatro Circo (or Circus Theatre) for its circus schedule.
Among the most unusual spectacles there was an attempt to hold a bullfight in 1954 with Peruvian-raised bulls. The theatre was prepared for 20 days in order to prepare a bullring, plenty of sand and dirt. Nevertheless, the show was a true fiasco. The bulls, perhaps young ones, according to Chino Allende, remained paralyzed on the floor. And those that moved did so only to raise and throw the abundant sand and dirt at the spectators. "The bulls ate the lenses, the electric lights. They missed the sun, the sky, I have never seen bulls so afraid," said Sergio Venturino in explaining the failure.[11]
