Office of Lehmac Productions in New York City; a hotel in Syracuse
The Butter and Egg Man is a 1925 play by George S. Kaufman, the only play he wrote without collaborating. It was a Broadway hit during the 1925–26 season at the Longacre Theatre.[1] Adapted to film six times, it is still performed on stages today.
Synopsis
The play's title, of course, is Broadwayese of the moment—a generic name for all those gentlemen who come trustingly to Gotham with bankrolls, bent upon either reckless expenditure or equally reckless investment.
— From the dust jacket for the first edition of The Butter and Egg Man (Boni & Liveright, 1926)[2]
A 1920s slang term popularized by Texas Guinan,[3] a butter-and-egg man is a traveling businessman eager to spend large amounts of money in the big city[4]—someone wealthy and unwary.[1] A souvenir booklet for the original production of The Butter and Egg Man devoted an entire page to the various claims of origin for the phrase.[5]
Peter Jones is a young man who arrives on Broadway from Chillicothe, Ohio, hoping to invest $20,000 in a play and turn a profit sufficient to buy a local hotel back home. He is conned by Joe Lehman and Jack McClure into backing their play with a 49-percent stake. The play opens out-of-town in Syracuse and bombs. Lehman and McClure want out, and Jones buys them out, and revamps the play into a huge hit. Jones then sells back to them at a huge profit after learning of claims that the play was stolen, and returns home to get his hotel.[3]
Kaufman's comedy may be seen as a precursor to Mel Brooks' The Producers.[6]
Production
James Gleason directed the Broadway production of The Butter and Egg Man, in which his wife Lucile Webster (center) appeared with Gregory Kelly and Sylvia Field.
Promotional theatre token for the touring production of The Butter and Egg Man (1926)
Gregory Kelly as Peter Jones in The Butter and Egg Man (1925)
Scene from the 2003 production of The Butter and Egg Man at Otterbein University
When the Broadway run of the play ended in April 1926, Gregory Kelly starred in its national tour. Kelly had a heart attack in Pittsburgh in February 1927, and the tour was abandoned.[9] Kelly was transferred to a New York City sanitarium by his wife, actress Ruth Gordon, but he was unable to recover and died July 9, 1927, at age 36.[10][11]
The London premiere of The Butter and Egg Man took place August 27, 1927, at the Garrick Theatre. Presented by an American company, the play was performed 31 times, closing on September 27, 1927. Robert Middlemass reprised his Broadway role as Joe Lehman.[12]
New York critics were unanimous in their praise for The Butter and Egg Man.[15] In his review of the play's premiere, Gilbert W. Gabriel wrote in The Sun that it was "the wittiest and liveliest jamboree of the behind-the-scenes ever distilled from the atmosphere of Broadway."[16]Walter Winchell wrote that "first nighters roared at the dialogue". "The audience nearly laughed itself to death", wrote John Anderson of The New York Evening Post. Alexander Woollcott called the play "richly and continuously amusing". "If you like smart, funny, sentimental, satirical comedies, here is a chance to enjoy yourself", wrote Percy Hammond of the New York Herald Tribune.[15]
Adaptations
The Butter and Egg Man has been adapted for motion pictures six times:[17]
^ abCrosby Gaige Introduces George S. Kaufman's New Comedy The Butter and Egg Man with Gregory Kelly (1925). Promotional brochure for the original production at the Longacre Theatre, New York City.
^Goble, Alan. The Complete Index to Literary Sources in Film, p. 252 (1992) (books lists six films based on the play: The Butter and Egg Man (1928), The Tenderfoot (1932), Hello Sweetheart (1937), Dance Charlie Dance (1937), Angel from Texas (1940), and Three Sailors and a Girl (1953)