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The Murder of Fred Hampton
The Murder of Fred Hampton is a 1971 American documentary film about the short life and death of Fred Hampton, a young African-American civil rights activist in Chicago and leader of the Illinois Black Panther Party. During the film's production, Hampton was fatally shot on December 4, 1969, in a pre-dawn raid at his apartment by the Chicago Police Department. The raid was revealed to have been organized in cooperation with the FBI.[2] When they learned of Hampton's death, filmmakers Howard Alk and Mike Gray, director and producer, respectively, went to his apartment, which was still unsecured. They took film footage of the crime scene. They later used this to challenge news reports and police testimony about the events. They also conducted investigative reporting into Hampton's death, with related material included in the film. Their conclusion is expressed in the title. In 2021, the film was selected for preservation in the United States National Film Registry by the Library of Congress as being "culturally, historically, or aesthetically significant".[3] SynopsisThe documentary is split into two parts: a portrait of Fred Hampton and an investigative report into his death in the police raid. Through re-enactments, evidence from the scene, and interviews, the documentary argues that Hampton was murdered, in an assassination by the Chicago police.[4] Cast
ReleaseThe film was released in Chicago, Illinois in May 1971, but it failed to attract much attention. It had a successful festival run in Europe and opened in New York City in October 1971.[1] ReceptionIn retrospective reviews in the early 21st century, David Walker of DVD Talk rated it 4.5/5 stars and wrote,
Roger Ebert described the film as "less compelling as investigative journalism than as an archive of political vernacular."[6] A. H. Weiler of The New York Times called it "a disturbingly somber illustration of some of the ills that beset us and our social system."[7] Spencer Parsons of the Austin Chronicle wrote that the film's coverage of Hampton is riveting and does not shy away from controversy.[8] Noel Murray of The A.V. Club rated it B+ and called it an immersive experience and "more satisfying portrait of activism" than American Revolution 2 (1969), which Alk also directed.[9] See alsoReferences
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